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Barry Curtis

Biographic Data

ID5150092
NAMEBarry Curtis
GIVEN NAMESBarry
FAMILY NAMECurtis
SIGNATURECURTIS B
AFFILIATIONSUniversity of the Arts London
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS407
AUTHOR COUNT9
EDITOR COUNT3
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2022
H-INDEX3
  • The Smart Home

    Barry Curtis•ARTICLE•Home Cultures•2022

  • Home Futures

    Monika Parrinder, Barry Curtis•ARTICLE•Home Cultures•2018

    Home Futures, the major exhibition at the Design Museum, London, and IKEA Museum Sweden, explores the trajectory of radical domestic visions from the 1960s—but it seems that the future was closer in the 1960s than now

  • There is no such thing as a boring place’

    Barry Curtis, Naomi House•ARTICLE•Screen•2018

    The essay will look at a number of documentaries that relate to architecture with a view to analysing and defining their characteristic visual strategies, modes of address, and the ways in which they relate to key issues of heritage, innovation and timely controversies over social contexts and use. It will consider the documentary traditions that programmes draw on, and how the characteristics of television shape the mediation of buildings and en…

  • Implicated

    Barry Curtis, Ellen Patrick•ARTICLE•Economy and Society•2014

    The review article examines three books about modern guilt. Each author comes from a different country: Schlink from Germany, Bruckner from France, and Chiarot from the United States. These works either point to or exemplify the problems implicit in concepts of universal guilt. The article explores ways in which each account reflects particular national preoccupations: the German reckoning with the Nazi past, the reassertion of France's global an…

  • Tomorrow

    Open Access•Barry Curtis•ARTICLE•Journal of Visual Culture•2013

    This article explores the ramified meaning of the idea of ‘Tomorrow’ in the mid 1950s. It looks at a number of fictional and non fictional attempts to predict futures on the basis of extrapolating from the technological and cultural phenomena of the then present. With particular reference to the 1956 Whitechapel Art Gallery exhibition, the author seeks to establish the parameters of conjecture as well as the timely cultural politics of the Indepe…

  • Mapping the Futures

    John Bird, Barry Curtis et al.•BOOK•Mapping the futures•2012•Cited by: 388

    Contributors: David Harvey, Ashraf Ghani, Meaghan Morris, Steven Conner, Micha Bandini, Ruth Levitas, Robert Hewison, Dick Hebdige, Stuart Hall, Doreen Massey, Francis Mulhern, Neil Smith, Iain Chambers, Mike Featherstone, Peter Jackson, Tim Putnam, Jon Bird.

  • Travellers' Tales

    Jon Bird, Barry Curtis et al.•BOOK•Travellers' Tales•2005

  • Mapping the futures

    Barry Curtis, Jon Bird et al.•BOOK•Mapping the futures•2005

  • Reshaping the motor car

    Open Access•Chris Wright, Barry Curtis•ARTICLE•Transport Policy•2004•Cited by: 5•References: 3

  • Futurenatural

    Jon Bird, Barry Curtis et al.•BOOK•Futurenatural•1996•Cited by: 14

  • In Betweening’

    Open Access•Barry Curtis•ARTICLE•Art History•1995

  • The supererogatory, the foolish and the morally required

    Open Access•Barry Curtis•ARTICLE•The Journal of Value Inquiry•1981

  • Mapping the Futures

    John Bird, Barry Curtis et al.•BOOK•Mapping the futures•2012•Cited by: 388

    Contributors: David Harvey, Ashraf Ghani, Meaghan Morris, Steven Conner, Micha Bandini, Ruth Levitas, Robert Hewison, Dick Hebdige, Stuart Hall, Doreen Massey, Francis Mulhern, Neil Smith, Iain Chambers, Mike Featherstone, Peter Jackson, Tim Putnam, Jon Bird.

  • Futurenatural

    Jon Bird, Barry Curtis et al.•BOOK•Futurenatural•1996•Cited by: 14

  • Reshaping the motor car

    Open Access•Chris Wright, Barry Curtis•ARTICLE•Transport Policy•2004•Cited by: 5•References: 3

  • The supererogatory, the foolish and the morally required

    Open Access•Barry Curtis•ARTICLE•The Journal of Value Inquiry•1981

  • In Betweening’

    Open Access•Barry Curtis•ARTICLE•Art History•1995

  • Futurenatural

    Jon Bird, Barry Curtis et al.•BOOK•Futurenatural•1996•Cited by: 14

  • Reshaping the motor car

    Open Access•Chris Wright, Barry Curtis•ARTICLE•Transport Policy•2004•Cited by: 5•References: 3

  • Travellers' Tales

    Jon Bird, Barry Curtis et al.•BOOK•Travellers' Tales•2005

  • Mapping the futures

    Barry Curtis, Jon Bird et al.•BOOK•Mapping the futures•2005

  • Mapping the Futures

    John Bird, Barry Curtis et al.•BOOK•Mapping the futures•2012•Cited by: 388

    Contributors: David Harvey, Ashraf Ghani, Meaghan Morris, Steven Conner, Micha Bandini, Ruth Levitas, Robert Hewison, Dick Hebdige, Stuart Hall, Doreen Massey, Francis Mulhern, Neil Smith, Iain Chambers, Mike Featherstone, Peter Jackson, Tim Putnam, Jon Bird.

  • Tomorrow

    Open Access•Barry Curtis•ARTICLE•Journal of Visual Culture•2013

    This article explores the ramified meaning of the idea of ‘Tomorrow’ in the mid 1950s. It looks at a number of fictional and non fictional attempts to predict futures on the basis of extrapolating from the technological and cultural phenomena of the then present. With particular reference to the 1956 Whitechapel Art Gallery exhibition, the author seeks to establish the parameters of conjecture as well as the timely cultural politics of the Indepe…

  • Implicated

    Barry Curtis, Ellen Patrick•ARTICLE•Economy and Society•2014

    The review article examines three books about modern guilt. Each author comes from a different country: Schlink from Germany, Bruckner from France, and Chiarot from the United States. These works either point to or exemplify the problems implicit in concepts of universal guilt. The article explores ways in which each account reflects particular national preoccupations: the German reckoning with the Nazi past, the reassertion of France's global an…

  • Home Futures

    Monika Parrinder, Barry Curtis•ARTICLE•Home Cultures•2018

    Home Futures, the major exhibition at the Design Museum, London, and IKEA Museum Sweden, explores the trajectory of radical domestic visions from the 1960s—but it seems that the future was closer in the 1960s than now

  • There is no such thing as a boring place’

    Barry Curtis, Naomi House•ARTICLE•Screen•2018

    The essay will look at a number of documentaries that relate to architecture with a view to analysing and defining their characteristic visual strategies, modes of address, and the ways in which they relate to key issues of heritage, innovation and timely controversies over social contexts and use. It will consider the documentary traditions that programmes draw on, and how the characteristics of television shape the mediation of buildings and en…

  • The Smart Home

    Barry Curtis•ARTICLE•Home Cultures•2022

Political science (6 works) · Art (5 works) · Law (5 works) · Sociology (5 works) · Law (4 works) · Visual arts (4 works) · Aesthetics (3 works) · Art history (3 works) · Computer Science (3 works) · Epistemology (3 works)

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