Tristanne Connolly
Biographic Data
| ID | 5148894 |
|---|---|
| NAME | Tristanne Connolly |
| GIVEN NAMES | Tristanne |
| FAMILY NAME | Connolly |
| SIGNATURE | CONNOLLY T |
| AFFILIATIONS | University of Waterloo |
| ORCID | 0000-0002-6300-0169 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 2 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Austen in Asia
Introduction
Flowery Porn
When Erasmus Darwin announces that “the general design” of The Loves of the Plants “is to inlist Imagination under the banner of Science” (ii), an echo of the Song of Solomon (itself a touchstone for eroticized botanical imagery) reveals how charged the relationship is: “his banner over me was love” (2:4). This essay argues that taking The Loves of the Plants seriously as an erotic work reveals the essential importance of desire to the evolving d…
British Romanticism in European Perspective
What, and when, is British Romanticism, if seen not in island isolation but cosmopolitan integration with European Romantic literature, history and culture? The essays here range from poetry and the n
British Romanticism in European Perspective
Metaphor and Abuse in Hosea
Flowery Porn
When Erasmus Darwin announces that “the general design” of The Loves of the Plants “is to inlist Imagination under the banner of Science” (ii), an echo of the Song of Solomon (itself a touchstone for eroticized botanical imagery) reveals how charged the relationship is: “his banner over me was love” (2:4). This essay argues that taking The Loves of the Plants seriously as an erotic work reveals the essential importance of desire to the evolving d…
Metaphor and Abuse in Hosea
British Romanticism in European Perspective
What, and when, is British Romanticism, if seen not in island isolation but cosmopolitan integration with European Romantic literature, history and culture? The essays here range from poetry and the n
British Romanticism in European Perspective
Flowery Porn
When Erasmus Darwin announces that “the general design” of The Loves of the Plants “is to inlist Imagination under the banner of Science” (ii), an echo of the Song of Solomon (itself a touchstone for eroticized botanical imagery) reveals how charged the relationship is: “his banner over me was love” (2:4). This essay argues that taking The Loves of the Plants seriously as an erotic work reveals the essential importance of desire to the evolving d…
Austen in Asia
Introduction
Art (2 works) · Art history (2 works) · Literature (2 works) · Perspective (graphical) (2 works) · Poetry (2 works) · Psychology (2 works) · 18th century (1 work) · 19th century (1 work) · Aesthetics (1 work) · Archaeology and Historical Studies (1 work)