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Aikaterini Mniestri

Biographic Data

ID5154604
NAMEAikaterini Mniestri
GIVEN NAMESAikaterini
FAMILY NAMEMniestri
SIGNATUREMNIESTRI A
AFFILIATIONSUniversity of Siegen
ORCID0009-0005-4203-094X
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2026
H-INDEX0
  • The complementor perspective

    Open Access•Aikaterini Mniestri, Katerina Mniestri et al.•ARTICLE•New Media & Society•2026•References: 32

    This article examines the process of platformization from the perspective of platform complementors. It focusses on Dutch complementors—retailers, news organizations, transportation companies, and software start-ups—that developed Conversational Actions for Google Assistant. The analysis builds on a combination of digital fieldwork and interviews with Dutch developers, conversational specialists, and marketing and communication managers between 2…

  • Algorithmic Justice From Below

    Open Access•Aikaterini Mniestri, Sebastian Randerath•ARTICLE•AoIR Selected Papers of Internet…•2023

    Tracking has become an integral part of users’ social media experience and the political economy of platforms. Creator studios are part of a larger assemblage of machine-readable metrics and data analytics on the back end of a digital platform. While it has become common practice for creators to make use of this feature to grow their business, creators have also appropriated it to engage collectively in “algorithmic gossip” around social issues. …

  • From Buzzfeed Creator to (In)dependent Youtuber - Managing Precarious Labour Through Gossip

    Open Access•Aikaterini Mniestri, Vanessa Richter•ARTICLE•AoIR Selected Papers of Internet…•2021

    Several known Buzzfeed Creators have left the company’s toxic culture by beginning a career as YouTubers. They hoped that their Buzzfeed audience would migrate to support their company-independent channel. Often represented as a move towards independence by creators, cultural production research (Nieborg & Poell, 2018; Burgess et al. 2020) has shown that creators are platform and audience dependent for viability. Therefore, we are questioning whe…

  • Temporal Frames for Platform Publics

    Open Access•Aikaterini Mniestri, Alex Gekker•ARTICLE•AoIR Selected Papers of Internet…•2020

    In this paper we suggest the notion of $2 to account for the intermingling of socio-technical processes that make online platforms (in this case: YouTube) resistant to stable definitions. It has been over a decade of YouTube studies and yet, a consensus on what precisely YouTube is seems unlikely. Arguably, Burgess and Green began this ontological quest with the first edition of YouTube (2008) in which they set out ‘to work through some of the of…

No prominent works on this page.

  • Temporal Frames for Platform Publics

    Open Access•Aikaterini Mniestri, Alex Gekker•ARTICLE•AoIR Selected Papers of Internet…•2020

    In this paper we suggest the notion of $2 to account for the intermingling of socio-technical processes that make online platforms (in this case: YouTube) resistant to stable definitions. It has been over a decade of YouTube studies and yet, a consensus on what precisely YouTube is seems unlikely. Arguably, Burgess and Green began this ontological quest with the first edition of YouTube (2008) in which they set out ‘to work through some of the of…

  • From Buzzfeed Creator to (In)dependent Youtuber - Managing Precarious Labour Through Gossip

    Open Access•Aikaterini Mniestri, Vanessa Richter•ARTICLE•AoIR Selected Papers of Internet…•2021

    Several known Buzzfeed Creators have left the company’s toxic culture by beginning a career as YouTubers. They hoped that their Buzzfeed audience would migrate to support their company-independent channel. Often represented as a move towards independence by creators, cultural production research (Nieborg & Poell, 2018; Burgess et al. 2020) has shown that creators are platform and audience dependent for viability. Therefore, we are questioning whe…

  • Algorithmic Justice From Below

    Open Access•Aikaterini Mniestri, Sebastian Randerath•ARTICLE•AoIR Selected Papers of Internet…•2023

    Tracking has become an integral part of users’ social media experience and the political economy of platforms. Creator studios are part of a larger assemblage of machine-readable metrics and data analytics on the back end of a digital platform. While it has become common practice for creators to make use of this feature to grow their business, creators have also appropriated it to engage collectively in “algorithmic gossip” around social issues. …

  • The complementor perspective

    Open Access•Aikaterini Mniestri, Katerina Mniestri et al.•ARTICLE•New Media & Society•2026•References: 32

    This article examines the process of platformization from the perspective of platform complementors. It focusses on Dutch complementors—retailers, news organizations, transportation companies, and software start-ups—that developed Conversational Actions for Google Assistant. The analysis builds on a combination of digital fieldwork and interviews with Dutch developers, conversational specialists, and marketing and communication managers between 2…

Digital Games and Media (3 works) · Law (3 works) · Media studies (3 works) · Political science (3 works) · Sociology (3 works) · Computer Science (2 works) · Gossip (2 works) · Public relations (2 works) · AI in Service Interactions (1 work) · Analytics (1 work)

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