Stephanie Jenkins
Biographic Data
| ID | 5149644 |
|---|---|
| NAME | Stephanie Jenkins |
| GIVEN NAMES | Stephanie |
| FAMILY NAME | Jenkins |
| SIGNATURE | JENKINS S |
| AFFILIATIONS | Oregon State University |
| ORCID | 0000-0002-3589-4855 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Traversing space
Please do not touch! learning through object-work and arts-based expression in museum theatre, a South African example
This article proposes that participatory museum theatre can provide a platform through which learners studying history can engage a troubled past, specifically looking at South African history, to generate a more complex understanding of it. Through the use of performance, object-work, and creative arts-based responses, such as poetry and drawing, in the museum space, learners are able to connect with the performed historical narratives, characte…
Constructing Ableism
This essay builds upon research in disability studies through the extension of Garland-Thomson’s figure of the normate. I argue that biopower, through the disciplinary normalization of individual bodies and the biopolitics of populations, in the nineteenth-century United States produced the normate citizen as a white, able-bodied man. The normate citizen developed with the new political technology of power that emerged with the transition from so…
Returning the Ethical and Political to Animal Studies
At the same time that animals have increasingly become objects of philosophical investigation, the commodification and exploitation of those animals for food, entertainment, research, and sport are intensifying to historically “unprecedented proportions” (Derrida 2008, 25). Each year in the United States, 10 billion land animals are killed, which means that, in the time it takes you to read this paper, 250,000 birds, pigs, lambs, and cows will be…
Returning the Ethical and Political to Animal Studies
At the same time that animals have increasingly become objects of philosophical investigation, the commodification and exploitation of those animals for food, entertainment, research, and sport are intensifying to historically “unprecedented proportions” (Derrida 2008, 25). Each year in the United States, 10 billion land animals are killed, which means that, in the time it takes you to read this paper, 250,000 birds, pigs, lambs, and cows will be…
Constructing Ableism
This essay builds upon research in disability studies through the extension of Garland-Thomson’s figure of the normate. I argue that biopower, through the disciplinary normalization of individual bodies and the biopolitics of populations, in the nineteenth-century United States produced the normate citizen as a white, able-bodied man. The normate citizen developed with the new political technology of power that emerged with the transition from so…
Returning the Ethical and Political to Animal Studies
At the same time that animals have increasingly become objects of philosophical investigation, the commodification and exploitation of those animals for food, entertainment, research, and sport are intensifying to historically “unprecedented proportions” (Derrida 2008, 25). Each year in the United States, 10 billion land animals are killed, which means that, in the time it takes you to read this paper, 250,000 birds, pigs, lambs, and cows will be…
Constructing Ableism
This essay builds upon research in disability studies through the extension of Garland-Thomson’s figure of the normate. I argue that biopower, through the disciplinary normalization of individual bodies and the biopolitics of populations, in the nineteenth-century United States produced the normate citizen as a white, able-bodied man. The normate citizen developed with the new political technology of power that emerged with the transition from so…
Please do not touch! learning through object-work and arts-based expression in museum theatre, a South African example
This article proposes that participatory museum theatre can provide a platform through which learners studying history can engage a troubled past, specifically looking at South African history, to generate a more complex understanding of it. Through the use of performance, object-work, and creative arts-based responses, such as poetry and drawing, in the museum space, learners are able to connect with the performed historical narratives, characte…
Traversing space
Sociology (4 works) · Law (3 works) · Political science (3 works) · Art (2 works) · Art Education and Development (2 works) · Computer Science (2 works) · Law (2 works) · Museums and Cultural Heritage (2 works) · Politics (2 works) · Social science (2 works)