Lucien Darjeun Meadows
Biographic Data
| ID | 5156418 |
|---|---|
| NAME | Lucien Darjeun Meadows |
| GIVEN NAMES | Lucien Darjeun |
| FAMILY NAME | Meadows |
| SIGNATURE | MEADOWS L D |
| AFFILIATIONS | Directorate-General for Interpretation |
| ORCID | 0000-0002-0110-3760 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Entangled Presence
Clouds come into visible being, in the verb-oriented grammar of many Indigenous languages, as bodies opting to join this sky or river, for now. In their constant modifications, clouds highlight the recursive nature of time and space. Despite the shared focus of both queer temporality and queer ecology on existence as relational, Indigenous and queer studies are not often brought into dialogue. This article engages Jill Carter’s (Anishinaabe) and …
A Black Queer Phenomenology of Space in James Baldwin’s Giovanni’s Room
In Giovanni’s Room (1956), James Baldwin emphasises the Black queer space of architecture, particularly of lines, walls, and wallpaper. In particular, by using walls to highlight the existence of the poché, or in-between architectural pocket space, Baldwin generates an inside/outside space that facilitates a slippage and reclamation of subjectivity for his queer characters.Throughout this novel, the characters seek shelter and are described as ho…
No prominent works on this page.
A Black Queer Phenomenology of Space in James Baldwin’s Giovanni’s Room
In Giovanni’s Room (1956), James Baldwin emphasises the Black queer space of architecture, particularly of lines, walls, and wallpaper. In particular, by using walls to highlight the existence of the poché, or in-between architectural pocket space, Baldwin generates an inside/outside space that facilitates a slippage and reclamation of subjectivity for his queer characters.Throughout this novel, the characters seek shelter and are described as ho…
Entangled Presence
Clouds come into visible being, in the verb-oriented grammar of many Indigenous languages, as bodies opting to join this sky or river, for now. In their constant modifications, clouds highlight the recursive nature of time and space. Despite the shared focus of both queer temporality and queer ecology on existence as relational, Indigenous and queer studies are not often brought into dialogue. This article engages Jill Carter’s (Anishinaabe) and …
Queer (2 works) · Aesthetics (1 work) · Art (1 work) · Close reading (1 work) · Ecocriticism and Environmental Literature (1 work) · Gender Studies (1 work) · Indigenous (1 work) · Indigenous Health, Education, and Rights (1 work) · Philosophy (1 work) · Posthumanist Ethics and Activism (1 work)