Elizabeth Leake
Biographic Data
| ID | 513877 |
|---|---|
| NAME | Elizabeth Leake |
| GIVEN NAMES | Elizabeth |
| FAMILY NAME | Leake |
| SIGNATURE | LEAKE E |
| AFFILIATIONS | Rutgers Sexual and Reproductive Health and Rights |
| ORCID | 0000-0003-1722-0088 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Marches on Rome
This paper, part of a larger project on unconventional forms of historiography, investigates a handful of cinematic and literary representations of life in Fascist Italy against the background of the March on Rome and, more in general, of Rome as the stage for the public display and embodiment of Fascist rhetoric. These texts can be grouped in three categories: 1) Fascist-era texts by supporters and opponents that express fear and pride; 2) later…
Internal exile in Fascist Italy
Confino (i.e., internal exile) was a malleable form of imprisonment during the Fascist ventennio. Confinement allowed Mussolini to bypass the judiciary thereby placing prisoners outside magistrates' jurisdiction. The Regime applied it to political dissidents, ethnic and religious minorities, gender nonconforming people, and mafiosi, among others. Recent political discourse in and beyond Italy has drawn on similar rationales to address perceived t…
L'uomo che verrà
This paper examines Giorgio Diritti's 2009 film L'uomo che verrà (The Man who Will Come) as the product of a post-national practice of commemoration by which the nation, whose death has been theorized by Gentile, Fogu, and others, is resuscitated from the ground up through the depiction of the massacre at Marzabotto. Drawing on Adriana Cavarero's notion of horrorism, it argues that the film's emphasis on the faces of its feminine victims and hero…
Le biblioteche e gli archivi durante la seconda guerra mondiale. Il caso italiano
Le biblioteche e gli archivi durante la seconda guerra mondiale. Il caso italiano." , 15(3), pp. 473–474
The Reinvention of Ignazio Silone
Past Imperfect
No prominent works on this page.
Past Imperfect
The Reinvention of Ignazio Silone
Le biblioteche e gli archivi durante la seconda guerra mondiale. Il caso italiano
Le biblioteche e gli archivi durante la seconda guerra mondiale. Il caso italiano." , 15(3), pp. 473–474
L'uomo che verrà
This paper examines Giorgio Diritti's 2009 film L'uomo che verrà (The Man who Will Come) as the product of a post-national practice of commemoration by which the nation, whose death has been theorized by Gentile, Fogu, and others, is resuscitated from the ground up through the depiction of the massacre at Marzabotto. Drawing on Adriana Cavarero's notion of horrorism, it argues that the film's emphasis on the faces of its feminine victims and hero…
Internal exile in Fascist Italy
Confino (i.e., internal exile) was a malleable form of imprisonment during the Fascist ventennio. Confinement allowed Mussolini to bypass the judiciary thereby placing prisoners outside magistrates' jurisdiction. The Regime applied it to political dissidents, ethnic and religious minorities, gender nonconforming people, and mafiosi, among others. Recent political discourse in and beyond Italy has drawn on similar rationales to address perceived t…
Marches on Rome
This paper, part of a larger project on unconventional forms of historiography, investigates a handful of cinematic and literary representations of life in Fascist Italy against the background of the March on Rome and, more in general, of Rome as the stage for the public display and embodiment of Fascist rhetoric. These texts can be grouped in three categories: 1) Fascist-era texts by supporters and opponents that express fear and pride; 2) later…
Italian Fascism and Post-war Society (5 works) · Art (4 works) · History (3 works) · Aesthetics (2 works) · Humanities (2 works) · Linguistics (2 works) · Literature (2 works) · Philosophy (2 works) · Philosophy (2 works) · Political science (2 works)