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Thomas R Hilder

Biographic Data

ID5146089
NAMEThomas R Hilder
GIVEN NAMESThomas R
FAMILY NAMEHilder
SIGNATUREHILDER T R
AFFILIATIONSNorwegian University of Science and Technology
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS14
WORKS AS AUTHOR5
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Queer Community Building, Academic Activism, and the Labour of Care

    Thomas R Hilder, Danielle Sofer et al.•ARTICLE•Contemporary Music Review•2025

    In April 2022, the LGBTQ+ Music Study Group held its fourth symposium at the University of Music and Performing Arts Vienna. After two years of COVID-19 pandemic, countless deaths, multiple lockdow

  • Queer Choirs, Archives of the Self, and Finding Voice in the Refuge of the 1990s

    Thomas R Hilder•ARTICLE•QED A Journal in GLBTQ Worldmaking•2023•References: 1

    When I teach about the 1990s, I get slightly dizzy. It's the decade before many of my students were born, and although I imagine this makes them unable to access the feeling, texture, spirit of that decade, their aesthetic palettes and political parlance suggest otherwise. As an elder of the millennial generation, however, the 1990s are the wellspring of my consciousness, my home, my refuge even.Back in 1992, my music teacher in Rome shared with …

  • Sámi Festivals and Indigenous Sovereignty

    Thomas R Hilder, Fabian Holt et al.•BOOK•Oxford Handbook of Popular Music…•2017

    This chapter is a contribution to the literatures on Sámi cultural history, Nordic postcolonial studies, and music festivals. Drawing inspiration from social theory, the chapter explores how the proliferation of festivals has helped in the formation of local and transnational Sámi publics in the Nordic region. It argues that festivals help foster a sense of transnational Sámi community and work toward cultural self-determination at three levels: …

  • Music, Indigeneity, Digital Media

    Thomas R Hilder, Henry Stobart et al.•EDITOR•BOOK•Music, Indigeneity, Digital Media•2017

  • Soundscapes Rostock

    Open Access•Thomas R Hilder, Thomas Hilder•ARTICLE•Yearbook for Traditional Music•2012

  • Repatriation, Revival and Transmission

    Thomas R Hilder•ARTICLE•British Journal of Ethnomusicology•2012•Cited by: 14•References: 16

    This article concerns music and the politics of indigenous cultural heritage by focusing on contemporary musical performance of the Sámi. Often drawing on the distinct unaccompanied vocal tradition of joik since the 1970s political mobilisation, contemporary Sámi music has assisted in reviving language, identity and a nature-based cosmology, whilst commenting on the processes of Nordic state assimilation, land dispossession and border creation. S…

  • Repatriation, Revival and Transmission

    Thomas R Hilder•ARTICLE•British Journal of Ethnomusicology•2012•Cited by: 14•References: 16

    This article concerns music and the politics of indigenous cultural heritage by focusing on contemporary musical performance of the Sámi. Often drawing on the distinct unaccompanied vocal tradition of joik since the 1970s political mobilisation, contemporary Sámi music has assisted in reviving language, identity and a nature-based cosmology, whilst commenting on the processes of Nordic state assimilation, land dispossession and border creation. S…

  • Soundscapes Rostock

    Open Access•Thomas R Hilder, Thomas Hilder•ARTICLE•Yearbook for Traditional Music•2012

  • Repatriation, Revival and Transmission

    Thomas R Hilder•ARTICLE•British Journal of Ethnomusicology•2012•Cited by: 14•References: 16

    This article concerns music and the politics of indigenous cultural heritage by focusing on contemporary musical performance of the Sámi. Often drawing on the distinct unaccompanied vocal tradition of joik since the 1970s political mobilisation, contemporary Sámi music has assisted in reviving language, identity and a nature-based cosmology, whilst commenting on the processes of Nordic state assimilation, land dispossession and border creation. S…

  • Sámi Festivals and Indigenous Sovereignty

    Thomas R Hilder, Fabian Holt et al.•BOOK•Oxford Handbook of Popular Music…•2017

    This chapter is a contribution to the literatures on Sámi cultural history, Nordic postcolonial studies, and music festivals. Drawing inspiration from social theory, the chapter explores how the proliferation of festivals has helped in the formation of local and transnational Sámi publics in the Nordic region. It argues that festivals help foster a sense of transnational Sámi community and work toward cultural self-determination at three levels: …

  • Music, Indigeneity, Digital Media

    Thomas R Hilder, Henry Stobart et al.•EDITOR•BOOK•Music, Indigeneity, Digital Media•2017

  • Queer Choirs, Archives of the Self, and Finding Voice in the Refuge of the 1990s

    Thomas R Hilder•ARTICLE•QED A Journal in GLBTQ Worldmaking•2023•References: 1

    When I teach about the 1990s, I get slightly dizzy. It's the decade before many of my students were born, and although I imagine this makes them unable to access the feeling, texture, spirit of that decade, their aesthetic palettes and political parlance suggest otherwise. As an elder of the millennial generation, however, the 1990s are the wellspring of my consciousness, my home, my refuge even.Back in 1992, my music teacher in Rome shared with …

  • Queer Community Building, Academic Activism, and the Labour of Care

    Thomas R Hilder, Danielle Sofer et al.•ARTICLE•Contemporary Music Review•2025

    In April 2022, the LGBTQ+ Music Study Group held its fourth symposium at the University of Music and Performing Arts Vienna. After two years of COVID-19 pandemic, countless deaths, multiple lockdow

Sociology (4 works) · Art (3 works) · Diverse Musicological Studies (3 works) · Media studies (3 works) · Anthropology (2 works) · Folklore, Mythology, and Literature Studies (2 works) · Indigenous (2 works) · Political science (2 works) · Politics (2 works) · Queer (2 works)

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