Marina Rossato Fernandes
Biographic Data
| ID | 5152903 |
|---|---|
| NAME | Marina Rossato Fernandes |
| GIVEN NAMES | Marina Rossato |
| FAMILY NAME | Fernandes |
| SIGNATURE | FERNANDES M R |
| AFFILIATIONS | University of Liège |
| ORCID | 0000-0003-1248-0956 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 8 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
Promoting the European film industry in South Korea
The European Union (EU) has long recognised the artistic, economic, and geopolitical value of its cultural industries, with the European Film Industry (EFI) playing a key role in its external cultural relations. Given the South Korean film industry’s relevance in the internal and international market, it offers a valuable case for analysing the interface between European and non-European film industries, particularly in the context of the EU’s ex…
From the Washington Consensus to “America First”
In this article, we discuss the contemporary shifting landscape in global audiovisual governance from two main perspectives. The first begins with the new agenda of the Trump’s administration on global trade in audiovisual goods and services, noting how it signals a shift towards neo-mercantilist unilateralism, which involves a dual push for US economic nationalism and trade liberalisation abroad. The second puts this recent development in the hi…
Fairness and music streaming platforms in Europe
The article examines how professionals in the European music industry address fairness in the context of music streaming services (MSS). Drawing on Discursive Institutionalism and framing analysis, it explores the main ideas through which industry stakeholders interpret and justify fairness. Based on 22 semi-structured interviews and an online survey, the analysis identifies three interrelated narratives: fairness as redistribution of value, fair…
Desafios e perspectivas das políticas audiovisuais supranacionais na América Latina
Este artigo analisa os desafios e potenciais das políticas audiovisuais supranacionais na América Latina, concentrando-se nas instituições RECAM e Programa Ibermedia. A partir da economia política da comunicação a análise foca em três elementos, política, pessoas, e poder, para avaliar as dinâmicas e resultados dessas instituições. Destaca-se a importância das pessoas e da informalidade no desenvolvimento e sustentação dessas políticas. O estudo …
Netflix as a policy actor
In the rise of video-on-demand (VOD) services, Netflix is a prominent actor, expanding its operations in Latin America while regulators remain evasive. Its power concentration motivated research from different perspectives, while its role as a policy actor remains under-investigated. Therefore, this article engages in the political economy of communication to investigate how Netflix uses power to build an image of an expert able to provide policy…
Ibermedia as a collaborative space for film co-production policy? A stakeholder analysis on decision-making processes
Ibermedia is the most important institution in the Ibero-American audiovisual space. It was created as a result of a bottom-up project that aims to include stakeholders in policy-making. The paper investigates the participation of stakeholders in the Ibermedia decision-making in order to assess if it maintains its original cooperative character. We applied the salience theory to identify who and why is being taken into account by the organization…
The end of an era? The decrease of the EU influence in Ibero-American digital media policy discourses
Ibero-American supranational audiovisual policies were inspired by the EU media policy model and shared the idea of creating a regional audiovisual market to face Hollywood hegemony. The paper uses discursive media institutionalism and policy entrepreneur theory to assess whether the current discourse on digital media policies is largely history repeating itself or new ideas are being introduced. To analyze this crucial problem definition stage f…
Audiovisual policy transfer between Mercosur and the European Union has gone offtrack
This article analyses the Audiovisual Mercosur Program as a case of policy transfer between Mercosur and the European Union. A qualitative document analysis, expert interviews and the use of policy transfer theory and its constraints made possible the critical evaluation of the program and its impacts. By focusing on the constraints that led to an incomplete and uninformed transfer, we were able to identify an alignment between the underlying ide…
Mercosur caught between lofty ambitions and modest achievements
This paper presents a critical analysis of Mercosur’s audiovisual policy. It is based on qualitative document analysis combined with a goal-means tree analysis methodology. The confrontation of the goals and the means in this manner makes it possible to identify structural problems in the development of RECAM, which is the Specialized Meeting of Audiovisual and Cinematographic Authorities of Mercosur and Associated States. Expert interviews and a…
Netflix as a policy actor
In the rise of video-on-demand (VOD) services, Netflix is a prominent actor, expanding its operations in Latin America while regulators remain evasive. Its power concentration motivated research from different perspectives, while its role as a policy actor remains under-investigated. Therefore, this article engages in the political economy of communication to investigate how Netflix uses power to build an image of an expert able to provide policy…
Ibermedia as a collaborative space for film co-production policy? A stakeholder analysis on decision-making processes
Ibermedia is the most important institution in the Ibero-American audiovisual space. It was created as a result of a bottom-up project that aims to include stakeholders in policy-making. The paper investigates the participation of stakeholders in the Ibermedia decision-making in order to assess if it maintains its original cooperative character. We applied the salience theory to identify who and why is being taken into account by the organization…
The end of an era? The decrease of the EU influence in Ibero-American digital media policy discourses
Ibero-American supranational audiovisual policies were inspired by the EU media policy model and shared the idea of creating a regional audiovisual market to face Hollywood hegemony. The paper uses discursive media institutionalism and policy entrepreneur theory to assess whether the current discourse on digital media policies is largely history repeating itself or new ideas are being introduced. To analyze this crucial problem definition stage f…
Mercosur caught between lofty ambitions and modest achievements
This paper presents a critical analysis of Mercosur’s audiovisual policy. It is based on qualitative document analysis combined with a goal-means tree analysis methodology. The confrontation of the goals and the means in this manner makes it possible to identify structural problems in the development of RECAM, which is the Specialized Meeting of Audiovisual and Cinematographic Authorities of Mercosur and Associated States. Expert interviews and a…
Mercosur caught between lofty ambitions and modest achievements
This paper presents a critical analysis of Mercosur’s audiovisual policy. It is based on qualitative document analysis combined with a goal-means tree analysis methodology. The confrontation of the goals and the means in this manner makes it possible to identify structural problems in the development of RECAM, which is the Specialized Meeting of Audiovisual and Cinematographic Authorities of Mercosur and Associated States. Expert interviews and a…
Audiovisual policy transfer between Mercosur and the European Union has gone offtrack
This article analyses the Audiovisual Mercosur Program as a case of policy transfer between Mercosur and the European Union. A qualitative document analysis, expert interviews and the use of policy transfer theory and its constraints made possible the critical evaluation of the program and its impacts. By focusing on the constraints that led to an incomplete and uninformed transfer, we were able to identify an alignment between the underlying ide…
Ibermedia as a collaborative space for film co-production policy? A stakeholder analysis on decision-making processes
Ibermedia is the most important institution in the Ibero-American audiovisual space. It was created as a result of a bottom-up project that aims to include stakeholders in policy-making. The paper investigates the participation of stakeholders in the Ibermedia decision-making in order to assess if it maintains its original cooperative character. We applied the salience theory to identify who and why is being taken into account by the organization…
The end of an era? The decrease of the EU influence in Ibero-American digital media policy discourses
Ibero-American supranational audiovisual policies were inspired by the EU media policy model and shared the idea of creating a regional audiovisual market to face Hollywood hegemony. The paper uses discursive media institutionalism and policy entrepreneur theory to assess whether the current discourse on digital media policies is largely history repeating itself or new ideas are being introduced. To analyze this crucial problem definition stage f…
Netflix as a policy actor
In the rise of video-on-demand (VOD) services, Netflix is a prominent actor, expanding its operations in Latin America while regulators remain evasive. Its power concentration motivated research from different perspectives, while its role as a policy actor remains under-investigated. Therefore, this article engages in the political economy of communication to investigate how Netflix uses power to build an image of an expert able to provide policy…
Desafios e perspectivas das políticas audiovisuais supranacionais na América Latina
Este artigo analisa os desafios e potenciais das políticas audiovisuais supranacionais na América Latina, concentrando-se nas instituições RECAM e Programa Ibermedia. A partir da economia política da comunicação a análise foca em três elementos, política, pessoas, e poder, para avaliar as dinâmicas e resultados dessas instituições. Destaca-se a importância das pessoas e da informalidade no desenvolvimento e sustentação dessas políticas. O estudo …
Promoting the European film industry in South Korea
The European Union (EU) has long recognised the artistic, economic, and geopolitical value of its cultural industries, with the European Film Industry (EFI) playing a key role in its external cultural relations. Given the South Korean film industry’s relevance in the internal and international market, it offers a valuable case for analysing the interface between European and non-European film industries, particularly in the context of the EU’s ex…
From the Washington Consensus to “America First”
In this article, we discuss the contemporary shifting landscape in global audiovisual governance from two main perspectives. The first begins with the new agenda of the Trump’s administration on global trade in audiovisual goods and services, noting how it signals a shift towards neo-mercantilist unilateralism, which involves a dual push for US economic nationalism and trade liberalisation abroad. The second puts this recent development in the hi…
Fairness and music streaming platforms in Europe
The article examines how professionals in the European music industry address fairness in the context of music streaming services (MSS). Drawing on Discursive Institutionalism and framing analysis, it explores the main ideas through which industry stakeholders interpret and justify fairness. Based on 22 semi-structured interviews and an online survey, the analysis identifies three interrelated narratives: fairness as redistribution of value, fair…
Political science (6 works) · Corporate governance (3 works) · Cultural Industries and Urban Development (3 works) · Public Administration (3 works) · Public Administration (3 works) · Sociology (3 works) · Asian Culture and Media Studies (2 works) · Context (archaeology) (2 works) · Copyright and Intellectual Property (2 works) · Economics (2 works)