Marek Sullivan
Biographic Data
| ID | 5177613 |
|---|---|
| NAME | Marek Sullivan |
| GIVEN NAMES | Marek |
| FAMILY NAME | Sullivan |
| SIGNATURE | SULLIVAN M |
| AFFILIATIONS | University of Oxford, Radcliffe Observatory Quarter, Woodstock Road, Oxford, UK |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Secular Assemblages
Cartesian Secularity
Although explicitly challenging overly simplistic dichotomies between secular reason and religious affect, Charles Taylor’s monumental genealogy A Secular Age (2007) downplays the role of the body in Descartes’s theory of agency and mistakenly projects this understanding of the “Cartesian” self upon the public sphere of the late-seventeenth and eighteenth centuries. Through a careful reading of Descartes’s last work, Les Passions de l’Âme (1649),…
A Clockwork Freedom
The Production of American Religious Freedom by Finbarr Curtis. New York University Press, 2016. 240 pp. Pb. $28.00, ISBN-13: 9781479856763; Hb. $89.00, ISBN-13: 9781479882113
Classical Sculpture and the Culture of Collecting in Britain since 1760
Coltman's text, part of a series on Classical Presences, concerns the culture surrounding the collecting of ancient statuary in eighteenth-century Britain. The book begins with an analysis of the work of the antiquarian Adolf Michaelis, suggested by newly recovered manuscript notes for his seminal text Ancient Marbles in Great Britain (1882). Coltman argues that the influential approach of Michaelis and others to the cataloguing of British sculpt…
Cartesian Secularity
Although explicitly challenging overly simplistic dichotomies between secular reason and religious affect, Charles Taylor’s monumental genealogy A Secular Age (2007) downplays the role of the body in Descartes’s theory of agency and mistakenly projects this understanding of the “Cartesian” self upon the public sphere of the late-seventeenth and eighteenth centuries. Through a careful reading of Descartes’s last work, Les Passions de l’Âme (1649),…
Classical Sculpture and the Culture of Collecting in Britain since 1760
Coltman's text, part of a series on Classical Presences, concerns the culture surrounding the collecting of ancient statuary in eighteenth-century Britain. The book begins with an analysis of the work of the antiquarian Adolf Michaelis, suggested by newly recovered manuscript notes for his seminal text Ancient Marbles in Great Britain (1882). Coltman argues that the influential approach of Michaelis and others to the cataloguing of British sculpt…
A Clockwork Freedom
The Production of American Religious Freedom by Finbarr Curtis. New York University Press, 2016. 240 pp. Pb. $28.00, ISBN-13: 9781479856763; Hb. $89.00, ISBN-13: 9781479882113
Secular Assemblages
Cartesian Secularity
Although explicitly challenging overly simplistic dichotomies between secular reason and religious affect, Charles Taylor’s monumental genealogy A Secular Age (2007) downplays the role of the body in Descartes’s theory of agency and mistakenly projects this understanding of the “Cartesian” self upon the public sphere of the late-seventeenth and eighteenth centuries. Through a careful reading of Descartes’s last work, Les Passions de l’Âme (1649),…
Philosophy (3 works) · Epistemology (2 works) · History (2 works) · Law (2 works) · Political science (2 works) · Agency (philosophy) (1 work) · American Constitutional Law and Politics (1 work) · Art (1 work) · Art history (1 work) · Art History and Market Analysis (1 work)