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Cristina Ruiz-Poveda

Biographic Data

ID5188356
NAMECristina Ruiz-Poveda
GIVEN NAMESCristina
FAMILY NAMERuiz-Poveda
SIGNATURERUIZ-POVEDA C
AFFILIATIONSUniversidad Complutense de Madrid
ORCID0000-0003-0982-7357
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Paradoxes in Generation Z’s Media Consumption and Fake News Perception

    Open Access•Ana Pérez-Escoda, Cristina Ruiz-Poveda•ARTICLE•Comunicação e Sociedade•2026

    Information consumption by young audiences in the internet of algorithms has become a timely issue in the public sphere. This comparative study examines media consumption among generation Z and their perceptions of news and misinformation from an international perspective. More precisely, this article explores the types of information young people consume, the media outlets they prefer for information, whether they prefer receiving information se…

  • How do digital natives play? Nuances of the gender and generation gap between Millenials and Z in video games

    Open Access•Cristina Ruiz-Poveda, Jose-Ma Jiménez et al.•ARTICLE•Revista de la Asociación Española…•2025

    Video games have become an enormously popular cultural and entertainment practice among young people. The main objective of this paper is to analyze the relationship of Millennials and Generation Z with video games and to explore gender differences in their gaming practices. To achieve this, methodological triangulation combining surveys and discussion groups was used, allowing a descriptive and in-depth analysis of their gaming habits and prefer…

  • Girls gone wild

    Cristina Ruiz-Poveda•ARTICLE•New Review of Film and Television…•2024

    Contemporary European cinema insistently depicts female teenagers in association with non-human animals. This article focuses on a group of films in which the teenage protagonists approach animality while closely surrounded by systems of exploitation of animals. The films Axolotl Overkill (Helene Hegemann, 2017), Raw (Julia Ducournau, 2016), and Eastern (Piotr Adamski, 2019) feature female teenagers that experience oppression over their bodies. A…

  • Cinephilia and the real

    Cristina Ruiz-Poveda•ARTICLE•New Cinemas Journal of…•2024

    This article aims to offer a new approach to Wener Herzog’s depictions of the non-human in his documentary work by analysing these representations vis-à-vis film realism. Herzog’s articulations of the non-human dovetail with a common discussion about the very ontology of the cinematic medium, which is the purported superior value of real photographic images over more artificial ones, such as visual effects. According to Bazinian realism, the even…

  • The Ultimate Border

    Cristina Ruiz-Poveda, Cristina Ruiz-Poveda Vera•ARTICLE•Hispanic Research Journal•2021

    lt;p> Biutiful is the first of Alejandro González Iñárritu’s films to introduce the supernatural and focus on one single protagonist, Uxbal. The film makes a political commentary by showing the slums of Barcelona, where impoverished citizens and undocumented migrants coexist. Through Uxbal’s visions of ghosts, the supernatural enters the most marginalised sectors of Barcelona. While popular narratives often relate mobility to liberation and trans…

  • An unconventional zombie

    Open Access•Cristina Ruiz-Poveda•ARTICLE•New Cinemas Journal of…•2020

    With an unconventional living-dead protagonist and a minimalist auteur style, Halley brings to the fore how the tensions between genre movies and art cinema operate in a transnational context. Halley surprises the audience with the story of a security guard who is dead but remains alive. While his flesh decomposes, Beto goes to work and continues with his lonely life pretending that everything is fine. In this sense, the film presents an unconven…

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  • An unconventional zombie

    Open Access•Cristina Ruiz-Poveda•ARTICLE•New Cinemas Journal of…•2020

    With an unconventional living-dead protagonist and a minimalist auteur style, Halley brings to the fore how the tensions between genre movies and art cinema operate in a transnational context. Halley surprises the audience with the story of a security guard who is dead but remains alive. While his flesh decomposes, Beto goes to work and continues with his lonely life pretending that everything is fine. In this sense, the film presents an unconven…

  • The Ultimate Border

    Cristina Ruiz-Poveda, Cristina Ruiz-Poveda Vera•ARTICLE•Hispanic Research Journal•2021

    lt;p> Biutiful is the first of Alejandro González Iñárritu’s films to introduce the supernatural and focus on one single protagonist, Uxbal. The film makes a political commentary by showing the slums of Barcelona, where impoverished citizens and undocumented migrants coexist. Through Uxbal’s visions of ghosts, the supernatural enters the most marginalised sectors of Barcelona. While popular narratives often relate mobility to liberation and trans…

  • Girls gone wild

    Cristina Ruiz-Poveda•ARTICLE•New Review of Film and Television…•2024

    Contemporary European cinema insistently depicts female teenagers in association with non-human animals. This article focuses on a group of films in which the teenage protagonists approach animality while closely surrounded by systems of exploitation of animals. The films Axolotl Overkill (Helene Hegemann, 2017), Raw (Julia Ducournau, 2016), and Eastern (Piotr Adamski, 2019) feature female teenagers that experience oppression over their bodies. A…

  • Cinephilia and the real

    Cristina Ruiz-Poveda•ARTICLE•New Cinemas Journal of…•2024

    This article aims to offer a new approach to Wener Herzog’s depictions of the non-human in his documentary work by analysing these representations vis-à-vis film realism. Herzog’s articulations of the non-human dovetail with a common discussion about the very ontology of the cinematic medium, which is the purported superior value of real photographic images over more artificial ones, such as visual effects. According to Bazinian realism, the even…

  • How do digital natives play? Nuances of the gender and generation gap between Millenials and Z in video games

    Open Access•Cristina Ruiz-Poveda, Jose-Ma Jiménez et al.•ARTICLE•Revista de la Asociación Española…•2025

    Video games have become an enormously popular cultural and entertainment practice among young people. The main objective of this paper is to analyze the relationship of Millennials and Generation Z with video games and to explore gender differences in their gaming practices. To achieve this, methodological triangulation combining surveys and discussion groups was used, allowing a descriptive and in-depth analysis of their gaming habits and prefer…

  • Paradoxes in Generation Z’s Media Consumption and Fake News Perception

    Open Access•Ana Pérez-Escoda, Cristina Ruiz-Poveda•ARTICLE•Comunicação e Sociedade•2026

    Information consumption by young audiences in the internet of algorithms has become a timely issue in the public sphere. This comparative study examines media consumption among generation Z and their perceptions of news and misinformation from an international perspective. More precisely, this article explores the types of information young people consume, the media outlets they prefer for information, whether they prefer receiving information se…

Cinema and Media Studies (4 works) · Aesthetics (3 works) · Art (3 works) · Sociology (3 works) · Art history (2 works) · Gender Studies (2 works) · Law (2 works) · Literature (2 works) · Movie theater (2 works) · Political science (2 works)

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