Nikša Gligo
Biographic Data
| ID | 5144447 |
|---|---|
| NAME | Nikša Gligo |
| GIVEN NAMES | Nikša |
| FAMILY NAME | Gligo |
| SIGNATURE | GLIGO N |
| AFFILIATIONS | Croatian Academy of Sciences and Arts |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
Prelims
Musicology
The author's experience with musicological research of contemporary music developed his critical attitude towards musicology in general, especially towards the one that considers music only as text and limits the approaches to musical works on philological methodology. Both Schering's Experimentelle Musikgeschichte (1913) and Kerman's requests for musicology as fusion of scholarly musicological work and sense for music as art (1985) attempt to ge…
Music and Metaphor in Nineteenth-Century British Musicology
Contents: Introduction and background: Some preliminary points and definitions The balance of Continental and English sources: Art Religion Science General histories of music Musicology through the arts: Music and painting: William Crotch Music and architecture: Ruskin and one of his interpreters Music as imitation: Jones, Goddard, Wylde and Garbett Music as language and poetry: Turnpin, Banister, Prescott and Osbourne Music images: MacFarren and…
Nakon sabranih sjećanja. Primožu Ramovšu u spomen
Nakon sabranih sjećanja. Primožu Ramovšu u spomen
Integration vs assimilation
Die musikalische Avantgarde als ahistorische Utopie. Die gescheiterten Implikationen der experimentellen Musik
Problemi nove glazbe 20. stoljeća
Problemi nove glazbe 20. stoljeća: teorijske osnove i kriteriji vrednovanja
Glazbenost Nove glazbe 20. stoljeća
Glazbenost Nove glazbe 20. stoljeća
Music and Metaphor in Nineteenth-Century British Musicology
Contents: Introduction and background: Some preliminary points and definitions The balance of Continental and English sources: Art Religion Science General histories of music Musicology through the arts: Music and painting: William Crotch Music and architecture: Ruskin and one of his interpreters Music as imitation: Jones, Goddard, Wylde and Garbett Music as language and poetry: Turnpin, Banister, Prescott and Osbourne Music images: MacFarren and…
Problemi nove glazbe 20. stoljeća
Problemi nove glazbe 20. stoljeća: teorijske osnove i kriteriji vrednovanja
Glazbenost Nove glazbe 20. stoljeća
Glazbenost Nove glazbe 20. stoljeća
Die musikalische Avantgarde als ahistorische Utopie. Die gescheiterten Implikationen der experimentellen Musik
Integration vs assimilation
Nakon sabranih sjećanja. Primožu Ramovšu u spomen
Nakon sabranih sjećanja. Primožu Ramovšu u spomen
Music and Metaphor in Nineteenth-Century British Musicology
Contents: Introduction and background: Some preliminary points and definitions The balance of Continental and English sources: Art Religion Science General histories of music Musicology through the arts: Music and painting: William Crotch Music and architecture: Ruskin and one of his interpreters Music as imitation: Jones, Goddard, Wylde and Garbett Music as language and poetry: Turnpin, Banister, Prescott and Osbourne Music images: MacFarren and…
Musicology
The author's experience with musicological research of contemporary music developed his critical attitude towards musicology in general, especially towards the one that considers music only as text and limits the approaches to musical works on philological methodology. Both Schering's Experimentelle Musikgeschichte (1913) and Kerman's requests for musicology as fusion of scholarly musicological work and sense for music as art (1985) attempt to ge…
Prelims
Art (6 works) · Linguistics (4 works) · Philosophy (4 works) · Balkan and Eastern European Studies (3 works) · Diverse Musicological Studies (3 works) · Musicology and Musical Analysis (3 works) · History (2 works) · Literature (2 works) · Music history (2 works) · Musical (2 works)