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Jack Canfield

Biographic Data

ID5130820
NAMEJack Canfield
GIVEN NAMESJack
FAMILY NAMECanfield
SIGNATURECANFIELD J
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS1
WORKS AS AUTHOR11
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR2002
H-INDEX1
  • Mavericks on the Border

    Melissa Hussain, Jack Canfield et al.•ARTICLE•Rocky Mountain Review of Language…•2002

  • Kit Carson, John C. Frémont, Manifest Destiny, and the Indians

    Open Access•Jack Canfield, J Douglas Canfield•ARTICLE•American Indian Culture and…•1998

    Kit Carson and John C. Fremont were once unmitigated Western heroes. They remain important figures in Western American history. But both have been subject to revisionism. A recent biography of Fremont, John Charles Fremont: Character as Destiny by Andrew Rolle, critiques the ex lorer as an ill-fated adventurer and opportunist (it is Rolle who compares him to Lawrence of Arabia). Carson has been branded a genocidal racist, especially for his Navaj…

  • Congreve, the Drama, and the Printed Word

    Jack Canfield, J Douglas Canfield et al.•ARTICLE•Eighteenth-Century Studies•1991

    Note to the reader Introduction 1. Drama and print 2. Publishers, pirates and the library text 3. The technologized muse 4. 'Asterisms' 5. Scandal's portraits 6. The dictionary and the monkey 7. Nature and art Conclusion Notes References Index

  • Word as Bond in English Literature From the Middle Ages to the Restoration

    John P Zomchick, Jack Canfield et al.•ARTICLE•Eighteenth-Century Studies•1991

  • John Dryden

    Jack Canfield, J Douglas Canfield et al.•ARTICLE•Eighteenth-Century Studies•1990

  • Restoration Comedy in Performance

    Jack Canfield, J Douglas Canfield et al.•ARTICLE•Eighteenth-Century Studies•1988

    Introduction and approach 2. The playhouse and the performance 3. The actor 4. The actress 5. Stage and sexual tactics 6. A mode of speech 7. The spirit of the performance Appendices Selected bibliography Index

  • "Pope's "Essay on Man

    Jack Canfield, J Douglas Canfield et al.•ARTICLE•Eighteenth-Century Studies•1985

  • The Ideology of Restoration Tragicomedy

    Jack Canfield, J Douglas Canfield•ARTICLE•ELH•1984•Cited by: 1•References: 1

    In a recent article, Laura S. Brown, adopting an argument made years ago by Eugene Waith about Fletcherian tragicomedy and adapting it to Restoration tragicomedy, argues that these plays too subordinate thematics to aesthetics, that they emphasize formal patterning to virtual renunciation of meaning.' This formal pattern in both and plots, Brown asserts, is that of 'intrigue, successful conclusion of which is all that really interests audience. T…

  • Nicholas Rowe and Christian Tragedy

    Mark S Auburn, Jack Canfield et al.•ARTICLE•Eighteenth-Century Studies•1979

  • The Significance of the Restoration Rhymed Heroic Play

    Jack Canfield, J Douglas Canfield•ARTICLE•Eighteenth-Century Studies•1979

    MIUCH HAS BEEN WRITTEN about the Restoration rhymed heroic play, the bulk portraying its significance only in terms of literary or theatre history, characterizing it as an outrageous experiment that failed. Most critics do not understand how anyone could have taken this bombastic stuff seriously. Some critics have gone so far to save for respectability those heroic plays of John Dryden as to view their significance as satirical.1 I should like to…

  • The Jewel of Great Price

    Jack Canfield, J Douglas Canfield•ARTICLE•ELH•1975

    Sleep, blest Pair, Secure from chance, long Ages out, While all the of fly o'er your Tomb.1 This speech by the Egyptian priest Serapion at the end of John Dryden's Allfor Love terminates what the major theme of the play but one that has gone virtually unnoticed in criticism until recently. In one of the most provocative articles ever published on the best English tragedy of the entire Restoration, eighteenth, and nineteenth centuries, Derek W. Hu…

  • The Ideology of Restoration Tragicomedy

    Jack Canfield, J Douglas Canfield•ARTICLE•ELH•1984•Cited by: 1•References: 1

    In a recent article, Laura S. Brown, adopting an argument made years ago by Eugene Waith about Fletcherian tragicomedy and adapting it to Restoration tragicomedy, argues that these plays too subordinate thematics to aesthetics, that they emphasize formal patterning to virtual renunciation of meaning.' This formal pattern in both and plots, Brown asserts, is that of 'intrigue, successful conclusion of which is all that really interests audience. T…

  • The Jewel of Great Price

    Jack Canfield, J Douglas Canfield•ARTICLE•ELH•1975

    Sleep, blest Pair, Secure from chance, long Ages out, While all the of fly o'er your Tomb.1 This speech by the Egyptian priest Serapion at the end of John Dryden's Allfor Love terminates what the major theme of the play but one that has gone virtually unnoticed in criticism until recently. In one of the most provocative articles ever published on the best English tragedy of the entire Restoration, eighteenth, and nineteenth centuries, Derek W. Hu…

  • Nicholas Rowe and Christian Tragedy

    Mark S Auburn, Jack Canfield et al.•ARTICLE•Eighteenth-Century Studies•1979

  • The Significance of the Restoration Rhymed Heroic Play

    Jack Canfield, J Douglas Canfield•ARTICLE•Eighteenth-Century Studies•1979

    MIUCH HAS BEEN WRITTEN about the Restoration rhymed heroic play, the bulk portraying its significance only in terms of literary or theatre history, characterizing it as an outrageous experiment that failed. Most critics do not understand how anyone could have taken this bombastic stuff seriously. Some critics have gone so far to save for respectability those heroic plays of John Dryden as to view their significance as satirical.1 I should like to…

  • The Ideology of Restoration Tragicomedy

    Jack Canfield, J Douglas Canfield•ARTICLE•ELH•1984•Cited by: 1•References: 1

    In a recent article, Laura S. Brown, adopting an argument made years ago by Eugene Waith about Fletcherian tragicomedy and adapting it to Restoration tragicomedy, argues that these plays too subordinate thematics to aesthetics, that they emphasize formal patterning to virtual renunciation of meaning.' This formal pattern in both and plots, Brown asserts, is that of 'intrigue, successful conclusion of which is all that really interests audience. T…

  • "Pope's "Essay on Man

    Jack Canfield, J Douglas Canfield et al.•ARTICLE•Eighteenth-Century Studies•1985

  • Restoration Comedy in Performance

    Jack Canfield, J Douglas Canfield et al.•ARTICLE•Eighteenth-Century Studies•1988

    Introduction and approach 2. The playhouse and the performance 3. The actor 4. The actress 5. Stage and sexual tactics 6. A mode of speech 7. The spirit of the performance Appendices Selected bibliography Index

  • John Dryden

    Jack Canfield, J Douglas Canfield et al.•ARTICLE•Eighteenth-Century Studies•1990

  • Congreve, the Drama, and the Printed Word

    Jack Canfield, J Douglas Canfield et al.•ARTICLE•Eighteenth-Century Studies•1991

    Note to the reader Introduction 1. Drama and print 2. Publishers, pirates and the library text 3. The technologized muse 4. 'Asterisms' 5. Scandal's portraits 6. The dictionary and the monkey 7. Nature and art Conclusion Notes References Index

  • Word as Bond in English Literature From the Middle Ages to the Restoration

    John P Zomchick, Jack Canfield et al.•ARTICLE•Eighteenth-Century Studies•1991

  • Kit Carson, John C. Frémont, Manifest Destiny, and the Indians

    Open Access•Jack Canfield, J Douglas Canfield•ARTICLE•American Indian Culture and…•1998

    Kit Carson and John C. Fremont were once unmitigated Western heroes. They remain important figures in Western American history. But both have been subject to revisionism. A recent biography of Fremont, John Charles Fremont: Character as Destiny by Andrew Rolle, critiques the ex lorer as an ill-fated adventurer and opportunist (it is Rolle who compares him to Lawrence of Arabia). Carson has been branded a genocidal racist, especially for his Navaj…

  • Mavericks on the Border

    Melissa Hussain, Jack Canfield et al.•ARTICLE•Rocky Mountain Review of Language…•2002

Art (9 works) · Literature (7 works) · History (5 works) · History (5 works) · Philosophy (4 works) · Philosophy (3 works) · Aesthetics (2 works) · Archaeology and Natural History (2 works) · Art history (2 works) · Computer Science (2 works)

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