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Brian Arkins

Biographic Data

ID5140456
NAMEBrian Arkins
GIVEN NAMESBrian
FAMILY NAMEArkins
SIGNATUREARKINS B
AFFILIATIONSOllscoil na Gaillimhe – University of Galway
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS18
WORKS AS AUTHOR16
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR2021
H-INDEX3
  • Roman History in Hewitt, McGuinness, Friel, Heaney

    Brian Arkins•ARTICLE•Studies An Irish Quarterly Review•2021

    Roman History in Hewitt, McGuinness, Friel, Heaney Brian Arkins Reception Studies is a major growth area in Classics.1 The past has an impact on the present in an active rather than a passive way. T S Eliot explains: ‘Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different’.2 Marina Carr cites the example of Shakespeare: ‘he took from everywhere but…

  • The Meaning of ‘Odi Et Amo’ in Catullus 85

    Open Access•Brian Arkins•ARTICLE•Bulletin of the Institute of…•2011

    The purpose of this note is categorically to reject the translation ‘I hate and I love’. This false translation has become canonical, but it will not do. In a number of poems (72, 75, 76, 85), Catullus explores the paradox that, on the one hand, Lesbia's infidelity has led him to desire her more physically, and, on the other hand, to feel less affection for her. The verbs odi et amo sum up this paradox. For odi can mean ‘detest’ or ‘loathe’, as w…

  • Greek and Roman themes

    Open Access•Brian Arkins•CHAPTER•James Joyce in Context•2009

    Reception Studies analyses the many ways in which later eras appropriate the Greco-Roman world, and has now become a very important part of the discipline of Classics. The twentieth century, in which Joyce published his work, proved to be one of the eras most devoted to the use of Greek and Roman material. Many exponents of modernism – Pound, Eliot, Yeats, Joyce – exemplify this trend. This process of using Greek and Roman material is best descri…

  • The Modern Reception of Catullus

    Brian Arkins•OTHER•A Companion to Catullus•2007

  • A Reading of Latin Love Poetry

    Brian Arkins•ARTICLE•Classics Ireland•2006

  • Catullus

    Brian Arkins, A K Hurley•ARTICLE•Classics Ireland•2005

  • The Student's Catullus

    Brian Arkins, Daniel H Garrison•ARTICLE•Classics Ireland•2001

  • Athens No Longer Dies

    Brian Arkins•ARTICLE•Classics Ireland•2000

  • Dissidence and Literature under Nero

    Brian Arkins•REVIEW•Classics Ireland•1998•Cited by: 1

  • Heavy Seneca His Influence on Shakespeare's Tragedies

    Brian Arkins•ARTICLE•Classics Ireland•1995•Cited by: 6

  • The collected letters of W.B. Yeats

    Brian Arkins•ARTICLE•History of European Ideas•1995•Cited by: 8

  • Sexuality in Fifth Century Athens

    Brian Arkins•ARTICLE•Classics Ireland•1994

  • Builders of My Soul

    Thomas R Whitaker, Brian Arkins•ARTICLE•The Yearbook of English Studies•1994•Cited by: 3

  • Soapbox The Irish Dominant

    Brian Arkins•ARTICLE•Irish Studies Review•1993

  • The Final Lines of Sophocles, King Oedipus (1524–30)

    Open Access•Brian Arkins•ARTICLE•The Classical Quarterly•1988•References: 6

    ῶ φάτρασ θῄβησ ἔνοικοι, λεσσετ', οíδíπονσ ὄδε ὄσ τά κλεíν' αíνíγματ' ἤδει και κράτιστοσ ἦν άνἠρ, οὕ τíσ οὕ ζἠλῴ πολιτῶν ταῖσ τύχαισ ἐπἐβλεπεν, εíσ ὄντ' ἑκεíνην τἠν τελενταíαν íσεíν ἠμἐραν ἐπισκοποῦντα μνδἐν' ὄλβíζεη, πρíν άν τἑρμα τού βíον περάσῃ μηδἑν ὰλγεινóν παθὡν

  • Catullus 7

    Brian Arkins•ARTICLE•L antiquité classique•1979

  • The collected letters of W.B. Yeats

    Brian Arkins•ARTICLE•History of European Ideas•1995•Cited by: 8

  • Heavy Seneca His Influence on Shakespeare's Tragedies

    Brian Arkins•ARTICLE•Classics Ireland•1995•Cited by: 6

  • Builders of My Soul

    Thomas R Whitaker, Brian Arkins•ARTICLE•The Yearbook of English Studies•1994•Cited by: 3

  • Dissidence and Literature under Nero

    Brian Arkins•REVIEW•Classics Ireland•1998•Cited by: 1

  • Catullus 7

    Brian Arkins•ARTICLE•L antiquité classique•1979

  • The Final Lines of Sophocles, King Oedipus (1524–30)

    Open Access•Brian Arkins•ARTICLE•The Classical Quarterly•1988•References: 6

    ῶ φάτρασ θῄβησ ἔνοικοι, λεσσετ', οíδíπονσ ὄδε ὄσ τά κλεíν' αíνíγματ' ἤδει και κράτιστοσ ἦν άνἠρ, οὕ τíσ οὕ ζἠλῴ πολιτῶν ταῖσ τύχαισ ἐπἐβλεπεν, εíσ ὄντ' ἑκεíνην τἠν τελενταíαν íσεíν ἠμἐραν ἐπισκοποῦντα μνδἐν' ὄλβíζεη, πρíν άν τἑρμα τού βíον περάσῃ μηδἑν ὰλγεινóν παθὡν

  • Soapbox The Irish Dominant

    Brian Arkins•ARTICLE•Irish Studies Review•1993

  • Sexuality in Fifth Century Athens

    Brian Arkins•ARTICLE•Classics Ireland•1994

  • Builders of My Soul

    Thomas R Whitaker, Brian Arkins•ARTICLE•The Yearbook of English Studies•1994•Cited by: 3

  • Heavy Seneca His Influence on Shakespeare's Tragedies

    Brian Arkins•ARTICLE•Classics Ireland•1995•Cited by: 6

  • The collected letters of W.B. Yeats

    Brian Arkins•ARTICLE•History of European Ideas•1995•Cited by: 8

  • Dissidence and Literature under Nero

    Brian Arkins•REVIEW•Classics Ireland•1998•Cited by: 1

  • Athens No Longer Dies

    Brian Arkins•ARTICLE•Classics Ireland•2000

  • The Student's Catullus

    Brian Arkins, Daniel H Garrison•ARTICLE•Classics Ireland•2001

  • Catullus

    Brian Arkins, A K Hurley•ARTICLE•Classics Ireland•2005

  • A Reading of Latin Love Poetry

    Brian Arkins•ARTICLE•Classics Ireland•2006

  • The Modern Reception of Catullus

    Brian Arkins•OTHER•A Companion to Catullus•2007

  • Greek and Roman themes

    Open Access•Brian Arkins•CHAPTER•James Joyce in Context•2009

    Reception Studies analyses the many ways in which later eras appropriate the Greco-Roman world, and has now become a very important part of the discipline of Classics. The twentieth century, in which Joyce published his work, proved to be one of the eras most devoted to the use of Greek and Roman material. Many exponents of modernism – Pound, Eliot, Yeats, Joyce – exemplify this trend. This process of using Greek and Roman material is best descri…

  • The Meaning of ‘Odi Et Amo’ in Catullus 85

    Open Access•Brian Arkins•ARTICLE•Bulletin of the Institute of…•2011

    The purpose of this note is categorically to reject the translation ‘I hate and I love’. This false translation has become canonical, but it will not do. In a number of poems (72, 75, 76, 85), Catullus explores the paradox that, on the one hand, Lesbia's infidelity has led him to desire her more physically, and, on the other hand, to feel less affection for her. The verbs odi et amo sum up this paradox. For odi can mean ‘detest’ or ‘loathe’, as w…

  • Roman History in Hewitt, McGuinness, Friel, Heaney

    Brian Arkins•ARTICLE•Studies An Irish Quarterly Review•2021

    Roman History in Hewitt, McGuinness, Friel, Heaney Brian Arkins Reception Studies is a major growth area in Classics.1 The past has an impact on the present in an active rather than a passive way. T S Eliot explains: ‘Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different’.2 Marina Carr cites the example of Shakespeare: ‘he took from everywhere but…

Classical Antiquity Studies (12 works) · Art (10 works) · History (7 works) · Philosophy (7 works) · Philosophy (6 works) · History (5 works) · Literature (5 works) · Irish and British Studies (4 works) · Psychology (4 works) · Linguistics (3 works)

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