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Katherine Cro

Biographic Data

ID516638
NAMEKatherine Cro
GIVEN NAMESKatherine
FAMILY NAMECro
SIGNATURECRO K
AFFILIATIONSUniversity of Roehampton
ORCID0000-0003-4211-472X
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2018
H-INDEX0
  • Naming a Star

    Open Access•Katherine Cro, Katherine Cross•ARTICLE•American Journal of Economics and…•2018

    More than most of her works, Ursula K. Le Guin’s The Dispossessed feels unfinished, its perspective blurred. But through its flawed aperture one nevertheless sees why: its subject is all that is left unsaid and undone after a revolution. In this tale of two worlds, anarchist Anarres and statist Urras are implacably opposed. Yet each is continuous with the other. For its flaws, The Dispossessed , as a sociological novel, brilliantly analyzes where…

  • Double exposure

    Katherine Cro, Karen Cro et al.•ARTICLE•Visual Studies•2017•References: 2

    Double Exposure: Memory and Photography emphasises the importance of photography within the construction of national memory, collective identities and historical imagination. The edited collection

  • The Lost of Found Photography

    Katherine Cro•ARTICLE•Photographies•2015•References: 6

    A loss of meaning ensues as family photographs come into public circulation and display, and the question of how memory endures within this process has become of increasing concern. Retaining photographic materiality, along with original meanings previously associated with images, has been presented as one way of defending against loss. This paper argues that this involves a particular dynamics of object-relating, which is important to consider. …

  • Ubiquitous photography

    Katherine Cro, Karen Cross•ARTICLE•Information Communication & Society•2014

  • Training the eye of the photographer

    Katherine Cro, Karen Cross•ARTICLE•Visual Studies•2014

    This article reflects on research undertaken on beginners photography courses aimed at the aspiring amateur photographer. Within this particular educational context, a distinct technical-aesthetic approach to photography emerges, which is distinguished from the indiscriminate pointing-and-shooting associated with snapshot and family photography. The how-to manual provides an important framing device here, and through the particular techniques it …

No prominent works on this page.

  • Ubiquitous photography

    Katherine Cro, Karen Cross•ARTICLE•Information Communication & Society•2014

  • Training the eye of the photographer

    Katherine Cro, Karen Cross•ARTICLE•Visual Studies•2014

    This article reflects on research undertaken on beginners photography courses aimed at the aspiring amateur photographer. Within this particular educational context, a distinct technical-aesthetic approach to photography emerges, which is distinguished from the indiscriminate pointing-and-shooting associated with snapshot and family photography. The how-to manual provides an important framing device here, and through the particular techniques it …

  • The Lost of Found Photography

    Katherine Cro•ARTICLE•Photographies•2015•References: 6

    A loss of meaning ensues as family photographs come into public circulation and display, and the question of how memory endures within this process has become of increasing concern. Retaining photographic materiality, along with original meanings previously associated with images, has been presented as one way of defending against loss. This paper argues that this involves a particular dynamics of object-relating, which is important to consider. …

  • Double exposure

    Katherine Cro, Karen Cro et al.•ARTICLE•Visual Studies•2017•References: 2

    Double Exposure: Memory and Photography emphasises the importance of photography within the construction of national memory, collective identities and historical imagination. The edited collection

  • Naming a Star

    Open Access•Katherine Cro, Katherine Cross•ARTICLE•American Journal of Economics and…•2018

    More than most of her works, Ursula K. Le Guin’s The Dispossessed feels unfinished, its perspective blurred. But through its flawed aperture one nevertheless sees why: its subject is all that is left unsaid and undone after a revolution. In this tale of two worlds, anarchist Anarres and statist Urras are implacably opposed. Yet each is continuous with the other. For its flaws, The Dispossessed , as a sociological novel, brilliantly analyzes where…

Art (5 works) · History (4 works) · Photography (4 works) · Photography and Visual Culture (4 works) · Visual arts (4 works) · Visual Culture and Art Theory (4 works) · Art history (3 works) · Sociology (3 works) · Aesthetics (2 works) · Amateur (2 works)

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