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David Der-Wei Wang

Biographic Data

ID518948
NAMEDavid Der-Wei Wang
GIVEN NAMESDavid Der-Wei
FAMILY NAMEWang
SIGNATUREWANG D D
AFFILIATIONSHarvard University
VERIFIEDNo
TOTAL WORKS28
TOTAL CITATIONS8
AUTHOR COUNT21
EDITOR COUNT7
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Introduction

    Andrea Bachner, David Der-Wei Wang•ARTICLE•International Journal of Taiwan…•2021

    Ecologising Taiwan means to think ecologically about, from, as well as by way of Taiwan. On the one hand, we ecologise Taiwan by viewing it through an ecological perspective; on the other hand, we also want to treat Taiwan itself as an agent that drives our thinking, no longer merely an object of our anthropocentric and anthropocenic gaze. Taiwan, as an island that encompasses a particularly wide range of biotopes, redefines insularity in its con…

  • Why Fiction Matters in Contemporary China

    David Der-Wei Wang•BOOK•Why Fiction Matters in…•2020•Cited by: 6

  • Foreign devils, chinese sorcerers, and the politics of literary anachronism

    Open Access•David Der-Wei Wang•CHAPTER•New Literary History of Modern…•2017

  • Introduction. Worlding Literary China

    Open Access•David Der-Wei Wang•CHAPTER•New Literary History of Modern…•2017

  • A New Literary History of Modern China

    Open Access•Nick Admussen, 王德威 王德威 et al.•BOOK•New Literary History of Modern…•2017

  • Chinese Literary Thought in Modern Times

    David Der-Wei Wang, Carlos Rojas et al.•BOOK•The Oxford Handbook of Modern…•2016

    Theory has both enriched contemporary Chinese literary studies and generated discontent. Rather than uncritically embracing or rejecting theory, this chapter probes the discourse of Chinese literary thought in Chinese modernity as an engagement with Chinese traditions as well as modern Western theoretical practice. Contrary to the perception that the May Fourth era was a period of total antitraditionalism, intellectuals at the time appear to have…

  • Chinese Literary Thought in Modern Times

    David Der-Wei Wang•ARTICLE•Journal of Chinese Literature and…•2016•References: 3

    Modern Chinese literature is always already in the transculturation of non-Chinese concepts and discourses. My quibble with the current state of the field, however, has to do with the way we respond to the consequences of the transcultural traffic. While we assume a position of (moralist, political, or intellectual) sincerity, we tend to stop short of grappling with the “authenticity and viability” of our own theoretical frameworks regarding the …

  • The Literary Mind and the Carving of Modernities

    David Der-Wei Wang•ARTICLE•Journal of Chinese Literature and…•2016•References: 1

  • The Lyrical in Epic Time

    David Der-Wei Wang, 王德威 王德威•BOOK•Lyrical in Epic Time•2015

    In this book, David Der-wei Wang uses the lyrical to rethink the dynamics of Chinese modernity. Although the form may seem unusual for representing China's social and political crises in the mid-twentieth century, Wang contends that national cataclysm and mass movements intensified Chinese lyricism in extraordinary ways. Wang calls attention to the form's vigor and variety at an unlikely juncture in Chinese history and the precarious consequences…

  • Fei Mu, Mei Lanfang, and the Polemics of Screening China

    David Der-Wei Wang•BOOK•Oxford Handbook of Chinese Cinemas•2013

  • Chinese literature from 1841 to 1937

    Open Access•David Der-Wei Wang•CHAPTER•The Cambridge history of Chinese…•2010

    This chapter deals with the rise and development of Chinese literature from the end of the First Opium War (1840–1842) to the eve of the Second Sino-Japanese War (1937–1945). During this period, China was in constant turmoil, wracked by military upheaval on the one hand – the Opium Wars, the First and Second Sino-Japanese Wars, the Taiping Rebellion, and the Boxer Rebellion – and on the other hand by cataclysmic social changes running the gamut f…

  • Global Chinese Literature

    王德威 王德威, Jing Tsu et al.•BOOK•Global Chinese Literature•2010

    This path-breaking collection of critical essays introduces a diverse range of approaches to open up the field of modern Chinese literature to new cross-regional, local, and global analyses. Each of the ten essays deals with a particular conceptual problem or case study of different locations and modalities of Chinese-language, or Sinophone, production. From language to music, literature to popular culture, minority politics to internal diaspora,…

  • From May Fourth to June Fourth

    王德威 王德威, Ellen Widmer et al.•BOOK•From May Fourth to June Fourth•2009

    What do the Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with the Chinese literature and film of the May Fourth movement (1918-1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century China share several aims: to liberate these narrative arts from previous aesthetic orthodoxies, to draw on foreign sources for inspiration, and to fre…

  • Literature, Modernity, and the Practice of Resistance

    David Der-Wei Wang•ARTICLE•Journal of Japanese Studies•2008

  • Writing Taiwan

    Open Access•David Wang, Harry Harootunian et al.•BOOK•Writing Taiwan•2007

    Preface / David Der-wei Wang vii Introduction / Carlos Rojas 1 Part One: The Limits of Taiwan Literature 1. Representing Taiwan: Shifting Geopolitical Frameworks / Sung-sheng Yvonne Chang 17 2. Postmodern or Postcolonial? An Inquiry into Postwar Taiwanese Literary History / Fangming Chen 26 3. the Concept of Taiwan Literature / Xiaobing Tang 51 Part Two: Cultural Politics 4. The Importance of Being Perverse: China and Taiwan, 1931-1937 / Joyce C.…

  • Taiwan Under Japanese Colonial Rule, 1895-1945

    Binghui Liao, 王德威 王德威 et al.•BOOK•Taiwan under Japanese Colonial…•2006

    The first study of colonial Taiwan in English, this volume brings together seventeen essays by leading scholars to construct a comprehensive cultural history of Taiwan under Japanese rule. Contributors from the United States, Japan, and Taiwan explore a number of topics through a variety of theoretical, comparative, and postcolonial perspectives, painting a complex and nuanced portrait of a pivotal time in the formation of Taiwanese national iden…

  • Dynastic Crisis and Cultural Innovation

    Open Access•David Der-Wei Wang, Shang Wei•BOOK•Dynastic Crisis and Cultural…•2005

  • Gutenberg in Shanghai

    Open Access•David Der-Wei Wang•ARTICLE•Journal of History•2005

  • The Last of the Whampoa Breed

    Bangyuan Qi, Dewei Wang et al.•BOOK•The Last of the Whampoa breed•2003

    "The Last of the Whampoa Breed tells she stories of the exiles written by their descendants, many of whom have become Taiwan's most important authors. The book is an important addition to the vastly underrepresented literature of Taiwan in translation and sheds light on the complex relationship between Taiwan and the People's Republic of China. Western readers will not at first recognize the experiences of these soldiers who were severed from a t…

  • Fin-de-siècle Splendor

    Philip F Williams, David Der-Wei Wang•ARTICLE•Journal of the American Oriental…•1999

  • Fin-de-Siecle Splendor

    C D Alison Bailey, David Der-Wei Wang•ARTICLE•Pacific Affairs•1999

  • Fin-de-Siecle Splendor

    Robert E Hegel, David Der-Wei Wang•ARTICLE•Chinese Literature Essays…•1998

  • Three Hungry Women

    David Der-Wei Wang•ARTICLE•boundary 2•1998•Cited by: 1

  • Fin-de-Siecle Splendor

    Xiaobing Tang, David Der-Wei Wang•ARTICLE•Harvard Journal of Asiatic Studies•1998•Cited by: 1

  • Fin-de-Siècle Splendor

    David Der-Wei Wang•BOOK•Fin-de-Siècle Splendor•1997

    The reigning view of literary historians has been that the May Fourth movement of 1919 marks the division between the traditional and the modern in Chinese literature. This book argues that signs of reform and innovation can be discerned long before May Fourth, and that as China entered the arena of modern, international history in the late Qing, it was already developing its own complex matrix of incipient modernities. It demonstrates that late …

Next
  • Why Fiction Matters in Contemporary China

    David Der-Wei Wang•BOOK•Why Fiction Matters in…•2020•Cited by: 6

  • Three Hungry Women

    David Der-Wei Wang•ARTICLE•boundary 2•1998•Cited by: 1

  • Fin-de-Siecle Splendor

    Xiaobing Tang, David Der-Wei Wang•ARTICLE•Harvard Journal of Asiatic Studies•1998•Cited by: 1

  • Mao Tun and Naturalism

    David Der-Wei Wang•ARTICLE•Monumenta Serica•1986

  • I Myself Am A Woman

    David Der-Wei Wang, Tani E Barlow et al.•ARTICLE•Journal of the American Oriental…•1991

  • Running Wild

    Philip F Williams, David Der-Wei Wang et al.•ARTICLE•World Literature Today•1995

  • Fin-de-Siècle Splendor

    David Der-Wei Wang•BOOK•Fin-de-Siècle Splendor•1997

    The reigning view of literary historians has been that the May Fourth movement of 1919 marks the division between the traditional and the modern in Chinese literature. This book argues that signs of reform and innovation can be discerned long before May Fourth, and that as China entered the arena of modern, international history in the late Qing, it was already developing its own complex matrix of incipient modernities. It demonstrates that late …

  • Fin-de-Siecle Splendor

    Robert E Hegel, David Der-Wei Wang•ARTICLE•Chinese Literature Essays…•1998

  • Three Hungry Women

    David Der-Wei Wang•ARTICLE•boundary 2•1998•Cited by: 1

  • Fin-de-Siecle Splendor

    Xiaobing Tang, David Der-Wei Wang•ARTICLE•Harvard Journal of Asiatic Studies•1998•Cited by: 1

  • Fin-de-siècle Splendor

    Philip F Williams, David Der-Wei Wang•ARTICLE•Journal of the American Oriental…•1999

  • Fin-de-Siecle Splendor

    C D Alison Bailey, David Der-Wei Wang•ARTICLE•Pacific Affairs•1999

  • The Last of the Whampoa Breed

    Bangyuan Qi, Dewei Wang et al.•BOOK•The Last of the Whampoa breed•2003

    "The Last of the Whampoa Breed tells she stories of the exiles written by their descendants, many of whom have become Taiwan's most important authors. The book is an important addition to the vastly underrepresented literature of Taiwan in translation and sheds light on the complex relationship between Taiwan and the People's Republic of China. Western readers will not at first recognize the experiences of these soldiers who were severed from a t…

  • Dynastic Crisis and Cultural Innovation

    Open Access•David Der-Wei Wang, Shang Wei•BOOK•Dynastic Crisis and Cultural…•2005

  • Gutenberg in Shanghai

    Open Access•David Der-Wei Wang•ARTICLE•Journal of History•2005

  • Taiwan Under Japanese Colonial Rule, 1895-1945

    Binghui Liao, 王德威 王德威 et al.•BOOK•Taiwan under Japanese Colonial…•2006

    The first study of colonial Taiwan in English, this volume brings together seventeen essays by leading scholars to construct a comprehensive cultural history of Taiwan under Japanese rule. Contributors from the United States, Japan, and Taiwan explore a number of topics through a variety of theoretical, comparative, and postcolonial perspectives, painting a complex and nuanced portrait of a pivotal time in the formation of Taiwanese national iden…

  • Writing Taiwan

    Open Access•David Wang, Harry Harootunian et al.•BOOK•Writing Taiwan•2007

    Preface / David Der-wei Wang vii Introduction / Carlos Rojas 1 Part One: The Limits of Taiwan Literature 1. Representing Taiwan: Shifting Geopolitical Frameworks / Sung-sheng Yvonne Chang 17 2. Postmodern or Postcolonial? An Inquiry into Postwar Taiwanese Literary History / Fangming Chen 26 3. the Concept of Taiwan Literature / Xiaobing Tang 51 Part Two: Cultural Politics 4. The Importance of Being Perverse: China and Taiwan, 1931-1937 / Joyce C.…

  • Literature, Modernity, and the Practice of Resistance

    David Der-Wei Wang•ARTICLE•Journal of Japanese Studies•2008

  • From May Fourth to June Fourth

    王德威 王德威, Ellen Widmer et al.•BOOK•From May Fourth to June Fourth•2009

    What do the Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with the Chinese literature and film of the May Fourth movement (1918-1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century China share several aims: to liberate these narrative arts from previous aesthetic orthodoxies, to draw on foreign sources for inspiration, and to fre…

  • Chinese literature from 1841 to 1937

    Open Access•David Der-Wei Wang•CHAPTER•The Cambridge history of Chinese…•2010

    This chapter deals with the rise and development of Chinese literature from the end of the First Opium War (1840–1842) to the eve of the Second Sino-Japanese War (1937–1945). During this period, China was in constant turmoil, wracked by military upheaval on the one hand – the Opium Wars, the First and Second Sino-Japanese Wars, the Taiping Rebellion, and the Boxer Rebellion – and on the other hand by cataclysmic social changes running the gamut f…

  • Global Chinese Literature

    王德威 王德威, Jing Tsu et al.•BOOK•Global Chinese Literature•2010

    This path-breaking collection of critical essays introduces a diverse range of approaches to open up the field of modern Chinese literature to new cross-regional, local, and global analyses. Each of the ten essays deals with a particular conceptual problem or case study of different locations and modalities of Chinese-language, or Sinophone, production. From language to music, literature to popular culture, minority politics to internal diaspora,…

  • Fei Mu, Mei Lanfang, and the Polemics of Screening China

    David Der-Wei Wang•BOOK•Oxford Handbook of Chinese Cinemas•2013

  • The Lyrical in Epic Time

    David Der-Wei Wang, 王德威 王德威•BOOK•Lyrical in Epic Time•2015

    In this book, David Der-wei Wang uses the lyrical to rethink the dynamics of Chinese modernity. Although the form may seem unusual for representing China's social and political crises in the mid-twentieth century, Wang contends that national cataclysm and mass movements intensified Chinese lyricism in extraordinary ways. Wang calls attention to the form's vigor and variety at an unlikely juncture in Chinese history and the precarious consequences…

  • Chinese Literary Thought in Modern Times

    David Der-Wei Wang, Carlos Rojas et al.•BOOK•The Oxford Handbook of Modern…•2016

    Theory has both enriched contemporary Chinese literary studies and generated discontent. Rather than uncritically embracing or rejecting theory, this chapter probes the discourse of Chinese literary thought in Chinese modernity as an engagement with Chinese traditions as well as modern Western theoretical practice. Contrary to the perception that the May Fourth era was a period of total antitraditionalism, intellectuals at the time appear to have…

  • Chinese Literary Thought in Modern Times

    David Der-Wei Wang•ARTICLE•Journal of Chinese Literature and…•2016•References: 3

    Modern Chinese literature is always already in the transculturation of non-Chinese concepts and discourses. My quibble with the current state of the field, however, has to do with the way we respond to the consequences of the transcultural traffic. While we assume a position of (moralist, political, or intellectual) sincerity, we tend to stop short of grappling with the “authenticity and viability” of our own theoretical frameworks regarding the …

  • The Literary Mind and the Carving of Modernities

    David Der-Wei Wang•ARTICLE•Journal of Chinese Literature and…•2016•References: 1

  • Foreign devils, chinese sorcerers, and the politics of literary anachronism

    Open Access•David Der-Wei Wang•CHAPTER•New Literary History of Modern…•2017

  • Introduction. Worlding Literary China

    Open Access•David Der-Wei Wang•CHAPTER•New Literary History of Modern…•2017

History (22 works) · Chinese history and philosophy (20 works) · Art (18 works) · Literature (11 works) · Japanese History and Culture (10 works) · China (8 works) · Philosophy (8 works) · Political science (8 works) · Law (6 works) · Sociology (6 works)

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