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Sarah Garland

Biographic Data

ID5188039
NAMESarah Garland
GIVEN NAMESSarah
FAMILY NAMEGarland
SIGNATUREGARLAND S
AFFILIATIONSUniversity of East Anglia
ORCID0000-0001-8911-4917
VERIFIEDYes
TOTAL WORKS12
TOTAL CITATIONS0
WORKS AS AUTHOR12
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2021
H-INDEX0
  • Against Interpretation

    Sarah Garland•ARTICLE•Women a Cultural Review•2021•References: 3

    (2021). Against Interpretation: Georgia O’Keeffe and ‘the Zen of Aestheticism’. Women: A Cultural Review: Vol. 32, WOMEN MODERNISTS AND THE DECORATIVE: DISSIDENT INTERSECTIONS. Guest-edited by Lottie Whalen and Jade Elizabeth French, pp. 86-103

  • Sewing Lives

    Open Access•Sarah Garland•ARTICLE•CLCWeb Comparative Literature and…•2020

    This paper takes Mary Shelley’s Frankenstein and uses it as an extended metaphor to investigate the points of destructive alienation and disassociation within the globalized consumption of clothing. The promise of new clothing is a set of garments that function like Victor’s dream of creation; materials are stitched together to give objects that match our closest-held ideals. And yet, because of our quick Victor-Frankenstein-like alienation from …

  • Picturing Distance

    Open Access•Sarah Garland•ARTICLE•Journal of American Studies•2020

    Ed Ruscha's photobooks create a deliberate type of low-key provocation the artist has referred to as a type of “Huh?” – a presentation of the American landscape in a book format that makes it very difficult to locate unambiguous cues for meaning or clear affect in the photographs. This essay lays out an extended reading of the notion of “distance” as uniting these photobooks in their physicality, in the ways in which the postwar industrial landsc…

  • Introduction

    Catherine Gander, Sarah Garland•ARTICLE•European Journal of American…•2013

  • The dearest of cemeteries

    Sarah Garland•ARTICLE•European Journal of American…•2011

    This essay reads Henry Miller's Tropic of Cancer (1934) as the trace of a belated expatriate moment that forms an American literary nexus by drawing together a number of provocative European artistic contexts. Miller's relationship to the rhetoric of the manifesto is discussed, as is the creation of a powerful literary persona and narrating voice from the traces of a tissue of intertextual quotations. Miller draws on contemporary tropes of death,…

  • A cook book to be read. What about it

    Sarah Garland•ARTICLE•Comparative American Studies An…•2009•References: 12

    This essay analyses the way that the writings of Gertrude Stein and Alice Toklas use food as part of a poetics of intimacy and argues that the continuity between art and the everyday in Stein's Tender Buttons (1914) and in The Alice B Toklas Cookbook (1954) can be read as a trace of the way that both women acted as the constant and moving background to each other's lives and texts. The paper proposes that Toklas's highly involved, expensive and o…

  • Unions and NewImmigrants

    Sarah Garland•ARTICLE•NACLA Report on the Americas•2007

    "Unions and NewImmigrants." NACLA Report on the Americas, 40(3), pp. 32–33 Additional informationNotes on contributorsSarah GarlandSarah Garland is an education reporter for The New York Sun

  • News from Latin America

    Raúl Vasquez, Raul A Vasquez et al.•ARTICLE•NACLA Report on the Americas•2004

  • In Brief

    Sarah Garland, Lynda Hammes et al.•ARTICLE•NACLA Report on the Americas•2004

  • Is that the company did not fulfill its own self-imposed Keeping it Public in Bogotà

    Sarah Garland•ARTICLE•NACLA Report on the Americas•2004

    "is that the company did not fulfill its own self-imposed Keeping it Public in Bogotà." NACLA Report on the Americas, 38(1), pp. 38–39 Additional informationNotes on contributorsSarah GarlandSarah Garland, afreelance journalist currently in El Salvador is NACLA’s editorial assistant

  • Ya! Youth Activism

    Sarah Garland•ARTICLE•NACLA Report on the Americas•2004

  • In Brief

    Sarah Garland, N Noticon et al.•ARTICLE•NACLA Report on the Americas•2004

No prominent works on this page.

  • News from Latin America

    Raúl Vasquez, Raul A Vasquez et al.•ARTICLE•NACLA Report on the Americas•2004

  • In Brief

    Sarah Garland, Lynda Hammes et al.•ARTICLE•NACLA Report on the Americas•2004

  • Is that the company did not fulfill its own self-imposed Keeping it Public in Bogotà

    Sarah Garland•ARTICLE•NACLA Report on the Americas•2004

    "is that the company did not fulfill its own self-imposed Keeping it Public in Bogotà." NACLA Report on the Americas, 38(1), pp. 38–39 Additional informationNotes on contributorsSarah GarlandSarah Garland, afreelance journalist currently in El Salvador is NACLA’s editorial assistant

  • Ya! Youth Activism

    Sarah Garland•ARTICLE•NACLA Report on the Americas•2004

  • In Brief

    Sarah Garland, N Noticon et al.•ARTICLE•NACLA Report on the Americas•2004

  • Unions and NewImmigrants

    Sarah Garland•ARTICLE•NACLA Report on the Americas•2007

    "Unions and NewImmigrants." NACLA Report on the Americas, 40(3), pp. 32–33 Additional informationNotes on contributorsSarah GarlandSarah Garland is an education reporter for The New York Sun

  • A cook book to be read. What about it

    Sarah Garland•ARTICLE•Comparative American Studies An…•2009•References: 12

    This essay analyses the way that the writings of Gertrude Stein and Alice Toklas use food as part of a poetics of intimacy and argues that the continuity between art and the everyday in Stein's Tender Buttons (1914) and in The Alice B Toklas Cookbook (1954) can be read as a trace of the way that both women acted as the constant and moving background to each other's lives and texts. The paper proposes that Toklas's highly involved, expensive and o…

  • The dearest of cemeteries

    Sarah Garland•ARTICLE•European Journal of American…•2011

    This essay reads Henry Miller's Tropic of Cancer (1934) as the trace of a belated expatriate moment that forms an American literary nexus by drawing together a number of provocative European artistic contexts. Miller's relationship to the rhetoric of the manifesto is discussed, as is the creation of a powerful literary persona and narrating voice from the traces of a tissue of intertextual quotations. Miller draws on contemporary tropes of death,…

  • Introduction

    Catherine Gander, Sarah Garland•ARTICLE•European Journal of American…•2013

  • Sewing Lives

    Open Access•Sarah Garland•ARTICLE•CLCWeb Comparative Literature and…•2020

    This paper takes Mary Shelley’s Frankenstein and uses it as an extended metaphor to investigate the points of destructive alienation and disassociation within the globalized consumption of clothing. The promise of new clothing is a set of garments that function like Victor’s dream of creation; materials are stitched together to give objects that match our closest-held ideals. And yet, because of our quick Victor-Frankenstein-like alienation from …

  • Picturing Distance

    Open Access•Sarah Garland•ARTICLE•Journal of American Studies•2020

    Ed Ruscha's photobooks create a deliberate type of low-key provocation the artist has referred to as a type of “Huh?” – a presentation of the American landscape in a book format that makes it very difficult to locate unambiguous cues for meaning or clear affect in the photographs. This essay lays out an extended reading of the notion of “distance” as uniting these photobooks in their physicality, in the ways in which the postwar industrial landsc…

  • Against Interpretation

    Sarah Garland•ARTICLE•Women a Cultural Review•2021•References: 3

    (2021). Against Interpretation: Georgia O’Keeffe and ‘the Zen of Aestheticism’. Women: A Cultural Review: Vol. 32, WOMEN MODERNISTS AND THE DECORATIVE: DISSIDENT INTERSECTIONS. Guest-edited by Lottie Whalen and Jade Elizabeth French, pp. 86-103

Political science (7 works) · Art (5 works) · Philosophy (5 works) · Art history (4 works) · History (3 works) · Law (3 works) · Linguistics (3 works) · Literature (3 works) · Photography and Visual Culture (3 works) · Aesthetics (2 works)

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