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Denise-Marie Teece

Biographic Data

ID5184649
NAMEDenise-Marie Teece
GIVEN NAMESDenise-Marie
FAMILY NAMETeece
SIGNATURETEECE D
AFFILIATIONSNew York University Abu Dhabi
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Green with Envy

    Open Access•Denise-Marie Teece•ARTICLE•Ars Orientalis•2023

    Much scholarship concerning the maritime ceramic-exchange networks between China and the Red Sea, Persian Gulf, and Indian Ocean worlds has concentrated on the importation of Chinese blue-and-white porcelains and local responses to these wares. Celadon ceramics, however, were among the earliest Chinese wares to be traded—and emulated—within these exchange systems. Foregrounding examples from the collection of the Freer Gallery of Art at the Smith…

  • “Compassionate Companion, Familiar Friend”

    Denise-Marie Teece•ARTICLE•Muqarnas Online•2019

    This article examines some of the more significant aspects of Turin Safīna manuscript Biblioteca Reale Ms. Or. 101. One of these is its unique and important six-page preface, which refers to the manuscript as a safīna (ship or vessel) and explains in poetic language why some Persian manuscripts are referred to using this term. In addition to this significant preface, which is translated and analyzed in the first half of the article, the manuscrip…

  • Through the Renaissance Frame

    Denise-Marie Teece•ARTICLE•The Textile Museum Journal•2017

    A critical review of the historiographies of “Islamic art” history reveals that our understanding of each artistic medium—such as ceramics, painting, and textiles—has followed a distinct epistemological trajectory, determined to a great extent by the attitudes and interests of early scholars. This article examines one of these early histories, mapping specific aspects of the development of carpet studies in nineteenth-century Vienna and Berlin. T…

No prominent works on this page.

  • Through the Renaissance Frame

    Denise-Marie Teece•ARTICLE•The Textile Museum Journal•2017

    A critical review of the historiographies of “Islamic art” history reveals that our understanding of each artistic medium—such as ceramics, painting, and textiles—has followed a distinct epistemological trajectory, determined to a great extent by the attitudes and interests of early scholars. This article examines one of these early histories, mapping specific aspects of the development of carpet studies in nineteenth-century Vienna and Berlin. T…

  • “Compassionate Companion, Familiar Friend”

    Denise-Marie Teece•ARTICLE•Muqarnas Online•2019

    This article examines some of the more significant aspects of Turin Safīna manuscript Biblioteca Reale Ms. Or. 101. One of these is its unique and important six-page preface, which refers to the manuscript as a safīna (ship or vessel) and explains in poetic language why some Persian manuscripts are referred to using this term. In addition to this significant preface, which is translated and analyzed in the first half of the article, the manuscrip…

  • Green with Envy

    Open Access•Denise-Marie Teece•ARTICLE•Ars Orientalis•2023

    Much scholarship concerning the maritime ceramic-exchange networks between China and the Red Sea, Persian Gulf, and Indian Ocean worlds has concentrated on the importation of Chinese blue-and-white porcelains and local responses to these wares. Celadon ceramics, however, were among the earliest Chinese wares to be traded—and emulated—within these exchange systems. Foregrounding examples from the collection of the Freer Gallery of Art at the Smith…

Archaeology (3 works) · Art (3 works) · Art history (3 works) · History (3 works) · Ancient history (2 works) · Classics (2 works) · Eurasian Exchange Networks (2 works) · Global Maritime and Colonial Histories (2 works) · History (2 works) · Literature (2 works)

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