Gabriele Mentges
Biographic Data
| ID | 5154406 |
|---|---|
| NAME | Gabriele Mentges |
| GIVEN NAMES | Gabriele |
| FAMILY NAME | Mentges |
| SIGNATURE | MENTGES G |
| AFFILIATIONS | TU Dortmund University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 7 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 2 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
Decentering Fashion on the Silk Roads
Die Wissenschaften der Mode
Fusion Fashion
"The focus of "Fusion Fashion" is on Orientalism as a sartorial practice, which has to be differentiated from the common knowledge of/on Orientalism by means of its organization, constitution and reception. The book offers historic as well as systematic perspectives. On the one hand, it compares orientalizing practices in fashion since the Tang period in China and European Renaissance. On the other hand, it highlights current tendencies of so cal…
Mode
Die Bedeutung der Mode bei der Konstruktion von z.T. bis heute gültigen Weiblichkeitsbildern ist nicht nur als Beitrag zu einer „Kultur der äußeren Erscheinung“ zu begreifen, sondern bildet eine wichtige Strategie zur Herausbildung spezifischer Arten von geschlechtlichem Körperhabitus und körperlicher Disziplinierung. Durch die Konstruktion eines visible self hat die Mode maßgeblich zur geschlechtlichen Identitätsbildung in der Moderne und Spätmo…
Fashion, Time and the Consumption of a Renaissance Man in Germany
This article uses the perspective of cultural anthropology to consider the construction of an early modern perception of time and its relation to the dress and personal consumption of a male subject. It focuses on a costume book from the Renaissance compiled by Matthäus Schwarz, a member of the bourgeoisie, who lived in Augsburg from 1496 to 1574. The book contains a collection of 137 drawings, portraying Schwarz's personal choice of dress. It is…
Cold, Coldness, Coolness
(2000). Cold, Coldness, Coolness: Remarks on the Relationship of Dress, Body and Technology. Fashion Theory: Vol. 4, No. 1, pp. 27-47
Fashion, Time and the Consumption of a Renaissance Man in Germany
This article uses the perspective of cultural anthropology to consider the construction of an early modern perception of time and its relation to the dress and personal consumption of a male subject. It focuses on a costume book from the Renaissance compiled by Matthäus Schwarz, a member of the bourgeoisie, who lived in Augsburg from 1496 to 1574. The book contains a collection of 137 drawings, portraying Schwarz's personal choice of dress. It is…
Cold, Coldness, Coolness
(2000). Cold, Coldness, Coolness: Remarks on the Relationship of Dress, Body and Technology. Fashion Theory: Vol. 4, No. 1, pp. 27-47
Cold, Coldness, Coolness
(2000). Cold, Coldness, Coolness: Remarks on the Relationship of Dress, Body and Technology. Fashion Theory: Vol. 4, No. 1, pp. 27-47
Fashion, Time and the Consumption of a Renaissance Man in Germany
This article uses the perspective of cultural anthropology to consider the construction of an early modern perception of time and its relation to the dress and personal consumption of a male subject. It focuses on a costume book from the Renaissance compiled by Matthäus Schwarz, a member of the bourgeoisie, who lived in Augsburg from 1496 to 1574. The book contains a collection of 137 drawings, portraying Schwarz's personal choice of dress. It is…
Mode
Die Bedeutung der Mode bei der Konstruktion von z.T. bis heute gültigen Weiblichkeitsbildern ist nicht nur als Beitrag zu einer „Kultur der äußeren Erscheinung“ zu begreifen, sondern bildet eine wichtige Strategie zur Herausbildung spezifischer Arten von geschlechtlichem Körperhabitus und körperlicher Disziplinierung. Durch die Konstruktion eines visible self hat die Mode maßgeblich zur geschlechtlichen Identitätsbildung in der Moderne und Spätmo…
Fusion Fashion
"The focus of "Fusion Fashion" is on Orientalism as a sartorial practice, which has to be differentiated from the common knowledge of/on Orientalism by means of its organization, constitution and reception. The book offers historic as well as systematic perspectives. On the one hand, it compares orientalizing practices in fashion since the Tang period in China and European Renaissance. On the other hand, it highlights current tendencies of so cal…
Die Wissenschaften der Mode
Decentering Fashion on the Silk Roads
Fashion and Cultural Textiles (5 works) · Art (3 works) · Aesthetics (2 works) · Crafts, Textile, and Design (2 works) · Fashion (2 works) · Humanities (2 works) · Philosophy (2 works) · Architecture (1 work) · Art history (1 work) · Art, Politics, and Modernism (1 work)