Jorge Poveda Yánez
Biographic Data
| ID | 5187848 |
|---|---|
| NAME | Jorge Poveda Yánez |
| GIVEN NAMES | Jorge Poveda |
| FAMILY NAME | Yánez |
| SIGNATURE | YÁNEZ J P |
| AFFILIATIONS | University of California, Riverside |
| ORCID | 0000-0002-5268-6206 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Presence Rewired
This article examines digital dance, not in opposition to physical bodies but in material continuity with them. By offering an expansive notion of ‘presence’ in dance, we intend to supersede the binarism that condemns the digital as mere traces of the ‘real’ or as a blunt synonym for the ‘virtual’ and the ‘immaterial’. We depart from a historical overview of attempts to capture bodily creativity into mediated forms according to the values of each…
Reversing the archive or how humans started archiving dances from machines
The NPC (non-player character) movement invites users to embody machinic gestures, conceptualized as a “dispassionate disposition of the posthuman condition.” This study combines a bibliographic review on the body in technology and dance archives with an analysis of TikTok profiles showcasing NPC aesthetics. It situates the phenomenon within ecological and cultural contexts, exploring organic archives such as trees, reefs, ice caps, and humans re…
Forced Secularization and Postmodern Discourses within Contemporary Performance
In the context of the multicultural and postmodern rhetoric of contemporary art festivals, we examine a case study in which the Hungarian choreographer Eszter Salamon appropriates Mapuche practices—the kawell tayil and the choike purrún—in her piece Monument 0.6: Landing (A Ritual of Empathy) (2017). We analyze the discursive and embodied dimensions of this borrowing and its harmful consequences for indigenous communities. We show how the postmod…
No prominent works on this page.
Forced Secularization and Postmodern Discourses within Contemporary Performance
In the context of the multicultural and postmodern rhetoric of contemporary art festivals, we examine a case study in which the Hungarian choreographer Eszter Salamon appropriates Mapuche practices—the kawell tayil and the choike purrún—in her piece Monument 0.6: Landing (A Ritual of Empathy) (2017). We analyze the discursive and embodied dimensions of this borrowing and its harmful consequences for indigenous communities. We show how the postmod…
Reversing the archive or how humans started archiving dances from machines
The NPC (non-player character) movement invites users to embody machinic gestures, conceptualized as a “dispassionate disposition of the posthuman condition.” This study combines a bibliographic review on the body in technology and dance archives with an analysis of TikTok profiles showcasing NPC aesthetics. It situates the phenomenon within ecological and cultural contexts, exploring organic archives such as trees, reefs, ice caps, and humans re…
Presence Rewired
This article examines digital dance, not in opposition to physical bodies but in material continuity with them. By offering an expansive notion of ‘presence’ in dance, we intend to supersede the binarism that condemns the digital as mere traces of the ‘real’ or as a blunt synonym for the ‘virtual’ and the ‘immaterial’. We depart from a historical overview of attempts to capture bodily creativity into mediated forms according to the values of each…
Dance (2 works) · Diversity and Impact of Dance (2 works) · Human Motion and Animation (2 works) · Aesthetics (1 work) · Art (1 work) · Art Education and Development (1 work) · Citizen journalism (1 work) · Computer Science (1 work) · Context (archaeology) (1 work) · Cultural artifact (1 work)