Gridthiya Gaweewong
Biographic Data
| ID | 5154702 |
|---|---|
| NAME | Gridthiya Gaweewong |
| GIVEN NAMES | Gridthiya |
| FAMILY NAME | Gaweewong |
| SIGNATURE | GAWEEWONG G |
| AFFILIATIONS | Thompson Rivers University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Exhibition as method
The role of the contemporary art curator today extends far beyond organizing exhibitions. Curators now research, educate, collect, conserve, and fundraise—whether within institutions or through ind...
Morlam as Method
This chapter examines morlam, an oral tradition that has developed over centuries within local communities along the Mekong River basin in mainland Southeast Asia. Recognised as a shared cultural heritage between the people of Laos and Isan, the northeastern region of Thailand, morlam has evolved significantly from its roots in ritual music to its current status as popular music. The chapter draws on two exhibitions of morlam: “Joyful Khaen, Joyf…
Contemporary independent curatorial practices as contested ground
This essay traces and reappraises the curatorial practices in Thailand from the late nineteenth century to the present. It seeks to situate the curatorial practice under the notion of nationalism and cryptocolonisation in relation to its social history. It explores three main parts: first the birth of curatorial practices in relation to the museum and exhibition in Siam since the late nineteenth century showing how, during the colonial period, Si…
No prominent works on this page.
Contemporary independent curatorial practices as contested ground
This essay traces and reappraises the curatorial practices in Thailand from the late nineteenth century to the present. It seeks to situate the curatorial practice under the notion of nationalism and cryptocolonisation in relation to its social history. It explores three main parts: first the birth of curatorial practices in relation to the museum and exhibition in Siam since the late nineteenth century showing how, during the colonial period, Si…
Morlam as Method
This chapter examines morlam, an oral tradition that has developed over centuries within local communities along the Mekong River basin in mainland Southeast Asia. Recognised as a shared cultural heritage between the people of Laos and Isan, the northeastern region of Thailand, morlam has evolved significantly from its roots in ritual music to its current status as popular music. The chapter draws on two exhibitions of morlam: “Joyful Khaen, Joyf…
Exhibition as method
The role of the contemporary art curator today extends far beyond organizing exhibitions. Curators now research, educate, collect, conserve, and fundraise—whether within institutions or through ind...
Exhibition (2 works) · Aesthetics (1 work) · Anthropological Studies and Insights (1 work) · Archaeology (1 work) · Art (1 work) · Art history (1 work) · Cambodian History and Society (1 work) · Colonial History and Postcolonial Studies (1 work) · Colonialism (1 work) · Computer Science (1 work)