M G Bal
Biographic Data
| ID | 5134720 |
|---|---|
| NAME | M G Bal |
| GIVEN NAMES | M G |
| FAMILY NAME | Bal |
| SIGNATURE | BAL M G |
| ORCID | 0000-0002-4944-3158 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Affekte
Der Band versteht Kunst als Ort der Evokation und Transformation von Affekten. Der Affekt ist das, was mich (be)trifft. Wie gelingt es der Kunst, Gefühle hervorzurufen? Worin unterscheiden sich Emotionen und Affekte? Mit welchen Strategien führen uns Kunstwerke in das Spiel um Ergriffenheit und Distanz, um Anziehung und Abstoßung?Die hier versammelten »Affektanalysen« behandeln künstlerische Produktionsprozesse, materielle und temporale Vorgänge …
The Bible as Literature
Mimesis and Genre Theory in Aristotle's Poetics
ion by which only a limited number of features of the reappear. Hence, thirdly, the pleasure is in the (re?)construction of the by means of signs, reversed by a detour via the recipient. This argument supports the view that the realism debate is irrelevant: if mimetic reception is a (re?)construction by the recipient of the semiosized model, the difference between figurative and nonfigurative art is negligible as far as the relation of art to rea…
Mimesis and Genre Theory in Aristotle's Poetics
ion by which only a limited number of features of the reappear. Hence, thirdly, the pleasure is in the (re?)construction of the by means of signs, reversed by a detour via the recipient. This argument supports the view that the realism debate is irrelevant: if mimetic reception is a (re?)construction by the recipient of the semiosized model, the difference between figurative and nonfigurative art is negligible as far as the relation of art to rea…
Mimesis and Genre Theory in Aristotle's Poetics
ion by which only a limited number of features of the reappear. Hence, thirdly, the pleasure is in the (re?)construction of the by means of signs, reversed by a detour via the recipient. This argument supports the view that the realism debate is irrelevant: if mimetic reception is a (re?)construction by the recipient of the semiosized model, the difference between figurative and nonfigurative art is negligible as far as the relation of art to rea…
The Bible as Literature
Affekte
Der Band versteht Kunst als Ort der Evokation und Transformation von Affekten. Der Affekt ist das, was mich (be)trifft. Wie gelingt es der Kunst, Gefühle hervorzurufen? Worin unterscheiden sich Emotionen und Affekte? Mit welchen Strategien führen uns Kunstwerke in das Spiel um Ergriffenheit und Distanz, um Anziehung und Abstoßung?Die hier versammelten »Affektanalysen« behandeln künstlerische Produktionsprozesse, materielle und temporale Vorgänge …
Philosophy (3 works) · Epistemology (2 works) · Psychology (2 works) · Aesthetics (1 work) · Aesthetics (1 work) · Affect (1 work) · Affect (Psychology) (1 work) · Aging, Elder Care, and Social Issues (1 work) · Alfred Hitchcock (1 work) · Art (1 work)