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Itang Ede Egbung

Biographic Data

ID5158722
NAMEItang Ede Egbung
GIVEN NAMESItang Ede
FAMILY NAMEEgbung
SIGNATUREEGBUNG I E
AFFILIATIONSUniversity of Calabar
ORCID0000-0002-3039-2231
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS0
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2026
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Death has cut off my right hand: Linguistic choices as ethnopragmatic significations in Erei and Agwagune dirges

    God’sgift Ogban Uwen, Itang Ede Egbung•ARTICLE•South African Journal of African…•2026

  • Scarred by the badge, writing the wound: State-agent brutality, horror testimonials and unheard screams of trauma in End Sars Rhythms

    Open Access•Augustine A Edung, Augustine Edung et al.•ARTICLE•African Identities•2026•References: 9

    The uproar and civil unrest led by demonstrating youths in 2020 date back to the indignation and grievances that accumulated for over a decade towards the heartrending atrocities perpetrated by the Special Anti-Robbery Squad (SARS), a unit of the Nigerian Police Force notorious for human rights violations. This study explores the testimonials of horror and traumatic impulses expressed through the poetry anthology, End SARS Rhythms, interrogating …

  • Spoken word poetry as digital oral rendition: Reflections on Dike Chukwumerije and Titilope Sonuga’s poetics

    Augustine A Edung, Augustine Edung et al.•ARTICLE•African Identities•2026•References: 9

    In the face of a fast-moving and corrosive digital current, the primordial literary performances of traditional Africa have been challenged to acclimatize to new forms, trends and thematic discourses. The 21st century oral artist, hence, is left to grapple with the arduous responsibility of adapting to the innovations imposed by the digital space and every multi-media apparatus to present their artistic vision. This paper consequently explores th…

No prominent works on this page.

  • Death has cut off my right hand: Linguistic choices as ethnopragmatic significations in Erei and Agwagune dirges

    God’sgift Ogban Uwen, Itang Ede Egbung•ARTICLE•South African Journal of African…•2026

  • Scarred by the badge, writing the wound: State-agent brutality, horror testimonials and unheard screams of trauma in End Sars Rhythms

    Open Access•Augustine A Edung, Augustine Edung et al.•ARTICLE•African Identities•2026•References: 9

    The uproar and civil unrest led by demonstrating youths in 2020 date back to the indignation and grievances that accumulated for over a decade towards the heartrending atrocities perpetrated by the Special Anti-Robbery Squad (SARS), a unit of the Nigerian Police Force notorious for human rights violations. This study explores the testimonials of horror and traumatic impulses expressed through the poetry anthology, End SARS Rhythms, interrogating …

  • Spoken word poetry as digital oral rendition: Reflections on Dike Chukwumerije and Titilope Sonuga’s poetics

    Augustine A Edung, Augustine Edung et al.•ARTICLE•African Identities•2026•References: 9

    In the face of a fast-moving and corrosive digital current, the primordial literary performances of traditional Africa have been challenged to acclimatize to new forms, trends and thematic discourses. The 21st century oral artist, hence, is left to grapple with the arduous responsibility of adapting to the innovations imposed by the digital space and every multi-media apparatus to present their artistic vision. This paper consequently explores th…

African studies and sociopolitical issues (1 works) · Cut-off (1 works) · Dike (1 works) · Diverse Musicological Studies (1 works) · Gothic Literature and Media Analysis (1 works) · Linguistic analysis (1 works) · Linguistic Variation and Morphology (1 works) · Memory, Trauma, and Commemoration (1 works) · Multilingual Education and Policy (1 works) · Narrative (1 works)

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