Monique M Ingalls
Biographic Data
| ID | 5133239 |
|---|---|
| NAME | Monique M Ingalls |
| GIVEN NAMES | Monique M |
| FAMILY NAME | Ingalls |
| SIGNATURE | INGALLS M M |
| AFFILIATIONS | University of Cambridge |
| ORCID | 0000-0002-7576-5361 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 19 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Black British Gospel Music: From the Windrush Generation to Black Lives Matter
"Black British Gospel Music is a dynamic and multifaceted musical practice, a diasporic river rooted in the experiences of Black British Christian communities. This book examines gospel music in Britain in both historical and contemporary perspectives, demonstrating the importance of this this vital genre to scholars across disciplines. Drawing on a plurality of voices, the book examines the diverse streams that contribute to and flow out of this…
The musical rhetoric of charismatic revival: Continuity and change in the songs of the Toronto Blessing and Bethel Church
Renewal movements like the Toronto Blessing and the signature form of ‘encounter’ offered at Bethel Church influence Pentecostal practice worldwide. Songs from these movements reverberate widely, serving as portable practices that help to carry the message and experience of renewal to new settings. Increasingly, scholars are paying attention to song lyrics as sources of Pentecostal theologies; likewise, ethnographic accounts have provided key ins…
Of Animatronic Praise Bands and Worship-Leading Chickens: The Serious Business of Evangelical Christian Worship Parody Videos
Worship music parody videos are one of the key elements within evangelical Christian “joking culture.” The musically facilitated “worship experience” is among evangelicalism’s most sacred rituals, and worship parody creators must carefully negotiate the line between humor and profanity. Drawing from textual analysis of selected blogs, forums, and YouTube comments, this article demonstrates the comedic and serious roles these videos play. Worship …
Studying Congregational Music: Key Issues, Methods, and Theoretical Perspectives
Making Congregational Music Local in Christian Communities Worldwide
Style Matters: Contemporary Worship Music and the Meaning of Popular Musical Borrowings
In North American Protestantism’s so-called worship wars, the musical battle lines were drawn between traditional hymns and contemporary worship songs. Scholars and practitioners on both sides of t
Music and Globalization: Critical Encounters. Ed. by Bob W. White
Journal Article Music and Globalization: Critical Encounters. Ed. by Bob W. White. Get access Music and Globalization: Critical Encounters. Ed. by Bob W. White. pp. viii + 233. ( Indiana University Press, Bloomington and Indianapolis, 2012, $24.95. ISBN 978-0-253-22365-4.) Monique M. Ingalls Monique M. Ingalls University of Cambridge Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 95, Issue 1, Fe…
Singing praise in the streets: Performing Canadian Christianity through public worship in Toronto's Jesus in the City parade
Festivals, parades and other public cultural spectacles are important sites in which communities demarcate their boundaries and attempt to expand them by claiming public space. This article draws from ethnographic fieldwork at Toronto's Jesus in the City parade, an annual event in which Toronto-area Christians take their message to the city's downtown in a Carnival-style procession, to explore what Amanda Weidman has called the 'politics of voice…
Singing Heaven Down to Earth: Spiritual Journeys, Eschatological Sounds, and Community Formation in Evangelical Conference Worship
Research Article| May 01 2011 Singing Heaven Down to Earth: Spiritual Journeys, Eschatological Sounds, and Community Formation in Evangelical Conference Worship Monique Ingalls Monique Ingalls Search for other works by this author on: This Site Google Ethnomusicology (2011) 55 (2): 255–279. https://doi.org/10.5406/ethnomusicology.55.2.0255 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Monique Ingalls; Singing Heaven Dow…
Making Congregational Music Local in Christian Communities Worldwide
Singing praise in the streets: Performing Canadian Christianity through public worship in Toronto's Jesus in the City parade
Festivals, parades and other public cultural spectacles are important sites in which communities demarcate their boundaries and attempt to expand them by claiming public space. This article draws from ethnographic fieldwork at Toronto's Jesus in the City parade, an annual event in which Toronto-area Christians take their message to the city's downtown in a Carnival-style procession, to explore what Amanda Weidman has called the 'politics of voice…
Singing Heaven Down to Earth: Spiritual Journeys, Eschatological Sounds, and Community Formation in Evangelical Conference Worship
Research Article| May 01 2011 Singing Heaven Down to Earth: Spiritual Journeys, Eschatological Sounds, and Community Formation in Evangelical Conference Worship Monique Ingalls Monique Ingalls Search for other works by this author on: This Site Google Ethnomusicology (2011) 55 (2): 255–279. https://doi.org/10.5406/ethnomusicology.55.2.0255 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Monique Ingalls; Singing Heaven Dow…
Singing Heaven Down to Earth: Spiritual Journeys, Eschatological Sounds, and Community Formation in Evangelical Conference Worship
Research Article| May 01 2011 Singing Heaven Down to Earth: Spiritual Journeys, Eschatological Sounds, and Community Formation in Evangelical Conference Worship Monique Ingalls Monique Ingalls Search for other works by this author on: This Site Google Ethnomusicology (2011) 55 (2): 255–279. https://doi.org/10.5406/ethnomusicology.55.2.0255 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Monique Ingalls; Singing Heaven Dow…
Singing praise in the streets: Performing Canadian Christianity through public worship in Toronto's Jesus in the City parade
Festivals, parades and other public cultural spectacles are important sites in which communities demarcate their boundaries and attempt to expand them by claiming public space. This article draws from ethnographic fieldwork at Toronto's Jesus in the City parade, an annual event in which Toronto-area Christians take their message to the city's downtown in a Carnival-style procession, to explore what Amanda Weidman has called the 'politics of voice…
Music and Globalization: Critical Encounters. Ed. by Bob W. White
Journal Article Music and Globalization: Critical Encounters. Ed. by Bob W. White. Get access Music and Globalization: Critical Encounters. Ed. by Bob W. White. pp. viii + 233. ( Indiana University Press, Bloomington and Indianapolis, 2012, $24.95. ISBN 978-0-253-22365-4.) Monique M. Ingalls Monique M. Ingalls University of Cambridge Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 95, Issue 1, Fe…
Style Matters: Contemporary Worship Music and the Meaning of Popular Musical Borrowings
In North American Protestantism’s so-called worship wars, the musical battle lines were drawn between traditional hymns and contemporary worship songs. Scholars and practitioners on both sides of t
Making Congregational Music Local in Christian Communities Worldwide
Studying Congregational Music: Key Issues, Methods, and Theoretical Perspectives
The musical rhetoric of charismatic revival: Continuity and change in the songs of the Toronto Blessing and Bethel Church
Renewal movements like the Toronto Blessing and the signature form of ‘encounter’ offered at Bethel Church influence Pentecostal practice worldwide. Songs from these movements reverberate widely, serving as portable practices that help to carry the message and experience of renewal to new settings. Increasingly, scholars are paying attention to song lyrics as sources of Pentecostal theologies; likewise, ethnographic accounts have provided key ins…
Of Animatronic Praise Bands and Worship-Leading Chickens: The Serious Business of Evangelical Christian Worship Parody Videos
Worship music parody videos are one of the key elements within evangelical Christian “joking culture.” The musically facilitated “worship experience” is among evangelicalism’s most sacred rituals, and worship parody creators must carefully negotiate the line between humor and profanity. Drawing from textual analysis of selected blogs, forums, and YouTube comments, this article demonstrates the comedic and serious roles these videos play. Worship …
Black British Gospel Music: From the Windrush Generation to Black Lives Matter
"Black British Gospel Music is a dynamic and multifaceted musical practice, a diasporic river rooted in the experiences of Black British Christian communities. This book examines gospel music in Britain in both historical and contemporary perspectives, demonstrating the importance of this this vital genre to scholars across disciplines. Drawing on a plurality of voices, the book examines the diverse streams that contribute to and flow out of this…
Art (8 works) · Literature (6 works) · Music History and Culture (6 works) · History (5 works) · Sociology (5 works) · Musical (4 works) · Pentecostalism and Christianity Studies (4 works) · Philosophy (4 works) · Worship (4 works) · Aesthetics (3 works)