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Beata Grant

Biographic Data

ID5178156
NAMEBeata Grant
GIVEN NAMESBeata
FAMILY NAMEGrant
SIGNATUREGRANT B
AFFILIATIONSWashington University in St. Louis
VERIFIEDNo
TOTAL WORKS18
TOTAL CITATIONS1
WORKS AS AUTHOR16
WORKS AS EDITOR2
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2023
H-INDEX1
  • The Hsu-Tang Library of Classical Chinese Literature

    Beata Grant•EDITOR•BOOK•Anthology of Poetry by Buddhist…•2023

  • Eminent Nuns

    Beata Grant•BOOK•Eminent Nuns•2017

    Although Buddhist nuns have been a continuous presence in Chinese culture since early medieval times and the subject of numerous scholarly studies, this book is one of the first not only to provide a detailed view of their activities at one particular moment in time (the seventeenth century), but also to be based largely on the writings and self-representations of Buddhist nuns themselves. This perspective is made possible by the preservation of …

  • Cultural Intersections in Later Chinese Buddhism

    Terese Tse Bartholomew, Patricia Berger et al.•BOOK•Cultural Intersections in Later…•2017

    In a demonstration of the value of interdisciplinary, culture-based approaches, this collection of essays on "later" Chinese Buddhism takes us beyond the bedrock subjects of traditional Buddhist historiography--scriptures and commentaries, sectarian developments, lives of notable monks--to examine a wide range of extracanonical materials that illuminate cultural manifestations of Buddhism from the Song dynasty (960-1279) through the modern period…

  • Thirty Years of Dream-Wandering

    Beata Grant•ARTICLE•NAN Nü•2017

    Zhang Ruzhao (1900-69), also known as Zhang Shenghui, was ordained as a Buddhist nun, with the title Tiantai Master Benkong. In early life, Zhang established a reputation as a poet, and was actively engaged in many of the political and feminist movements of the 1920s. Disillusioned both politically and personally, she turned to Buddhism and reinvented herself as China’s premier female lay Buddhist scholar, writer and educator during the 1930s and…

  • Emperor Wu Zhao and Her Pantheon of Devis, Divinities, and Dynastic Mothers, written by N. Harry Rothschild , 2015

    Beata Grant•ARTICLE•NAN Nü•2016

  • Women and Gender in the Discourse Records of Seventeenth-Century Sichuanese Chan Masters Poshan Haiming and Tiebi Huiji

    Beata Grant•ARTICLE•The Chinese Historical Review•2015•Cited by: 1

    This article explores the textual presence of nuns and laywomen in the official discourse records of two of the most well-known and influential seventeenth-century Chan Buddhist masters active in mid-seventeenth-century Sichuan: Tiebi Huiji (1603–68) and Poshan Haiming (1597–1666). Close readings of the poems, sermons, and occasional letters composed to or about their female monastic disciples and lay followers shed light on the range of attitude…

  • Transformative Journeys

    Beata Grant•ARTICLE•Journal of Sung-Yuan studies•2013

    Reviewed by: Transformative Journeys: Travel and Culture in Song China by Cong Ellen Zhang Beata Grant Cong Ellen Zhang . Transformative Journeys: Travel and Culture in Song China. Honolulu: University of Hawai'i Press, 2011. Pp. xiv + 301. $49.00 (cloth). ISBN 978-0824833992. Transformative Journeys represents a fine addition to the growing number of English-language studies on Song literati life and culture. As the author readily acknowledges, …

  • Escape from Blood Pond Hell

    Beata Grant, Wilt L Idema•EDITOR•BOOK•Escape from Blood Pond Hell•2011

    These translations of The Precious Scroll of the Three Lives of Mulian and Woman Huang Recites the Diamond Sutra are late-nineteenth-century examples of baojuan (literally, "precious scrolls"), a Chinese folk genre featuring alternating verse and prose that was used by monks to illustrate religious precepts for lay listeners. They represent only two of numerous versions, composed in a variety of genres, of these legends, which were once popular a…

  • The Talented Women of the Zhang Family

    Beata Grant•ARTICLE•T oung Pao•2009

  • Eminent Nuns

    Beata Grant•BOOK•Eminent nuns•2008

    The seventeenth century is generally acknowledged as one of the most politically tumultuous but culturally creative periods of late imperial Chinese history. Only recently beginning to be explored are such seventeenth-century religious phenomena as “the reinvention” of Chan Buddhism—a concerted effort to revive what were believed to be the traditional teachings, texts, and practices of “classical” Chan. And, until now, the role played by women in…

  • Da Zhangfu

    Beata Grant•ARTICLE•NAN Nü•2008

    Nan Nü 10 (2008) 177-211 © Koninklijke Brill NV, Leiden, 2008 DOI: 10.1163/138768008X368200 www.brill.nl/nanu N A N N Ü da zhangfu: The Gendered rhetoric of Heroism and equality in Seventeenth-Century Chan Buddhist discourse records * Beata Grant (Washington University in St. Louis) abstract This article looks at some of the different ways in which the use of the term " da zhangfu " or "great gentleman" is exercised in the writings of seventeenth…

  • Women, Gender, and Religion in Premodern China

    Beata Grant•ARTICLE•NAN Nü•2008

    © Koninklijke Brill NV, Leiden, 2008 DOI: 10.1163/138768008X273746 Nan Nü 10 (2008) 152-175 www.brill.nl/nannü N A N N Ü Women, Gender, and Religion in Premodern China: A Selected Bibliography of Secondary Sources in Chinese and Western Languages Beata Grant (Washington University in St. Louis) Note : is bibliography is necessarily selective, and is designed as complement to the essays in this special two-issue volume on the theme of women, gend…

  • Women, Gender and Religion in Premodern China

    Beata Grant•ARTICLE•NAN Nü•2008

    This is an introduction to the eight essays included in this special two-issue volume of Nan Nü: Men, Women and Gender in China dedicated to the theme of women, gender and religion in premodern China. It is not intended as a comprehensive state-of-the-field overview. Rather, it seeks to address some of the issues and trends in this relatively under-represented area of scholarly research. It is for this reason that the discussion of the eight essa…

  • Stairway to Heaven

    Beata Grant•ARTICLE•Journal of the American Academy…•2007

    No, Stairway to Heaven is not an analysis of the hidden religious significance of the song lyrics made famous by Led Zeppelin, although that would not be inconceivable (“And if you listen very hard/The tune will come to you at last/When all are one and one is all”) Nor is it the travel account of an intrepid mountaineer, as one might mistakenly assume from the subtitle. It is more than that: a detailed and many-layered story of a mountain's rise,…

  • Mount Lu Revisited

    Su Shih, J D Schmidt et al.•ARTICLE•Harvard Journal of Asiatic Studies•1998

  • Female Holder of the Lineage

    Beata Grant•ARTICLE•Late imperial China•1996

    Late Imperial China - Volume 17, Number 2, December 1996

  • Patterns of Female Religious Experience in Qing Dynasty Popular Literature

    Beata Grant•ARTICLE•Journal of Chinese Religions•1995

  • Who is This I? Who is That Other

    Beata Grant•ARTICLE•Late imperial China•1994

    WHO IS THIS I? WHO IS THAT OTHER? THE POETRY OF AN EIGHTEENTH CENTURY BUDDHIST LAYWOMAN Beata Grant One of the more exciting developments in the field of pre-modern Chinese studies has been the growing attention being paid to women's literary culture during the Ming-Qing period.1 The astounding number of anthologies and collections of women's poetry from this period—over three thousand—is attributable to the dramatic rise of female literacy, the …

  • Women and Gender in the Discourse Records of Seventeenth-Century Sichuanese Chan Masters Poshan Haiming and Tiebi Huiji

    Beata Grant•ARTICLE•The Chinese Historical Review•2015•Cited by: 1

    This article explores the textual presence of nuns and laywomen in the official discourse records of two of the most well-known and influential seventeenth-century Chan Buddhist masters active in mid-seventeenth-century Sichuan: Tiebi Huiji (1603–68) and Poshan Haiming (1597–1666). Close readings of the poems, sermons, and occasional letters composed to or about their female monastic disciples and lay followers shed light on the range of attitude…

  • Who is This I? Who is That Other

    Beata Grant•ARTICLE•Late imperial China•1994

    WHO IS THIS I? WHO IS THAT OTHER? THE POETRY OF AN EIGHTEENTH CENTURY BUDDHIST LAYWOMAN Beata Grant One of the more exciting developments in the field of pre-modern Chinese studies has been the growing attention being paid to women's literary culture during the Ming-Qing period.1 The astounding number of anthologies and collections of women's poetry from this period—over three thousand—is attributable to the dramatic rise of female literacy, the …

  • Patterns of Female Religious Experience in Qing Dynasty Popular Literature

    Beata Grant•ARTICLE•Journal of Chinese Religions•1995

  • Female Holder of the Lineage

    Beata Grant•ARTICLE•Late imperial China•1996

    Late Imperial China - Volume 17, Number 2, December 1996

  • Mount Lu Revisited

    Su Shih, J D Schmidt et al.•ARTICLE•Harvard Journal of Asiatic Studies•1998

  • Stairway to Heaven

    Beata Grant•ARTICLE•Journal of the American Academy…•2007

    No, Stairway to Heaven is not an analysis of the hidden religious significance of the song lyrics made famous by Led Zeppelin, although that would not be inconceivable (“And if you listen very hard/The tune will come to you at last/When all are one and one is all”) Nor is it the travel account of an intrepid mountaineer, as one might mistakenly assume from the subtitle. It is more than that: a detailed and many-layered story of a mountain's rise,…

  • Eminent Nuns

    Beata Grant•BOOK•Eminent nuns•2008

    The seventeenth century is generally acknowledged as one of the most politically tumultuous but culturally creative periods of late imperial Chinese history. Only recently beginning to be explored are such seventeenth-century religious phenomena as “the reinvention” of Chan Buddhism—a concerted effort to revive what were believed to be the traditional teachings, texts, and practices of “classical” Chan. And, until now, the role played by women in…

  • Da Zhangfu

    Beata Grant•ARTICLE•NAN Nü•2008

    Nan Nü 10 (2008) 177-211 © Koninklijke Brill NV, Leiden, 2008 DOI: 10.1163/138768008X368200 www.brill.nl/nanu N A N N Ü da zhangfu: The Gendered rhetoric of Heroism and equality in Seventeenth-Century Chan Buddhist discourse records * Beata Grant (Washington University in St. Louis) abstract This article looks at some of the different ways in which the use of the term " da zhangfu " or "great gentleman" is exercised in the writings of seventeenth…

  • Women, Gender, and Religion in Premodern China

    Beata Grant•ARTICLE•NAN Nü•2008

    © Koninklijke Brill NV, Leiden, 2008 DOI: 10.1163/138768008X273746 Nan Nü 10 (2008) 152-175 www.brill.nl/nannü N A N N Ü Women, Gender, and Religion in Premodern China: A Selected Bibliography of Secondary Sources in Chinese and Western Languages Beata Grant (Washington University in St. Louis) Note : is bibliography is necessarily selective, and is designed as complement to the essays in this special two-issue volume on the theme of women, gend…

  • Women, Gender and Religion in Premodern China

    Beata Grant•ARTICLE•NAN Nü•2008

    This is an introduction to the eight essays included in this special two-issue volume of Nan Nü: Men, Women and Gender in China dedicated to the theme of women, gender and religion in premodern China. It is not intended as a comprehensive state-of-the-field overview. Rather, it seeks to address some of the issues and trends in this relatively under-represented area of scholarly research. It is for this reason that the discussion of the eight essa…

  • The Talented Women of the Zhang Family

    Beata Grant•ARTICLE•T oung Pao•2009

  • Escape from Blood Pond Hell

    Beata Grant, Wilt L Idema•EDITOR•BOOK•Escape from Blood Pond Hell•2011

    These translations of The Precious Scroll of the Three Lives of Mulian and Woman Huang Recites the Diamond Sutra are late-nineteenth-century examples of baojuan (literally, "precious scrolls"), a Chinese folk genre featuring alternating verse and prose that was used by monks to illustrate religious precepts for lay listeners. They represent only two of numerous versions, composed in a variety of genres, of these legends, which were once popular a…

  • Transformative Journeys

    Beata Grant•ARTICLE•Journal of Sung-Yuan studies•2013

    Reviewed by: Transformative Journeys: Travel and Culture in Song China by Cong Ellen Zhang Beata Grant Cong Ellen Zhang . Transformative Journeys: Travel and Culture in Song China. Honolulu: University of Hawai'i Press, 2011. Pp. xiv + 301. $49.00 (cloth). ISBN 978-0824833992. Transformative Journeys represents a fine addition to the growing number of English-language studies on Song literati life and culture. As the author readily acknowledges, …

  • Women and Gender in the Discourse Records of Seventeenth-Century Sichuanese Chan Masters Poshan Haiming and Tiebi Huiji

    Beata Grant•ARTICLE•The Chinese Historical Review•2015•Cited by: 1

    This article explores the textual presence of nuns and laywomen in the official discourse records of two of the most well-known and influential seventeenth-century Chan Buddhist masters active in mid-seventeenth-century Sichuan: Tiebi Huiji (1603–68) and Poshan Haiming (1597–1666). Close readings of the poems, sermons, and occasional letters composed to or about their female monastic disciples and lay followers shed light on the range of attitude…

  • Emperor Wu Zhao and Her Pantheon of Devis, Divinities, and Dynastic Mothers, written by N. Harry Rothschild , 2015

    Beata Grant•ARTICLE•NAN Nü•2016

  • Eminent Nuns

    Beata Grant•BOOK•Eminent Nuns•2017

    Although Buddhist nuns have been a continuous presence in Chinese culture since early medieval times and the subject of numerous scholarly studies, this book is one of the first not only to provide a detailed view of their activities at one particular moment in time (the seventeenth century), but also to be based largely on the writings and self-representations of Buddhist nuns themselves. This perspective is made possible by the preservation of …

  • Cultural Intersections in Later Chinese Buddhism

    Terese Tse Bartholomew, Patricia Berger et al.•BOOK•Cultural Intersections in Later…•2017

    In a demonstration of the value of interdisciplinary, culture-based approaches, this collection of essays on "later" Chinese Buddhism takes us beyond the bedrock subjects of traditional Buddhist historiography--scriptures and commentaries, sectarian developments, lives of notable monks--to examine a wide range of extracanonical materials that illuminate cultural manifestations of Buddhism from the Song dynasty (960-1279) through the modern period…

  • Thirty Years of Dream-Wandering

    Beata Grant•ARTICLE•NAN Nü•2017

    Zhang Ruzhao (1900-69), also known as Zhang Shenghui, was ordained as a Buddhist nun, with the title Tiantai Master Benkong. In early life, Zhang established a reputation as a poet, and was actively engaged in many of the political and feminist movements of the 1920s. Disillusioned both politically and personally, she turned to Buddhism and reinvented herself as China’s premier female lay Buddhist scholar, writer and educator during the 1930s and…

  • The Hsu-Tang Library of Classical Chinese Literature

    Beata Grant•EDITOR•BOOK•Anthology of Poetry by Buddhist…•2023

History (18 works) · Chinese history and philosophy (16 works) · Art (14 works) · Buddhism (13 works) · Japanese History and Culture (10 works) · China (9 works) · Literature (9 works) · Ancient history (7 works) · Archaeology (7 works) · Law (7 works)

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