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Blaine Greteman

Biographic Data

ID5149729
NAMEBlaine Greteman
GIVEN NAMESBlaine
FAMILY NAMEGreteman
SIGNATUREGRETEMAN B
AFFILIATIONSUniversity of Iowa
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Linked Reading

    Open Access•James Lee, James Jaehoon Lee et al.•ARTICLE•Journal of Cultural Analytics•2018

    As Renaissance conceptions of otherness have become a locus of critical study,no work has been more central for making the case about dominant ideologiesof race than Shakespeare’s Othello. Ania Loomba has suggested that ”more than any other play of the time, Othello allows us to see that skin colour, religion,and location were often contradictorily yoked together within ideologies of ‘race,’and that all these attributes were animated by notions o…

  • Linked Reading

    James Lee, Blaine Greteman et al.•PREPRINT•2018

    As Renaissance conceptions of otherness have become a locus of critical study, no work has been more central for making the case about dominant ideologies of race than Shakespeare's Othello. Ania Loomba has suggested that "more than any other play of the time, Othello allows us to see that skin colour, religion, and location were often contradictorily yoked together within ideologies of 'race,' and that all these attributes were animated by notio…

  • Perplex't Paths”

    Open Access•Blaine Greteman•ARTICLE•Renaissance Quarterly•2009•Cited by: 1•References: 7

    This essay argues that John Milton's "A Mask Presented at Ludlow Castle" (1634) is influenced by early modern concepts of childhood in a way that critics have not recognized. Childhood was a problematic concept in contemporary religious, pedagogical, and legal discourses. Children were depicted as models of submission, but prone to impetuous indiscretion, and their path to adult agency was strewn with pitfalls, especially in the liminal period of…

  • Perplex't Paths”

    Open Access•Blaine Greteman•ARTICLE•Renaissance Quarterly•2009•Cited by: 1•References: 7

    This essay argues that John Milton's "A Mask Presented at Ludlow Castle" (1634) is influenced by early modern concepts of childhood in a way that critics have not recognized. Childhood was a problematic concept in contemporary religious, pedagogical, and legal discourses. Children were depicted as models of submission, but prone to impetuous indiscretion, and their path to adult agency was strewn with pitfalls, especially in the liminal period of…

  • Perplex't Paths”

    Open Access•Blaine Greteman•ARTICLE•Renaissance Quarterly•2009•Cited by: 1•References: 7

    This essay argues that John Milton's "A Mask Presented at Ludlow Castle" (1634) is influenced by early modern concepts of childhood in a way that critics have not recognized. Childhood was a problematic concept in contemporary religious, pedagogical, and legal discourses. Children were depicted as models of submission, but prone to impetuous indiscretion, and their path to adult agency was strewn with pitfalls, especially in the liminal period of…

  • Linked Reading

    Open Access•James Lee, James Jaehoon Lee et al.•ARTICLE•Journal of Cultural Analytics•2018

    As Renaissance conceptions of otherness have become a locus of critical study,no work has been more central for making the case about dominant ideologiesof race than Shakespeare’s Othello. Ania Loomba has suggested that ”more than any other play of the time, Othello allows us to see that skin colour, religion,and location were often contradictorily yoked together within ideologies of ‘race,’and that all these attributes were animated by notions o…

  • Linked Reading

    James Lee, Blaine Greteman et al.•PREPRINT•2018

    As Renaissance conceptions of otherness have become a locus of critical study, no work has been more central for making the case about dominant ideologies of race than Shakespeare's Othello. Ania Loomba has suggested that "more than any other play of the time, Othello allows us to see that skin colour, religion, and location were often contradictorily yoked together within ideologies of 'race,' and that all these attributes were animated by notio…

Aesthetics (3 works) · Art (3 works) · Political science (3 works) · Politics (3 works) · Sociology (3 works) · Financial Crisis of the 21st Century (2 works) · Gender Studies (2 works) · Ideology (2 works) · Law (2 works) · Law (2 works)

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