Aidan Byrne
Biographic Data
| ID | 5130588 |
|---|---|
| NAME | Aidan Byrne |
| GIVEN NAMES | Aidan |
| FAMILY NAME | Byrne |
| SIGNATURE | BYRNE A |
| AFFILIATIONS | University of Wolverhampton |
| ORCID | 0000-0001-9289-1995 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 11 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Living with nuclear energy
Marginalising co-operation? A discursive analysis of media reporting on the Co-operative Bank
Recently there has been renewed academic interest in co-operatives. In contrast, media accounts of co-operatives are relatively scarce, particularly, in the United Kingdom, where business reporting usually focuses on capitalist narratives, with alternatives routinely marginalised until a scandal pushes them into the public eye. This article analyses media coverage of the United Kingdom’s Co-operative Bank (2011–2015), tracing its transformation f…
Sex Sells (Out)
Fiction by fans is not new: despite the development of copyright law in the eighteenth century, unofficial sequels were common. For example, Samuel Richardson’s Pamela (1740) was followed by anonymous and pseudonymous sequels and satires, including Pamela’s Conduct in High Life (1741) and Conny Keyber’s (Henry Fielding’s) An Apology for the Life of Mrs Shamela Andrews (1741). The commercial publishing world still produces such work: Jane Austen s…
Instilling new habits
He will bid me cross the border”
This article argues that George Borrow's Wild Wales (1862) and O. M. Edwards's Cartrefi Cymru (1896) construct Wales in significantly different ways through their authors' journeys around Wales in the mid- and late-Victorian periods, by drawing on Benedict Anderson's theory that nationalism requires industrial capitalism to construct an “imagined nation”. I suggest that Borrow's neo-Romantic Wales allows for elective affinity for cultured outside…
He will bid me cross the border”
This article argues that George Borrow's Wild Wales (1862) and O. M. Edwards's Cartrefi Cymru (1896) construct Wales in significantly different ways through their authors' journeys around Wales in the mid- and late-Victorian periods, by drawing on Benedict Anderson's theory that nationalism requires industrial capitalism to construct an “imagined nation”. I suggest that Borrow's neo-Romantic Wales allows for elective affinity for cultured outside…
Instilling new habits
Marginalising co-operation? A discursive analysis of media reporting on the Co-operative Bank
Recently there has been renewed academic interest in co-operatives. In contrast, media accounts of co-operatives are relatively scarce, particularly, in the United Kingdom, where business reporting usually focuses on capitalist narratives, with alternatives routinely marginalised until a scandal pushes them into the public eye. This article analyses media coverage of the United Kingdom’s Co-operative Bank (2011–2015), tracing its transformation f…
Sex Sells (Out)
Fiction by fans is not new: despite the development of copyright law in the eighteenth century, unofficial sequels were common. For example, Samuel Richardson’s Pamela (1740) was followed by anonymous and pseudonymous sequels and satires, including Pamela’s Conduct in High Life (1741) and Conny Keyber’s (Henry Fielding’s) An Apology for the Life of Mrs Shamela Andrews (1741). The commercial publishing world still produces such work: Jane Austen s…
Living with nuclear energy
Sociology (3 works) · Art history (2 works) · Computer Science (2 works) · History (2 works) · History (2 works) · Law (2 works) · Media studies (2 works) · Political science (2 works) · Accounting (1 work) · Anthropology (1 work)