Simon Trussler
Biographic Data
| ID | 5127572 |
|---|---|
| NAME | Simon Trussler |
| GIVEN NAMES | Simon |
| FAMILY NAME | Trussler |
| SIGNATURE | TRUSSLER S |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1968 |
| LATEST PUBLICATION YEAR | 1969 |
| H-INDEX | 0 |
Political Progress of a Paralyzed Liberal
John Arden has been a bête-noire for middlebrows and a blue-eyed boy for intellectuals ever since Serjeant Musgrave's Dance got its first critical drubbing at the Royal Court Theatre in October 1959. But until recently Arden's reception has had little to do with political or ethical sympathies. The most conservative critics have been ready to go into raptures over Wesker's william-morrisy socialism or Orton's freebooting sexuality: and such playw…
Shakespeare
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
British Neo-naturalism
Naturalism wasn't a label any of the early new-wave British dramatists would have chosen deliberately, but a shape for which they reached instinctively: it happened to meet many of the demands which they were beginning to make on the English theatre. It served as a convenient vehicle for direct social comment, as opposed—very much opposed—to that poeticism in symbolic drawing-rooms which delighted the cultural establishment, and which was being v…
No prominent works on this page.
Shakespeare
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
British Neo-naturalism
Naturalism wasn't a label any of the early new-wave British dramatists would have chosen deliberately, but a shape for which they reached instinctively: it happened to meet many of the demands which they were beginning to make on the English theatre. It served as a convenient vehicle for direct social comment, as opposed—very much opposed—to that poeticism in symbolic drawing-rooms which delighted the cultural establishment, and which was being v…
Political Progress of a Paralyzed Liberal
John Arden has been a bête-noire for middlebrows and a blue-eyed boy for intellectuals ever since Serjeant Musgrave's Dance got its first critical drubbing at the Royal Court Theatre in October 1959. But until recently Arden's reception has had little to do with political or ethical sympathies. The most conservative critics have been ready to go into raptures over Wesker's william-morrisy socialism or Orton's freebooting sexuality: and such playw…
Art (3 works) · Art history (2 works) · History (2 works) · History (2 works) · Irish and British Studies (2 works) · Literature (2 works) · Theatre and Performance Studies (2 works) · Communism (1 work) · Content (measure theory (1 work) · Dance (1 work)