Luca Caminati
Biographic Data
| ID | 5192547 |
|---|---|
| NAME | Luca Caminati |
| GIVEN NAMES | Luca |
| FAMILY NAME | Caminati |
| SIGNATURE | CAMINATI L |
| AFFILIATIONS | Concordia University |
| ORCID | 0000-0002-3662-7994 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Gramsci’s Body and Thought in Italian Film Culture
In this article a few key moments of postwar Italian cinema are mapped and analyzed in order to define resonances, influences, and other entanglements with the body, lived experience, and thought of Italian Marxist philosopher Antonio Gramsci. This Gramscian cinematic geography is understood as a construct established through the connection with Gramsci’s own disabled physical and intellectual space and proposed as a possible method for an engage…
Italian Neorealism
Find information about UTP Journals. University of Toronto Press is Canada’s leading academic publisher and one of the largest university presses in North America, with particular strengths in the social sciences, humanities, and business. The Book Publishing Division is widely recognized in Canada for its strength in history, political science, sociology, Indigenous studies, and cultural studies. Internationally, UTP is a leading publisher of me…
Italian anti-colonial cinema
In the 1970 film directed by Citto Maselli, Lettera aperta a un giornale della sera/Open Letter to an Evening Daily, a group of leftist intellectual men at a cocktail party in Rome decide to write to a national newspaper, announcing their decision to volunteer for, and personally engage in, the fight against American imperialism in Vietnam. The move is supposed to be a provocation or a joke of sorts, but the letter ends up being published; Jean-P…
Italian Cinema and the World Cinema Stress Test
L’auteur propose quelques réflexions sur l’application d’une méthodologie postcoloniale à l’étude du cinéma mondial en contexte national, en mettant de l’avant une notion élargie du cinéma national italien en ce qui a trait à son corpus (ce en quoi consiste un film italien), à son vocabulaire (accentué, migrant, mondialisé) et à sa méthodologie. Il analyse pour ce faire deux réactions secondaires aux documentaires africains de Pier Paolo Pasolini…
No prominent works on this page.
Italian Cinema and the World Cinema Stress Test
L’auteur propose quelques réflexions sur l’application d’une méthodologie postcoloniale à l’étude du cinéma mondial en contexte national, en mettant de l’avant une notion élargie du cinéma national italien en ce qui a trait à son corpus (ce en quoi consiste un film italien), à son vocabulaire (accentué, migrant, mondialisé) et à sa méthodologie. Il analyse pour ce faire deux réactions secondaires aux documentaires africains de Pier Paolo Pasolini…
Italian Neorealism
Find information about UTP Journals. University of Toronto Press is Canada’s leading academic publisher and one of the largest university presses in North America, with particular strengths in the social sciences, humanities, and business. The Book Publishing Division is widely recognized in Canada for its strength in history, political science, sociology, Indigenous studies, and cultural studies. Internationally, UTP is a leading publisher of me…
Italian anti-colonial cinema
In the 1970 film directed by Citto Maselli, Lettera aperta a un giornale della sera/Open Letter to an Evening Daily, a group of leftist intellectual men at a cocktail party in Rome decide to write to a national newspaper, announcing their decision to volunteer for, and personally engage in, the fight against American imperialism in Vietnam. The move is supposed to be a provocation or a joke of sorts, but the letter ends up being published; Jean-P…
Gramsci’s Body and Thought in Italian Film Culture
In this article a few key moments of postwar Italian cinema are mapped and analyzed in order to define resonances, influences, and other entanglements with the body, lived experience, and thought of Italian Marxist philosopher Antonio Gramsci. This Gramscian cinematic geography is understood as a construct established through the connection with Gramsci’s own disabled physical and intellectual space and proposed as a possible method for an engage…
Art (4 works) · Italian Fascism and Post-war Society (4 works) · Art history (3 works) · History (3 works) · Literature (3 works) · Movie theater (3 works) · Political science (3 works) · History (2 works) · Law (2 works) · Media studies (2 works)