Pular para o conteúdo principal

ETHNOS_APP

Início • Busca • Periódicos • Lista 0

Lindsay Ann Reid

Dados Biográficos

ID5140646
NOMELindsay Ann Reid
PRENOMESLindsay Ann
SOBRENOMEReid
ASSINATURAREID L A
AFILIAÇÕESOllscoil na Gaillimhe – University of Galway
ORCID0000-0001-6062-7911
VERIFICADOSim
TOTAL DE OBRAS15
TOTAL DE CITAÇÕES0
TOTAL COMO AUTOR15
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2014
ANO MAIS RECENTE DE PUBLICAÇÃO2024
ÍNDICE H0
  • Ship of Fools and Slow Boat to Hell

    Lindsay Ann Reid•CHAPTER•Reading the River in Shakespeare's…•2024

    At the opening of The Cobler of Caunterburie (1590), the narrator arrives at Billingsgate and decides to join the ‘crue of madde companions’ he spies waiting aboard the two-penny Gravesend barge. Their subsequent journey eastward on the Thames sparks a tale-telling competition à la The Canterbury Tales : Chaucer’s medieval pilgrims are reimagined as contemporary passengers travelling on a common form of public transport along one of early modern …

  • Isabella Whitney and George Turberville

    Lindsay Ann Reid•ARTICLE•Women s Writing•2024

    Scholarship on Isabella Whitney often positions her in relation to George Turberville. Her Copy of a Letter is habitually juxtaposed with—and oftentimes assumed to derive from—Turberville’s Heroycall Epistles (i.e. the earliest full translation of Ovid’s ancient Latin Heroides to appear in English print). Further similarities have been observed between Whitney’s Copy of a Letter and the Heroidean missives attributed to the fictive “Pyndara” in Tu…

  • Performing The Maid's Metamorphosis , then and now

    Open Access•Agnès Lafont, Lindsay Ann Reid•ARTICLE•Cahiers Élisabéthains A Journal…•2024

    This essay opens by probing what can be extrapolated about the early performance history of the anonymous comedy The Maid's Metamorphosis (1600), performed by the Children of Paul's, based on its title page statement, internal evidence from the play, and contemporary letters. It argues it may have been conceived as part of the nuptial festivities for Anne Russell and Henry Somerset, Lord Herbert (Blackfriars, 16 June 1600). Then, it moves to cons…

  • Crafting Poetry Anthologies in Renaissance England

    Lindsay Ann Reid•ARTICLE•Sixteenth Century Journal•2023

  • Mindfulness in Pregnancy

    Open Access•Diane J Abatemarco, Meghan Gannon et al.•ARTICLE•Maternal and Child Health Journal•2021

  • The (lost) tune of ‘Raging Love’ and its reverberations in Isabella Whitney’s Copy of a Letter

    Open Access•Lindsay Ann Reid•ARTICLE•Cahiers Élisabéthains A Journal…•2020

    This article argues that Isabella Whitney’s verse epistles ‘To Her Unconstant Lover’ and ‘The Admonition’ in The Copy of a Letter (c. 1566–67) are enmeshed more thoroughly in the early modern English soundscape than previous criticism has tended to acknowledge. Seeking to enrich current understandings of Whitney’s confluences, this article first examines the vibrant musical sphere in which The Copy of a Letter’s printer-publisher Richard Jones wa…

  • Travel and Travail

    Lindsay Ann Reid•ARTICLE•Sixteenth Century Journal•2020

  • Spenser’s Narrative Figuration of Women in “The Faerie Queene.”

    Lindsay Ann Reid•ARTICLE•Sixteenth Century Journal•2019

  • Diana, Dido, and The Fair Maid of Dunsmore

    Lindsay Ann Reid•ARTICLE•The Seventeenth Century•2019•Referências: 29

    The tragedy of Isabel of Dunsmore—an English shepherd’s daughter who commits suicide after being impregnated by a social superior—is recounted in two similar, yet lyrically distinct seventeenth-century ballads: “The Lamentable Song of the Lord Wigmoore Gouernor of Warwicke Castle and the Fayre Maid of Dunsmoore” and “The Fair Maid of Dunsmore’s Lamentation Occasioned by Lord Wigmore Once Governour of Warwick-Castle.” What is remarkable about thes…

  • Translating Ovid's Metamorphoses in Tudor Balladry

    Open Access•Lindsay Ann Reid•ARTICLE•Renaissance Quarterly•2019•Referências: 9

    This article provides the first sustained overview and analysis of the reception of Ovid's “Metamorphoses” in sixteenth-century English ballad culture. It highlights a significant tradition of translating materials from this ancient Roman source into the stuff of vernacular song—a phenomenon that can be traced back as far as 1552. Positing that popular music must have played a crucial role in shaping Tudor ideas about the “Metamorphoses,” this st…

  • Agency and Intention in English Print, 1476–1526

    Open Access•Lindsay Ann Reid•ARTICLE•Renaissance Quarterly•2018

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Thanhouser's ‘Fierce Abridgement’ of Cymbeline

    Open Access•Lindsay Ann Reid•CHAPTER•Shakespeare on Screen•2017

  • The Ovidian Vogue

    Lindsay Ann Reid•ARTICLE•Sixteenth Century Journal•2015

  • Love in Print in the Sixteenth Century

    Lindsay Ann Reid•ARTICLE•Sixteenth Century Journal•2015

  • Ovidian Bibliofictions and the Tudor Book

    Lindsay Ann Reid•BOOK•Ovidian Bibliofictions and Tudor…•2014

    Contents: Introduction: Ovidian bibliofictions and Tudor books 'If all the yearth wer parchment scribable': Ovidian heroines in the Querelle des Femmes 'Hir name, allas! Is publisshed so wyde': fama, gossip, and the dissemination of a pseudo-Ovidian heroine 'Both false and also true': Ovidian heroines, epistolary elegy, and fictionalized materiality 'Our sainted legendarie': the Anglo-Ovidian heroines Appendix: Latin editions of Ovid in Tudor Eng…

Sem obras proeminentes nesta página.

  • Ovidian Bibliofictions and the Tudor Book

    Lindsay Ann Reid•BOOK•Ovidian Bibliofictions and Tudor…•2014

    Contents: Introduction: Ovidian bibliofictions and Tudor books 'If all the yearth wer parchment scribable': Ovidian heroines in the Querelle des Femmes 'Hir name, allas! Is publisshed so wyde': fama, gossip, and the dissemination of a pseudo-Ovidian heroine 'Both false and also true': Ovidian heroines, epistolary elegy, and fictionalized materiality 'Our sainted legendarie': the Anglo-Ovidian heroines Appendix: Latin editions of Ovid in Tudor Eng…

  • The Ovidian Vogue

    Lindsay Ann Reid•ARTICLE•Sixteenth Century Journal•2015

  • Love in Print in the Sixteenth Century

    Lindsay Ann Reid•ARTICLE•Sixteenth Century Journal•2015

  • Thanhouser's ‘Fierce Abridgement’ of Cymbeline

    Open Access•Lindsay Ann Reid•CHAPTER•Shakespeare on Screen•2017

  • Agency and Intention in English Print, 1476–1526

    Open Access•Lindsay Ann Reid•ARTICLE•Renaissance Quarterly•2018

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Spenser’s Narrative Figuration of Women in “The Faerie Queene.”

    Lindsay Ann Reid•ARTICLE•Sixteenth Century Journal•2019

  • Diana, Dido, and The Fair Maid of Dunsmore

    Lindsay Ann Reid•ARTICLE•The Seventeenth Century•2019•Referências: 29

    The tragedy of Isabel of Dunsmore—an English shepherd’s daughter who commits suicide after being impregnated by a social superior—is recounted in two similar, yet lyrically distinct seventeenth-century ballads: “The Lamentable Song of the Lord Wigmoore Gouernor of Warwicke Castle and the Fayre Maid of Dunsmoore” and “The Fair Maid of Dunsmore’s Lamentation Occasioned by Lord Wigmore Once Governour of Warwick-Castle.” What is remarkable about thes…

  • Translating Ovid's Metamorphoses in Tudor Balladry

    Open Access•Lindsay Ann Reid•ARTICLE•Renaissance Quarterly•2019•Referências: 9

    This article provides the first sustained overview and analysis of the reception of Ovid's “Metamorphoses” in sixteenth-century English ballad culture. It highlights a significant tradition of translating materials from this ancient Roman source into the stuff of vernacular song—a phenomenon that can be traced back as far as 1552. Positing that popular music must have played a crucial role in shaping Tudor ideas about the “Metamorphoses,” this st…

  • The (lost) tune of ‘Raging Love’ and its reverberations in Isabella Whitney’s Copy of a Letter

    Open Access•Lindsay Ann Reid•ARTICLE•Cahiers Élisabéthains A Journal…•2020

    This article argues that Isabella Whitney’s verse epistles ‘To Her Unconstant Lover’ and ‘The Admonition’ in The Copy of a Letter (c. 1566–67) are enmeshed more thoroughly in the early modern English soundscape than previous criticism has tended to acknowledge. Seeking to enrich current understandings of Whitney’s confluences, this article first examines the vibrant musical sphere in which The Copy of a Letter’s printer-publisher Richard Jones wa…

  • Travel and Travail

    Lindsay Ann Reid•ARTICLE•Sixteenth Century Journal•2020

  • Mindfulness in Pregnancy

    Open Access•Diane J Abatemarco, Meghan Gannon et al.•ARTICLE•Maternal and Child Health Journal•2021

  • Crafting Poetry Anthologies in Renaissance England

    Lindsay Ann Reid•ARTICLE•Sixteenth Century Journal•2023

  • Ship of Fools and Slow Boat to Hell

    Lindsay Ann Reid•CHAPTER•Reading the River in Shakespeare's…•2024

    At the opening of The Cobler of Caunterburie (1590), the narrator arrives at Billingsgate and decides to join the ‘crue of madde companions’ he spies waiting aboard the two-penny Gravesend barge. Their subsequent journey eastward on the Thames sparks a tale-telling competition à la The Canterbury Tales : Chaucer’s medieval pilgrims are reimagined as contemporary passengers travelling on a common form of public transport along one of early modern …

  • Isabella Whitney and George Turberville

    Lindsay Ann Reid•ARTICLE•Women s Writing•2024

    Scholarship on Isabella Whitney often positions her in relation to George Turberville. Her Copy of a Letter is habitually juxtaposed with—and oftentimes assumed to derive from—Turberville’s Heroycall Epistles (i.e. the earliest full translation of Ovid’s ancient Latin Heroides to appear in English print). Further similarities have been observed between Whitney’s Copy of a Letter and the Heroidean missives attributed to the fictive “Pyndara” in Tu…

  • Performing The Maid's Metamorphosis , then and now

    Open Access•Agnès Lafont, Lindsay Ann Reid•ARTICLE•Cahiers Élisabéthains A Journal…•2024

    This essay opens by probing what can be extrapolated about the early performance history of the anonymous comedy The Maid's Metamorphosis (1600), performed by the Children of Paul's, based on its title page statement, internal evidence from the play, and contemporary letters. It argues it may have been conceived as part of the nuptial festivities for Anne Russell and Henry Somerset, Lord Herbert (Blackfriars, 16 June 1600). Then, it moves to cons…

Art (12 obras) · Literature (10 obras) · History (9 obras) · History (8 obras) · Poetry (6 obras) · Art history (5 obras) · Medieval Literature and History (5 obras) · Reformation and Early Modern Christianity (5 obras) · Philippine History and Culture (4 obras) · Ballad (3 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae