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Douglas Leedy

Biographic Data

ID5148281
NAMEDouglas Leedy
GIVEN NAMESDouglas
FAMILY NAMELeedy
SIGNATURELEEDY D
AFFILIATIONSUniversity of Oxford
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Portland (ii)

    Douglas Leedy, Brett Campbell•CHAPTER•The new Grove dictionary of music…•2026

  • Portland

    Douglas Leedy•CHAPTER•The new Grove dictionary of music…•2002

  • Historical and Regional Pronunciations in Vocal Performance

    Douglas Leedy•ARTICLE•Performance Practice Review•1996

    RILM: "Particular pronunciations or dialects are important factors in the creation and execution of vocal music. Such sounds can have a dramatic effect on the coloration and rhythmic profile of a piece of music; the recreation of such sounds is thus of great importance."

  • Early Recordings and Musical Style

    Douglas Leedy•ARTICLE•Performance Practice Review•1994

    Leedy discusses and reviews Philip's 1992 book

  • "The Second Dream of the High-Tension Line Stepdown Transformer" from The Four Dreams of China

    Douglas Leedy, La Monte Young•ARTICLE•American Music•1993

  • Communications

    Frederick Neumann, Erich Schwandt et al.•ARTICLE•Performance Practice Review•1991

  • The Contemporary Contrabass

    Open Access•Douglas Leedy, Bertram Turetzky•ARTICLE•Notes•1990

    Now in its second edition the acclaimed volume is more than a book about the contrabass, but an introduction to string playing at a time in the history of Western music when timbre has finally ascended to its rightful role among musical parameters. It articulates the real musical image and potential of the contrabass, and introduces new concepts, aesthetics, and techniques

No prominent works on this page.

  • The Contemporary Contrabass

    Open Access•Douglas Leedy, Bertram Turetzky•ARTICLE•Notes•1990

    Now in its second edition the acclaimed volume is more than a book about the contrabass, but an introduction to string playing at a time in the history of Western music when timbre has finally ascended to its rightful role among musical parameters. It articulates the real musical image and potential of the contrabass, and introduces new concepts, aesthetics, and techniques

  • Communications

    Frederick Neumann, Erich Schwandt et al.•ARTICLE•Performance Practice Review•1991

  • "The Second Dream of the High-Tension Line Stepdown Transformer" from The Four Dreams of China

    Douglas Leedy, La Monte Young•ARTICLE•American Music•1993

  • Early Recordings and Musical Style

    Douglas Leedy•ARTICLE•Performance Practice Review•1994

    Leedy discusses and reviews Philip's 1992 book

  • Historical and Regional Pronunciations in Vocal Performance

    Douglas Leedy•ARTICLE•Performance Practice Review•1996

    RILM: "Particular pronunciations or dialects are important factors in the creation and execution of vocal music. Such sounds can have a dramatic effect on the coloration and rhythmic profile of a piece of music; the recreation of such sounds is thus of great importance."

  • Portland

    Douglas Leedy•CHAPTER•The new Grove dictionary of music…•2002

  • Portland (ii)

    Douglas Leedy, Brett Campbell•CHAPTER•The new Grove dictionary of music…•2026

Art (5 works) · Diverse Musicological Studies (3 works) · Psychology (3 works) · History (2 works) · Music Technology and Sound Studies (2 works) · Musicology and Musical Analysis (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Archaeology (1 work) · Art history (1 work)

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