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Nkiru Doris Onyemachi

Biographic Data

ID5140027
NAMENkiru Doris Onyemachi
GIVEN NAMESNkiru Doris
FAMILY NAMEOnyemachi
SIGNATUREONYEMACHI N D
AFFILIATIONSEdwin Clark University
ORCID0000-0002-4590-6776
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS2
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Culture and time

    Open Access•Nkiru Doris Onyemachi•ARTICLE•African Identities•2026

    The African construction of time is enshrined in the discourse of signifier and signified. This means that time as a concept in the African milieu is founded on phenomenological interpretation; even chronological time derives its relevance in phenomenological discernment. Mbiti postulates that time in Africa is connected to the beliefs, attitudes, practices, and culture of the people. Achebe extends this objectification of time in his presentatio…

  • One voice, so many

    Nkiru Doris Onyemachi, Jonathan Diseyei Kiapene•ARTICLE•African Identities•2025•References: 6

  • Ecoaesthetics and the Trauma of Continuity in Akwanya’s Pilgrim Foot

    Open Access•Nkiru Doris Onyemachi•ARTICLE•Human Ecology Review•2024

  • The Freedman in Soyinka's "The Man Died"

    Nkiru Doris Onyemachi, Nkiru Onyemachi•ARTICLE•Journal of Global Postcolonial…•2023

    The Nigerian Civil War fought from 1966 to 1970 has evoked emotions and enthroned writers that have either recaptured their experiences or told imaginative tales based on other’s experiences. But amidst the different structures, the horrific images captured in these works unify these texts as sharing a common interest and resonating a nation’s narrative. In The Man Died, Soyinka, while being held as a prisoner, revivifies his experiences of the w…

  • Weeping in the Face of Fortune

    Open Access•Abba A Abba, Nkiru Doris Onyemachi•ARTICLE•Humanities•2020•Cited by: 2•References: 3

    Scholarship on Niger Delta ecopoetry has concentrated on the economic, socio-political and cultural implications of eco-degradation in the oil-rich Niger Delta region of the South-South in Nigeria, but falls short of addressing the trope of eco-alienation, the sense of separation between people and nature, which seems to be a significant idea in Niger Delta ecopoetics. For sure, literary studies in particular and the Humanities at large have show…

  • Weeping in the Face of Fortune

    Open Access•Abba A Abba, Nkiru Doris Onyemachi•ARTICLE•Humanities•2020•Cited by: 2•References: 3

    Scholarship on Niger Delta ecopoetry has concentrated on the economic, socio-political and cultural implications of eco-degradation in the oil-rich Niger Delta region of the South-South in Nigeria, but falls short of addressing the trope of eco-alienation, the sense of separation between people and nature, which seems to be a significant idea in Niger Delta ecopoetics. For sure, literary studies in particular and the Humanities at large have show…

  • Weeping in the Face of Fortune

    Open Access•Abba A Abba, Nkiru Doris Onyemachi•ARTICLE•Humanities•2020•Cited by: 2•References: 3

    Scholarship on Niger Delta ecopoetry has concentrated on the economic, socio-political and cultural implications of eco-degradation in the oil-rich Niger Delta region of the South-South in Nigeria, but falls short of addressing the trope of eco-alienation, the sense of separation between people and nature, which seems to be a significant idea in Niger Delta ecopoetics. For sure, literary studies in particular and the Humanities at large have show…

  • The Freedman in Soyinka's "The Man Died"

    Nkiru Doris Onyemachi, Nkiru Onyemachi•ARTICLE•Journal of Global Postcolonial…•2023

    The Nigerian Civil War fought from 1966 to 1970 has evoked emotions and enthroned writers that have either recaptured their experiences or told imaginative tales based on other’s experiences. But amidst the different structures, the horrific images captured in these works unify these texts as sharing a common interest and resonating a nation’s narrative. In The Man Died, Soyinka, while being held as a prisoner, revivifies his experiences of the w…

  • Ecoaesthetics and the Trauma of Continuity in Akwanya’s Pilgrim Foot

    Open Access•Nkiru Doris Onyemachi•ARTICLE•Human Ecology Review•2024

  • One voice, so many

    Nkiru Doris Onyemachi, Jonathan Diseyei Kiapene•ARTICLE•African Identities•2025•References: 6

  • Culture and time

    Open Access•Nkiru Doris Onyemachi•ARTICLE•African Identities•2026

    The African construction of time is enshrined in the discourse of signifier and signified. This means that time as a concept in the African milieu is founded on phenomenological interpretation; even chronological time derives its relevance in phenomenological discernment. Mbiti postulates that time in Africa is connected to the beliefs, attitudes, practices, and culture of the people. Achebe extends this objectification of time in his presentatio…

Postcolonial and Cultural Literary Studies (5 works) · Ecocriticism and Environmental Literature (3 works) · Aesthetics (2 works) · Art (2 works) · History (2 works) · Literature (2 works) · Narrative (2 works) · Philosophy (2 works) · Psychoanalysis (2 works) · Psychology (2 works)

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