B Geetha
Biographic Data
| ID | 5189018 |
|---|---|
| NAME | B Geetha |
| GIVEN NAMES | B |
| FAMILY NAME | Geetha |
| SIGNATURE | GEETHA B |
| AFFILIATIONS | Manipal Academy of Higher Education |
| ORCID | 0000-0002-5151-9465 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
The Genre Question
As soon as genre announces itself, one must respect a norm, one must not cross a line of demarcation, one must not risk impurity, anomaly, or monstrosity.Jacques Derrida, “The Law of Genre” (1980
Doubling as Acting Method
This article examines the acting style of Fahadh Faasil in the Malayalam-language film Aavesham (Enthusiasm, 2024) to foreground a specific dimension of film analysis where the material aspects of bodily movement and gestural particularity shape the character’s porous and shifting presence on-screen. In so doing, it demonstrates the centrality of the body as a potent variable through which the expressivity and excess of Faasil’s slapstick set pie…
David Gillota, Dead Funny
Is Sivaji dead?’
Marital Discord and Pursuit of Gender Equality in Manju Kapur’s Custody Novel
The landscape of Indian literature has never been found to be equal in contribution from both the genders. It has always been dominated by male writers. It is very fair to say that the aspirations and expectations of Indian women have been largely confined to the ambit of moral and social commitments prevailing in our country. By and large, the Indian women writers in English have come from higher social strata and they do not have felt experienc…
No prominent works on this page.
Marital Discord and Pursuit of Gender Equality in Manju Kapur’s Custody Novel
The landscape of Indian literature has never been found to be equal in contribution from both the genders. It has always been dominated by male writers. It is very fair to say that the aspirations and expectations of Indian women have been largely confined to the ambit of moral and social commitments prevailing in our country. By and large, the Indian women writers in English have come from higher social strata and they do not have felt experienc…
David Gillota, Dead Funny
Is Sivaji dead?’
The Genre Question
As soon as genre announces itself, one must respect a norm, one must not cross a line of demarcation, one must not risk impurity, anomaly, or monstrosity.Jacques Derrida, “The Law of Genre” (1980
Doubling as Acting Method
This article examines the acting style of Fahadh Faasil in the Malayalam-language film Aavesham (Enthusiasm, 2024) to foreground a specific dimension of film analysis where the material aspects of bodily movement and gestural particularity shape the character’s porous and shifting presence on-screen. In so doing, it demonstrates the centrality of the body as a potent variable through which the expressivity and excess of Faasil’s slapstick set pie…
Cinema and Media Studies (2 works) · Movie theater (2 works) · South Asian Cinema and Culture (2 works) · American Literature and Humor Studies (1 work) · Anthropological Studies and Insights (1 work) · Asian Studies and History (1 work) · Demography (1 work) · Face (sociological concept) (1 work) · Feature (linguistics) (1 work) · Franz Kafka Literary Studies (1 work)