Marilena Zaroulia
Biographic Data
| ID | 5126050 |
|---|---|
| NAME | Marilena Zaroulia |
| GIVEN NAMES | Marilena |
| FAMILY NAME | Zaroulia |
| SIGNATURE | ZAROULIA M |
| AFFILIATIONS | University of Winchester |
| ORCID | 0000-0001-9480-6301 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
To sychrono theatro toy pragmatikou: Apo TIS alithines istories sto theatro ntokoumento kai stis erevnitikes dramatourgies tou 21ou aiona (‘Contemporary theatre of the real: From true stories to docum…
Review of: To sychrono theatro toy pragmatikou: Apo TIS alithines istories sto theatro ntokoumento kai stis erevnitikes dramatourgies tou 21ou aiona (‘Contemporary theatre of the real: From true stories to documentary theatre and devised dramaturgies of the 21st century’), Zoe Ververopoulou (2023) Athens: Papazisis, 566 pp., ISBN 978-9-60023-997-3, p/bk, EUR 32.86
Performing that which exceeds us: Aesthetics of sincerity and obscenity during ‘the refugee crisis’
Focusing on examples from theatre (On the Move festival, London International Festival of Theatre/Royal Court Theatre, London 2016), film (Gianfranco Rosi’s Fuoccoamare, 2016) and the visual arts (Ai Weiwei’s Safe Passage, Berlin 2016), this article proposes that in order to think through questions of efficacy and value of performance that seeks to engage with the pain of others, we must consider the interrelation of migration and excess. I explo…
‘What is our motherland?’ Performing ‘time out of joint’ at the National Theatre of Greece (2011–13)
In May 2011, the National Theatre of Greece launched its autumn 2011 to spring 2013 programme season under the title ‘Ti ine i patrida mas?’ (‘What is our motherland?’) which featured works by Greek and non-Greek artists that focused on three areas: Greeks’ perceptions of themselves, non-Greeks’ views of the country and its people, and what Greece might signify today. This two-year long season can offer insight into the National’s role amidst gro…
Mare Nostrum, or On Water Matters
This dialogue between two performance academics, whose childhood memories are intertwined with memories of the sea, aims to consider the role of performance as response to or reflection on the numerous deaths of migrants in the Mediterranean Sea, while tracing echoes and resonances of the migration crisis in the Australian context.In the wake of the cessation in late 2014 of Italy’s European Commission-supported Operation Mare Nostrum migrant sea…
Performances of Capitalism, Crises and Resistance
Discussing crises through diverse examples, including the UK's National Theatre, public art installations, Occupy LSX, repatriation ceremonies and performances of the everyday, this book asks how perf
Performances of Capitalism, Crises and Resistance: Inside/Outside Europe
Mare Nostrum, or On Water Matters
This dialogue between two performance academics, whose childhood memories are intertwined with memories of the sea, aims to consider the role of performance as response to or reflection on the numerous deaths of migrants in the Mediterranean Sea, while tracing echoes and resonances of the migration crisis in the Australian context.In the wake of the cessation in late 2014 of Italy’s European Commission-supported Operation Mare Nostrum migrant sea…
Performances of Capitalism, Crises and Resistance
Discussing crises through diverse examples, including the UK's National Theatre, public art installations, Occupy LSX, repatriation ceremonies and performances of the everyday, this book asks how perf
Performances of Capitalism, Crises and Resistance: Inside/Outside Europe
Mare Nostrum, or On Water Matters
This dialogue between two performance academics, whose childhood memories are intertwined with memories of the sea, aims to consider the role of performance as response to or reflection on the numerous deaths of migrants in the Mediterranean Sea, while tracing echoes and resonances of the migration crisis in the Australian context.In the wake of the cessation in late 2014 of Italy’s European Commission-supported Operation Mare Nostrum migrant sea…
‘What is our motherland?’ Performing ‘time out of joint’ at the National Theatre of Greece (2011–13)
In May 2011, the National Theatre of Greece launched its autumn 2011 to spring 2013 programme season under the title ‘Ti ine i patrida mas?’ (‘What is our motherland?’) which featured works by Greek and non-Greek artists that focused on three areas: Greeks’ perceptions of themselves, non-Greeks’ views of the country and its people, and what Greece might signify today. This two-year long season can offer insight into the National’s role amidst gro…
Performing that which exceeds us: Aesthetics of sincerity and obscenity during ‘the refugee crisis’
Focusing on examples from theatre (On the Move festival, London International Festival of Theatre/Royal Court Theatre, London 2016), film (Gianfranco Rosi’s Fuoccoamare, 2016) and the visual arts (Ai Weiwei’s Safe Passage, Berlin 2016), this article proposes that in order to think through questions of efficacy and value of performance that seeks to engage with the pain of others, we must consider the interrelation of migration and excess. I explo…
To sychrono theatro toy pragmatikou: Apo TIS alithines istories sto theatro ntokoumento kai stis erevnitikes dramatourgies tou 21ou aiona (‘Contemporary theatre of the real: From true stories to docum…
Review of: To sychrono theatro toy pragmatikou: Apo TIS alithines istories sto theatro ntokoumento kai stis erevnitikes dramatourgies tou 21ou aiona (‘Contemporary theatre of the real: From true stories to documentary theatre and devised dramaturgies of the 21st century’), Zoe Ververopoulou (2023) Athens: Papazisis, 566 pp., ISBN 978-9-60023-997-3, p/bk, EUR 32.86
Political science (4 works) · Politics (4 works) · Aesthetics (3 works) · Art (3 works) · Law (3 works) · Theatre and Performance Studies (3 works) · Visual arts (3 works) · Contemporary and Historical Greek Studies (2 works) · Law (2 works) · Literature (2 works)