Beatriz Herrera Corado
Biographic Data
| ID | 5187849 |
|---|---|
| NAME | Beatriz Herrera Corado |
| GIVEN NAMES | Beatriz Herrera |
| FAMILY NAME | Corado |
| SIGNATURE | CORADO B H |
| AFFILIATIONS | University of Music and Performing Arts Graz–University of Music and Performing Arts Vienna |
| ORCID | 0000-0002-3579-423X |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Presence Rewired
This article examines digital dance, not in opposition to physical bodies but in material continuity with them. By offering an expansive notion of ‘presence’ in dance, we intend to supersede the binarism that condemns the digital as mere traces of the ‘real’ or as a blunt synonym for the ‘virtual’ and the ‘immaterial’. We depart from a historical overview of attempts to capture bodily creativity into mediated forms according to the values of each…
Forced Secularization and Postmodern Discourses within Contemporary Performance
In the context of the multicultural and postmodern rhetoric of contemporary art festivals, we examine a case study in which the Hungarian choreographer Eszter Salamon appropriates Mapuche practices—the kawell tayil and the choike purrún—in her piece Monument 0.6: Landing (A Ritual of Empathy) (2017). We analyze the discursive and embodied dimensions of this borrowing and its harmful consequences for indigenous communities. We show how the postmod…
No prominent works on this page.
Forced Secularization and Postmodern Discourses within Contemporary Performance
In the context of the multicultural and postmodern rhetoric of contemporary art festivals, we examine a case study in which the Hungarian choreographer Eszter Salamon appropriates Mapuche practices—the kawell tayil and the choike purrún—in her piece Monument 0.6: Landing (A Ritual of Empathy) (2017). We analyze the discursive and embodied dimensions of this borrowing and its harmful consequences for indigenous communities. We show how the postmod…
Presence Rewired
This article examines digital dance, not in opposition to physical bodies but in material continuity with them. By offering an expansive notion of ‘presence’ in dance, we intend to supersede the binarism that condemns the digital as mere traces of the ‘real’ or as a blunt synonym for the ‘virtual’ and the ‘immaterial’. We depart from a historical overview of attempts to capture bodily creativity into mediated forms according to the values of each…
Dance (2 works) · Aesthetics (1 work) · Art (1 work) · Art Education and Development (1 work) · Citizen journalism (1 work) · Context (archaeology) (1 work) · Cultural artifact (1 work) · Diversity and Impact of Dance (1 work) · Educator Training and Historical Pedagogy (1 work) · Expansive (1 work)