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Eyitayo Tolulope Ijisakin

Biographic Data

ID5165841
NAMEEyitayo Tolulope Ijisakin
GIVEN NAMESEyitayo Tolulope
FAMILY NAMEIjisakin
SIGNATUREIJISAKIN E T
AFFILIATIONSObafemi Awolowo University
ORCID0000-0001-8617-4498
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS5
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Beyond Frank Willett: The Need for Compositional Analysis of Yoruba Art Objects

    Open Access•Olufemi Joseph Olaleye-Otunla, Eyitayo Tolulope Ijisakin et al.•ARTICLE•Mediterranean Journal of Social…•2022

    Since the pioneering efforts of Frank Willett that examine the Yoruba arts, there remains a yearning gap to holistically investigate the material contents and classification of Yoruba art objects. For proper documentation, information and placement of Yoruba arts, the need for a scientific material compositional analysis of Yoruba arts cannot be overemphasised. This discourse employs a qualitative and evaluative mode of research to emphasize the …

  • Creativity and Beaded Aesthetics: Thematic Analysis of the Beadworks of David Herbert Dale

    Open Access•Eyitayo Tolulope Ijisakin, Olusegun Jide Ajiboye et al.•ARTICLE•Mediterranean Journal of Social…•2021

    In traditional Africa, beads function as adornments, as designation of royalty, and in many activities that have to do with commerce, religion, and healing among others. The use of beads has however found it ways into modern artistic expression. Literature abounds on the traditional use of beads, whereas there is a dearth of literature on creative usage of beads in contemporary Nigerian art. This study therefore examines creativity in the beadwor…

  • Printmaking and Cultural Imagination in Contemporary Nigerian Art

    Eyitayo Tolulope Ijisakin•ARTICLE•Critical Arts•2021•References: 3

    In a vibrant society, people tend to promote their cultural identities while at the same time spontaneous towards adaptation of other cultures. This study critically examines purposively selected works of printmaking artists that reflect the dynamism of culture in contemporary Nigerian art. The study relies on field investigation which includes visual media sources, as well as interviews with the selected printmaking artists. Data were also colle…

  • The Art of Life in South Africa

    Eyitayo Tolulope Ijisakin•ARTICLE•African Arts•2018

    In The Art of Life in South Africa, Daniel Magaziner examines the history of art education under apartheid in South Africa. The book focuses on Ndaleni, an art school for black South Africans, and considers the travails and triumphs of its artists and their teachers under white supremacy. At Ndaleni, students and teachers were bound together in learning “the art of life”; due to lack of funds, they improvised materials for artistic production. Wh…

  • Reaching Sideways, Writing Our Ways: The Orientation of the Arts of Africa Discourse

    Ruth Simbao, William B Miko et al.•ARTICLE•African Arts•2017•Cited by: 5•References: 5

    Ruth Simbao: In Rehema Chachage's video installation, Kwa Baba Rithi Undugu (2010), sculptural objects representing old-fashioned transistor radios are mounted on the wall, side by side (Fig. 1). Embedded in each radio is a small video screen, which reveals a figure who stands in one place while the vertical line of the radio tuner crosses her body in search of the desired frequency (Figs. 2–3). A man's voice wafts in and out as it is periodicall…

  • Reaching Sideways, Writing Our Ways: The Orientation of the Arts of Africa Discourse

    Ruth Simbao, William B Miko et al.•ARTICLE•African Arts•2017•Cited by: 5•References: 5

    Ruth Simbao: In Rehema Chachage's video installation, Kwa Baba Rithi Undugu (2010), sculptural objects representing old-fashioned transistor radios are mounted on the wall, side by side (Fig. 1). Embedded in each radio is a small video screen, which reveals a figure who stands in one place while the vertical line of the radio tuner crosses her body in search of the desired frequency (Figs. 2–3). A man's voice wafts in and out as it is periodicall…

  • Reaching Sideways, Writing Our Ways: The Orientation of the Arts of Africa Discourse

    Ruth Simbao, William B Miko et al.•ARTICLE•African Arts•2017•Cited by: 5•References: 5

    Ruth Simbao: In Rehema Chachage's video installation, Kwa Baba Rithi Undugu (2010), sculptural objects representing old-fashioned transistor radios are mounted on the wall, side by side (Fig. 1). Embedded in each radio is a small video screen, which reveals a figure who stands in one place while the vertical line of the radio tuner crosses her body in search of the desired frequency (Figs. 2–3). A man's voice wafts in and out as it is periodicall…

  • The Art of Life in South Africa

    Eyitayo Tolulope Ijisakin•ARTICLE•African Arts•2018

    In The Art of Life in South Africa, Daniel Magaziner examines the history of art education under apartheid in South Africa. The book focuses on Ndaleni, an art school for black South Africans, and considers the travails and triumphs of its artists and their teachers under white supremacy. At Ndaleni, students and teachers were bound together in learning “the art of life”; due to lack of funds, they improvised materials for artistic production. Wh…

  • Creativity and Beaded Aesthetics: Thematic Analysis of the Beadworks of David Herbert Dale

    Open Access•Eyitayo Tolulope Ijisakin, Olusegun Jide Ajiboye et al.•ARTICLE•Mediterranean Journal of Social…•2021

    In traditional Africa, beads function as adornments, as designation of royalty, and in many activities that have to do with commerce, religion, and healing among others. The use of beads has however found it ways into modern artistic expression. Literature abounds on the traditional use of beads, whereas there is a dearth of literature on creative usage of beads in contemporary Nigerian art. This study therefore examines creativity in the beadwor…

  • Printmaking and Cultural Imagination in Contemporary Nigerian Art

    Eyitayo Tolulope Ijisakin•ARTICLE•Critical Arts•2021•References: 3

    In a vibrant society, people tend to promote their cultural identities while at the same time spontaneous towards adaptation of other cultures. This study critically examines purposively selected works of printmaking artists that reflect the dynamism of culture in contemporary Nigerian art. The study relies on field investigation which includes visual media sources, as well as interviews with the selected printmaking artists. Data were also colle…

  • Beyond Frank Willett: The Need for Compositional Analysis of Yoruba Art Objects

    Open Access•Olufemi Joseph Olaleye-Otunla, Eyitayo Tolulope Ijisakin et al.•ARTICLE•Mediterranean Journal of Social…•2022

    Since the pioneering efforts of Frank Willett that examine the Yoruba arts, there remains a yearning gap to holistically investigate the material contents and classification of Yoruba art objects. For proper documentation, information and placement of Yoruba arts, the need for a scientific material compositional analysis of Yoruba arts cannot be overemphasised. This discourse employs a qualitative and evaluative mode of research to emphasize the …

Art (5 works) · Visual arts (4 works) · Aesthetics (3 works) · Computer Science (3 works) · Sociology (3 works) · Architecture, Art, Education (2 works) · History (2 works) · The arts (2 works) · Aesthetic Perception and Analysis (1 works) · Aesthetic theory (1 works)

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