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Jean E Feerick

Biographic Data

ID5127127
NAMEJean E Feerick
GIVEN NAMESJean E
FAMILY NAMEFeerick
SIGNATUREFEERICK J E
AFFILIATIONSJohn Carroll University
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS2
WORKS AS AUTHOR9
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Bad Humor

    Jean E Feerick•ARTICLE•Sixteenth Century Journal•2023

  • Black Metaphors

    Open Access•Jean E Feerick•ARTICLE•Renaissance Quarterly•2022

    Black Metaphors: How Modern Racism Emerged from Medieval Race-Thinking. Cord J. Whitaker. The Middle Ages Series. Philadelphia: University of Pennsylvania Press, 2019. 256 pp. $49.95. - Volume 75 Issue 2

  • Becoming Christian

    Open Access•Jean E Feerick•ARTICLE•Renaissance Quarterly•2016

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • “Rude Uncivill Blood”

    Open Access•Jean E Feerick•CHAPTER•Cultural Politics of Blood,…•2014

    In his exposition on modern sexuality, Foucault famously emphasizes the uniqueness of modern cultural forms by seizing on the Renaissance as a point of contrast. This earlier era, he avers, was defined by a distinctly pre-modern episteme in being riveted not by sex but by “the blood relation.” In that period, he maintains, “the value of descent lines were predominant” and “blood constituted one of the fundamental values.”1 Foucault was right to d…

  • Empires of Love

    Open Access•Jean E Feerick•ARTICLE•Renaissance Quarterly•2014

    Carmen Nocentelli. Empires of Love: Europe, Asia, and the Making of Early Modern Identity. Philadelphia: University of Pennsylvania Press, 2013. ix + 260 pp. $55. ISBN: 978-0-8122-4483-0. - Volume 67 Issue 3

  • The Indistinct Human in Renaissance Literature

    Open Access•Jean E Feerick, Vin Nardizzi•EDITOR•BOOK•Indistinct Human in Renaissance…•2012

    Argues for the necessity of a re-articulation of the differences that separated man from other forms of life. The essays in this collection argue for recognition of the persistently indistinct nature

  • Groveling with Earth in Kyd and Shakespeare’s Historical Tragedies

    Open Access•Jean E Feerick•CHAPTER•Indistinct Human in Renaissance…•2012

    Eager to rouse her brother-in-law, John of Gaunt, to action in an opening scene of Shakespeare's Tragedy of King Richard II, the Duchess of Gloucester invokes an image that serves as a representational axis for the play. Speaking of her murdered husband, Woodstock, whose name acquires a punning force in the context of her words, she urges: One flourishing branch of his most royal root, Is cracked, and all the precious liquor spilt; Is hacked down…

  • Strangers in Blood

    Jean E Feerick, Jean Feerick•BOOK•Carroll Collected (John Carroll…•2010

    Strangers in Blood explores, in a range of early modern literature, the association between migration to foreign lands and the moral and physical degeneration of individuals. Arguing that, in early modern discourse, the concept of race was primarily linked with notions of bloodline, lineage, and genealogy rather than with skin colour and ethnicity, Jean E. Feerick establishes that the characterization of settler communities as subject to degenera…

  • Botanical Shakespeares

    Open Access•Jean E Feerick, Jean Feerick•ARTICLE•South Central Review•2009•Cited by: 2•References: 4

    The early modern epistemic overlap between plant and person, Feerick’s article demonstrates, can expand critical work on early modern race both in and beyond Shakespearean drama. It centers upon an analysis of Shakespeare’s Titus Andronicus , a play that brings plant bodies and human bodies into dizzying dramatic collision. In contrast to critics of the Enlightenment who have argued that the drive to classify plants into phyla and species helped …

  • Shades of Difference

    Open Access•Jean E Feerick, Jean Feerick•ARTICLE•Renaissance Quarterly•2006

    Sujata Iyengar. Shades of Difference: Mythologies of Skin Color in Early Modern England. Philadelphia: University of Pennsylvania Press, 2005. x + 310 pp. index. illus. bibl. $55. ISBN: 0-8122-3832-X. - Volume 59 Issue 1

  • Botanical Shakespeares

    Open Access•Jean E Feerick, Jean Feerick•ARTICLE•South Central Review•2009•Cited by: 2•References: 4

    The early modern epistemic overlap between plant and person, Feerick’s article demonstrates, can expand critical work on early modern race both in and beyond Shakespearean drama. It centers upon an analysis of Shakespeare’s Titus Andronicus , a play that brings plant bodies and human bodies into dizzying dramatic collision. In contrast to critics of the Enlightenment who have argued that the drive to classify plants into phyla and species helped …

  • Shades of Difference

    Open Access•Jean E Feerick, Jean Feerick•ARTICLE•Renaissance Quarterly•2006

    Sujata Iyengar. Shades of Difference: Mythologies of Skin Color in Early Modern England. Philadelphia: University of Pennsylvania Press, 2005. x + 310 pp. index. illus. bibl. $55. ISBN: 0-8122-3832-X. - Volume 59 Issue 1

  • Botanical Shakespeares

    Open Access•Jean E Feerick, Jean Feerick•ARTICLE•South Central Review•2009•Cited by: 2•References: 4

    The early modern epistemic overlap between plant and person, Feerick’s article demonstrates, can expand critical work on early modern race both in and beyond Shakespearean drama. It centers upon an analysis of Shakespeare’s Titus Andronicus , a play that brings plant bodies and human bodies into dizzying dramatic collision. In contrast to critics of the Enlightenment who have argued that the drive to classify plants into phyla and species helped …

  • Strangers in Blood

    Jean E Feerick, Jean Feerick•BOOK•Carroll Collected (John Carroll…•2010

    Strangers in Blood explores, in a range of early modern literature, the association between migration to foreign lands and the moral and physical degeneration of individuals. Arguing that, in early modern discourse, the concept of race was primarily linked with notions of bloodline, lineage, and genealogy rather than with skin colour and ethnicity, Jean E. Feerick establishes that the characterization of settler communities as subject to degenera…

  • The Indistinct Human in Renaissance Literature

    Open Access•Jean E Feerick, Vin Nardizzi•EDITOR•BOOK•Indistinct Human in Renaissance…•2012

    Argues for the necessity of a re-articulation of the differences that separated man from other forms of life. The essays in this collection argue for recognition of the persistently indistinct nature

  • Groveling with Earth in Kyd and Shakespeare’s Historical Tragedies

    Open Access•Jean E Feerick•CHAPTER•Indistinct Human in Renaissance…•2012

    Eager to rouse her brother-in-law, John of Gaunt, to action in an opening scene of Shakespeare's Tragedy of King Richard II, the Duchess of Gloucester invokes an image that serves as a representational axis for the play. Speaking of her murdered husband, Woodstock, whose name acquires a punning force in the context of her words, she urges: One flourishing branch of his most royal root, Is cracked, and all the precious liquor spilt; Is hacked down…

  • “Rude Uncivill Blood”

    Open Access•Jean E Feerick•CHAPTER•Cultural Politics of Blood,…•2014

    In his exposition on modern sexuality, Foucault famously emphasizes the uniqueness of modern cultural forms by seizing on the Renaissance as a point of contrast. This earlier era, he avers, was defined by a distinctly pre-modern episteme in being riveted not by sex but by “the blood relation.” In that period, he maintains, “the value of descent lines were predominant” and “blood constituted one of the fundamental values.”1 Foucault was right to d…

  • Empires of Love

    Open Access•Jean E Feerick•ARTICLE•Renaissance Quarterly•2014

    Carmen Nocentelli. Empires of Love: Europe, Asia, and the Making of Early Modern Identity. Philadelphia: University of Pennsylvania Press, 2013. ix + 260 pp. $55. ISBN: 978-0-8122-4483-0. - Volume 67 Issue 3

  • Becoming Christian

    Open Access•Jean E Feerick•ARTICLE•Renaissance Quarterly•2016

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Black Metaphors

    Open Access•Jean E Feerick•ARTICLE•Renaissance Quarterly•2022

    Black Metaphors: How Modern Racism Emerged from Medieval Race-Thinking. Cord J. Whitaker. The Middle Ages Series. Philadelphia: University of Pennsylvania Press, 2019. 256 pp. $49.95. - Volume 75 Issue 2

  • Bad Humor

    Jean E Feerick•ARTICLE•Sixteenth Century Journal•2023

Art (9 works) · History (6 works) · Art history (4 works) · Gender Studies (4 works) · History (4 works) · Literature (4 works) · Philosophy (4 works) · Sociology (4 works) · Gender Studies (3 works) · Philosophy (3 works)

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