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Robynn J Stilwell

Biographic Data

ID5128505
NAMERobynn J Stilwell
GIVEN NAMESRobynn J
FAMILY NAMEStilwell
SIGNATURESTILWELL R J
AFFILIATIONSUniversity of Southampton
ORCID0000-0003-0871-2398
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS3
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2021
H-INDEX1
  • The “ Rashômon Effect” Effect

    Robynn J Stilwell•ARTICLE•Journal of Musicological Research•2021

    In Akira Kurasawa’s classic 1950 film Rashômon, three participants testify to a tribunal about a rape/murder. The rape itself has been elided into the crime of murder in most of the literature—a symptom of patriarchal frames, both Eastern and Western, and both within the film and in the scholarship. Two characters represent female archetypes: the woman Masako is—even in the same tellings—a lady and a seductress; the Medium who channels the testim…

  • The Fantastical Gap Between Diegetic And Nondiegetic

    Robynn J Stilwell•CHAPTER•Beyond the Soundtrack•2019

  • Music Dances

    Robynn J Stilwell, Nancy McDill et al.•ARTICLE•American Music•2004

  • Sense & Sensibility. Form, Genre, and Function in the Film Score

    Robynn J Stilwell•ARTICLE•Acta Musicologica•2000

    L'A. explore la question de la forme musicale et du contenu expressif dans le roman de Jane Austen Sense & Sensibility, dans son adaptation cinematographique de Ang Lee (1995) et dans la partition musicale du film composee par Patrick Doyle. L'examen de la composition musicale montre comment, dans la musique de film, les preoccupations esthetiques formelles se heurtent de facon aigue aux exigences du contenu. Afin de mettre en evidence les implic…

  • Audio reviews

    George H Lewis, Robynn J Stilwell et al.•ARTICLE•Popular Music & Society•1999

    Chumbawamba. Tubthumper. Universal UD 53099. Freakwater. Springtime. Thrill Jockey 047. Box 476794, Chicago, IL 60647. The City of Prague Philharmonic. The Crimson Pirate: Swashbucklers of the Silver Screen. Silva Screen Records. SSD 3009. The City of Prague Philharmonic. The Myth of Zorro: Swordsmen of the Silver Screen. Silva Screen Records. SSD 3010. Cliff Eberhardt. 12 Songs of Good and Evil. Red House Records 105. R. B. Morris. Take That Rid…

  • Audio reviews

    George H Lewis, Randy Blazak et al.•ARTICLE•Popular Music & Society•1998

    Coolbone. Brass‐Hop. Hollywood HR 82088–2. Ben Harper. The Will to Live. Virgin 844178 2 6. Old and In the Way. That High Lonesome Sound. Acoustic Disc ACD 19. Waylon Jennings. Right for the Time. Justice. JR 2101–2. Home Alive. Sony. E2K 67486. John Fogerty. Blue Moon Swamp. Warner Brothers 2–45426‐AB. Bud Freeman. The Pool Angel Hot Jazz Society, 1973–1990: Bud Freeman's California Session 1982. Jazzology CD JCD277. Rudy Balliu. The Rudy Balliu…

  • I Just Put a Drone Under Him

    Robynn J Stilwell•ARTICLE•Music and Letters•1997

    WHEN IT WAS released in 1988, Die Hard was regarded as just another action film, albeit a whopping good one. Time has proved that it was something more significant: Die Hard was not the first great blockbuster action film, but it swiftly emerged as a virtual template for those that followed. As with Singin' in the Rain (1952) for the musical, however, there was enough history behind Die Hard for the film both to epitomize and to comment upon the …

  • In the air tonight

    Robynn J Stilwell•ARTICLE•Popular Music & Society•1995•Cited by: 3•References: 3

  • In the air tonight

    Robynn J Stilwell•ARTICLE•Popular Music & Society•1995•Cited by: 3•References: 3

  • In the air tonight

    Robynn J Stilwell•ARTICLE•Popular Music & Society•1995•Cited by: 3•References: 3

  • I Just Put a Drone Under Him

    Robynn J Stilwell•ARTICLE•Music and Letters•1997

    WHEN IT WAS released in 1988, Die Hard was regarded as just another action film, albeit a whopping good one. Time has proved that it was something more significant: Die Hard was not the first great blockbuster action film, but it swiftly emerged as a virtual template for those that followed. As with Singin' in the Rain (1952) for the musical, however, there was enough history behind Die Hard for the film both to epitomize and to comment upon the …

  • Audio reviews

    George H Lewis, Randy Blazak et al.•ARTICLE•Popular Music & Society•1998

    Coolbone. Brass‐Hop. Hollywood HR 82088–2. Ben Harper. The Will to Live. Virgin 844178 2 6. Old and In the Way. That High Lonesome Sound. Acoustic Disc ACD 19. Waylon Jennings. Right for the Time. Justice. JR 2101–2. Home Alive. Sony. E2K 67486. John Fogerty. Blue Moon Swamp. Warner Brothers 2–45426‐AB. Bud Freeman. The Pool Angel Hot Jazz Society, 1973–1990: Bud Freeman's California Session 1982. Jazzology CD JCD277. Rudy Balliu. The Rudy Balliu…

  • Audio reviews

    George H Lewis, Robynn J Stilwell et al.•ARTICLE•Popular Music & Society•1999

    Chumbawamba. Tubthumper. Universal UD 53099. Freakwater. Springtime. Thrill Jockey 047. Box 476794, Chicago, IL 60647. The City of Prague Philharmonic. The Crimson Pirate: Swashbucklers of the Silver Screen. Silva Screen Records. SSD 3009. The City of Prague Philharmonic. The Myth of Zorro: Swordsmen of the Silver Screen. Silva Screen Records. SSD 3010. Cliff Eberhardt. 12 Songs of Good and Evil. Red House Records 105. R. B. Morris. Take That Rid…

  • Sense & Sensibility. Form, Genre, and Function in the Film Score

    Robynn J Stilwell•ARTICLE•Acta Musicologica•2000

    L'A. explore la question de la forme musicale et du contenu expressif dans le roman de Jane Austen Sense & Sensibility, dans son adaptation cinematographique de Ang Lee (1995) et dans la partition musicale du film composee par Patrick Doyle. L'examen de la composition musicale montre comment, dans la musique de film, les preoccupations esthetiques formelles se heurtent de facon aigue aux exigences du contenu. Afin de mettre en evidence les implic…

  • Music Dances

    Robynn J Stilwell, Nancy McDill et al.•ARTICLE•American Music•2004

  • The Fantastical Gap Between Diegetic And Nondiegetic

    Robynn J Stilwell•CHAPTER•Beyond the Soundtrack•2019

  • The “ Rashômon Effect” Effect

    Robynn J Stilwell•ARTICLE•Journal of Musicological Research•2021

    In Akira Kurasawa’s classic 1950 film Rashômon, three participants testify to a tribunal about a rape/murder. The rape itself has been elided into the crime of murder in most of the literature—a symptom of patriarchal frames, both Eastern and Western, and both within the film and in the scholarship. Two characters represent female archetypes: the woman Masako is—even in the same tellings—a lady and a seductress; the Medium who channels the testim…

Art (8 works) · Literature (5 works) · Art history (4 works) · Visual arts (3 works) · Aesthetics (2 works) · Blues (2 works) · Music History and Culture (2 works) · Musicology and Musical Analysis (2 works) · Narrative (2 works) · Action (physics) (1 work)

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