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Alison V Scott

Biographic Data

ID5160876
NAMEAlison V Scott
GIVEN NAMESAlison V
FAMILY NAMEScott
SIGNATURESCOTT A V
AFFILIATIONSThe University of Queensland
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS1
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1974
LATEST PUBLICATION YEAR2015
H-INDEX1
  • Teaching Othello

    Alison V Scott•OTHER•Othello•2015

  • Making a Virtue of Giddiness

    Open Access•Alison V Scott•CHAPTER•Shakespeare and Emotions•2015

    'I am giddy' (Troilus and Cressida 3.2.16). This is how Shakespeare's Troilus describes his mood as he anticipates a long-awaited sexual encounter with Cressida. His emotional turbulence matches or perhaps produces particular bodily effects — Troilus is whirled around with expectation, suggesting the dizziness or vertigo that characterizes giddiness in medical terms today. On the other hand, giddiness seems to originate with imagination rather th…

  • Shakespeare

    Open Access•Alison V Scott•ARTICLE•Renaissance Quarterly•2013

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Censuring Indulgence

    Alison V Scott•ARTICLE•AUMLA-Journal of the Australasian…•2008•Cited by: 1

    A literary criticism is presented examining how the theatrical production Volpone, by Ben Jonson, depicts avarice and luxury. The author suggests that the character of Volpone represents the negative aspects of luxury and comments on how Jonson presents a satirical view of the social effects of consumerism. She discusses how Volpone's greed distorts his perception of the character of Celia and characterizes Volpone's greed as a form of idolatry

  • Tainted exchange

    Alison Scott, Alison V Scott•ARTICLE•AUMLA-Journal of the Australasian…•2004

    The young man in Shakespeare's Sonnets is lauded as a container of and beauty, while on the other hand, the speaker claims that his verse truly represents his addressee's worth. However, engaged as he is in an attempt to persuade the young man to reciprocate the gifts of nature and of his true-telling friend, the speaker reveals a self-interested agenda for praise that contradicts his assertion of unbiased truth. Here, Scott examines the complex,…

  • Kerl, du bist toll

    Alison Scott, Alison V Scott•ARTICLE•Seminar A Journal of Germanic…•1976

  • The Role of Mellefont in Lessing's Miss Sara Sampson

    Alison Scott, Alison V Scott•ARTICLE•The German Quarterly•1974

    It is hardly necessary to-day to begin an article on Miss Sara Sampson with an apologia for treating the work as interesting in its own right, not merely as the first influential biirgerliches Trauerspiel in Germany.' Since 1949, when Otto Mann recognized in the play a mature work, rather than part of Lessing's dramatic apprenticeship,2 critics have concerned themselves with defining its moral viewpoint, linking this to the conception of the trag…

  • Censuring Indulgence

    Alison V Scott•ARTICLE•AUMLA-Journal of the Australasian…•2008•Cited by: 1

    A literary criticism is presented examining how the theatrical production Volpone, by Ben Jonson, depicts avarice and luxury. The author suggests that the character of Volpone represents the negative aspects of luxury and comments on how Jonson presents a satirical view of the social effects of consumerism. She discusses how Volpone's greed distorts his perception of the character of Celia and characterizes Volpone's greed as a form of idolatry

  • The Role of Mellefont in Lessing's Miss Sara Sampson

    Alison Scott, Alison V Scott•ARTICLE•The German Quarterly•1974

    It is hardly necessary to-day to begin an article on Miss Sara Sampson with an apologia for treating the work as interesting in its own right, not merely as the first influential biirgerliches Trauerspiel in Germany.' Since 1949, when Otto Mann recognized in the play a mature work, rather than part of Lessing's dramatic apprenticeship,2 critics have concerned themselves with defining its moral viewpoint, linking this to the conception of the trag…

  • Kerl, du bist toll

    Alison Scott, Alison V Scott•ARTICLE•Seminar A Journal of Germanic…•1976

  • Tainted exchange

    Alison Scott, Alison V Scott•ARTICLE•AUMLA-Journal of the Australasian…•2004

    The young man in Shakespeare's Sonnets is lauded as a container of and beauty, while on the other hand, the speaker claims that his verse truly represents his addressee's worth. However, engaged as he is in an attempt to persuade the young man to reciprocate the gifts of nature and of his true-telling friend, the speaker reveals a self-interested agenda for praise that contradicts his assertion of unbiased truth. Here, Scott examines the complex,…

  • Censuring Indulgence

    Alison V Scott•ARTICLE•AUMLA-Journal of the Australasian…•2008•Cited by: 1

    A literary criticism is presented examining how the theatrical production Volpone, by Ben Jonson, depicts avarice and luxury. The author suggests that the character of Volpone represents the negative aspects of luxury and comments on how Jonson presents a satirical view of the social effects of consumerism. She discusses how Volpone's greed distorts his perception of the character of Celia and characterizes Volpone's greed as a form of idolatry

  • Shakespeare

    Open Access•Alison V Scott•ARTICLE•Renaissance Quarterly•2013

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Teaching Othello

    Alison V Scott•OTHER•Othello•2015

  • Making a Virtue of Giddiness

    Open Access•Alison V Scott•CHAPTER•Shakespeare and Emotions•2015

    'I am giddy' (Troilus and Cressida 3.2.16). This is how Shakespeare's Troilus describes his mood as he anticipates a long-awaited sexual encounter with Cressida. His emotional turbulence matches or perhaps produces particular bodily effects — Troilus is whirled around with expectation, suggesting the dizziness or vertigo that characterizes giddiness in medical terms today. On the other hand, giddiness seems to originate with imagination rather th…

Art (5 works) · Philosophy (4 works) · Aesthetics (3 works) · Literature (3 works) · Philosophy (3 works) · Psychology (3 works) · Shakespeare, Adaptation, and Literary Criticism (3 works) · Computer Science (2 works) · History (2 works) · Law (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae