Katherine Romack
Biographic Data
| ID | 5136783 |
|---|---|
| NAME | Katherine Romack |
| GIVEN NAMES | Katherine |
| FAMILY NAME | Romack |
| SIGNATURE | ROMACK K |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
“I wonder she should be so Infamous for a Whore?”
Cleopatra restored was motivated “all for love,” a love for which the world was “well lost”. Between William Shakespeare’s Antony and Cleopatra and Dryden’s All for Love, Cleopatra was transformed from an exotic representative of the dangers of female deception and desire to a character firmly anchored to the domestic virtues of love, honesty, and even chastity. Margaret Cavendish’s admiration of Cleopatra’s erotic self-fashioning constitutes an …
Cavendish and Shakespeare, Interconnections
Contents: Introduction: Cavendish and Shakespeare, interconnections, Katherine Romack and James Fitzmaurice 'Thou art a moniment, without a tombe': affiliation and memorialization in Margaret Cavendish's Plays and Plays, Never before Printed, Shannon Miller Shakespeare, Cavendish, and reading aloud in 17th-century England, James Fitzmaurice Drama's Olio: a new way to serve old ingredients in The Religious and The Matrimonial Trouble, Erna Kelly D…
"Othello"
Cavendish and Shakespeare, Interconnections
Contents: Introduction: Cavendish and Shakespeare, interconnections, Katherine Romack and James Fitzmaurice 'Thou art a moniment, without a tombe': affiliation and memorialization in Margaret Cavendish's Plays and Plays, Never before Printed, Shannon Miller Shakespeare, Cavendish, and reading aloud in 17th-century England, James Fitzmaurice Drama's Olio: a new way to serve old ingredients in The Religious and The Matrimonial Trouble, Erna Kelly D…
"Othello"
“I wonder she should be so Infamous for a Whore?”
Cleopatra restored was motivated “all for love,” a love for which the world was “well lost”. Between William Shakespeare’s Antony and Cleopatra and Dryden’s All for Love, Cleopatra was transformed from an exotic representative of the dangers of female deception and desire to a character firmly anchored to the domestic virtues of love, honesty, and even chastity. Margaret Cavendish’s admiration of Cleopatra’s erotic self-fashioning constitutes an …
Cavendish and Shakespeare, Interconnections
Contents: Introduction: Cavendish and Shakespeare, interconnections, Katherine Romack and James Fitzmaurice 'Thou art a moniment, without a tombe': affiliation and memorialization in Margaret Cavendish's Plays and Plays, Never before Printed, Shannon Miller Shakespeare, Cavendish, and reading aloud in 17th-century England, James Fitzmaurice Drama's Olio: a new way to serve old ingredients in The Religious and The Matrimonial Trouble, Erna Kelly D…
Art (2 works) · Epistemology (2 works) · Philosophy (2 works) · 1564-1616 (1 work) · Adaptations (1 work) · Classical Antiquity Studies (1 work) · Cleopatra (1 work) · Criticism and interpretation (1 work) · Dramatic works (1 work) · Femmes et littérature (1 work)