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Sybil Newton Cooksey

Biographic Data

ID5192850
NAMESybil Newton Cooksey
GIVEN NAMESSybil Newton
FAMILY NAMECooksey
SIGNATURECOOKSEY S N
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS3
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Afro-Gothic

    Open Access•Sybil Newton Cooksey, Tashima Thomas•ARTICLE•liquid blackness•2022•Cited by: 1•References: 3

    The introduction presents Afro-Gothic as an aesthetic and theoretical framework for understanding the various works in the special issue, which includes essays, interviews, a playlist, and a roundtable. Taking up Cauleen Smith's Crow Requiem (2015) as its point of departure, the authors discuss how the experimental video illustrates Afro-Gothic sensibilities in its allegorizing the ambient feeling of precarious and collective vulnerability to gra…

  • Aestheticizing the Void”

    Open Access•Sybil Newton Cooksey, Tashima Thomas et al.•ARTICLE•liquid blackness•2022•Cited by: 1•References: 1

    The roundtable gathers specialists dedicated to thinking through the Afro-Gothic as a conceptual approach to black aesthetics and as a theoretical framework. In the spirit of camaraderie and intellectual curiosity, contributors consider meanings of the Afro-Gothic from various disciplines and diasporic perspectives. The participants discuss the ways in which horror, haunting, the uncanny, the monstrous, and the fantastic are manifest in black aes…

  • Revenant Motion

    Open Access•Sybil Newton Cooksey•ARTICLE•liquid blackness•2022•Cited by: 1•References: 7

    Through sensitive engagement with the experimental films of Arthur Jafa, the flex choreography of Storyboard P, and performance of #BlackLivesMatter protests, this essay submits revenant motion as a concept through which to think about black being and phenomenology in this era. The entwined reflections on black life, death, and aesthetics offered up by Jafa, Claudia Rankine, Hortense Spillers, Elizabeth Alexander, and Sylvia Wynter shape these sp…

  • Afro-Gothic

    Open Access•Sybil Newton Cooksey, Tashima Thomas•ARTICLE•liquid blackness•2022•Cited by: 1•References: 3

    The introduction presents Afro-Gothic as an aesthetic and theoretical framework for understanding the various works in the special issue, which includes essays, interviews, a playlist, and a roundtable. Taking up Cauleen Smith's Crow Requiem (2015) as its point of departure, the authors discuss how the experimental video illustrates Afro-Gothic sensibilities in its allegorizing the ambient feeling of precarious and collective vulnerability to gra…

  • Aestheticizing the Void”

    Open Access•Sybil Newton Cooksey, Tashima Thomas et al.•ARTICLE•liquid blackness•2022•Cited by: 1•References: 1

    The roundtable gathers specialists dedicated to thinking through the Afro-Gothic as a conceptual approach to black aesthetics and as a theoretical framework. In the spirit of camaraderie and intellectual curiosity, contributors consider meanings of the Afro-Gothic from various disciplines and diasporic perspectives. The participants discuss the ways in which horror, haunting, the uncanny, the monstrous, and the fantastic are manifest in black aes…

  • Revenant Motion

    Open Access•Sybil Newton Cooksey•ARTICLE•liquid blackness•2022•Cited by: 1•References: 7

    Through sensitive engagement with the experimental films of Arthur Jafa, the flex choreography of Storyboard P, and performance of #BlackLivesMatter protests, this essay submits revenant motion as a concept through which to think about black being and phenomenology in this era. The entwined reflections on black life, death, and aesthetics offered up by Jafa, Claudia Rankine, Hortense Spillers, Elizabeth Alexander, and Sylvia Wynter shape these sp…

  • Afro-Gothic

    Open Access•Sybil Newton Cooksey, Tashima Thomas•ARTICLE•liquid blackness•2022•Cited by: 1•References: 3

    The introduction presents Afro-Gothic as an aesthetic and theoretical framework for understanding the various works in the special issue, which includes essays, interviews, a playlist, and a roundtable. Taking up Cauleen Smith's Crow Requiem (2015) as its point of departure, the authors discuss how the experimental video illustrates Afro-Gothic sensibilities in its allegorizing the ambient feeling of precarious and collective vulnerability to gra…

  • Aestheticizing the Void”

    Open Access•Sybil Newton Cooksey, Tashima Thomas et al.•ARTICLE•liquid blackness•2022•Cited by: 1•References: 1

    The roundtable gathers specialists dedicated to thinking through the Afro-Gothic as a conceptual approach to black aesthetics and as a theoretical framework. In the spirit of camaraderie and intellectual curiosity, contributors consider meanings of the Afro-Gothic from various disciplines and diasporic perspectives. The participants discuss the ways in which horror, haunting, the uncanny, the monstrous, and the fantastic are manifest in black aes…

  • Revenant Motion

    Open Access•Sybil Newton Cooksey•ARTICLE•liquid blackness•2022•Cited by: 1•References: 7

    Through sensitive engagement with the experimental films of Arthur Jafa, the flex choreography of Storyboard P, and performance of #BlackLivesMatter protests, this essay submits revenant motion as a concept through which to think about black being and phenomenology in this era. The entwined reflections on black life, death, and aesthetics offered up by Jafa, Claudia Rankine, Hortense Spillers, Elizabeth Alexander, and Sylvia Wynter shape these sp…

Aesthetics (3 works) · Art (3 works) · Philosophy (3 works) · Crime, Deviance, and Social Control (2 works) · Epistemology (2 works) · Gothic Literature and Media Analysis (2 works) · Sociology (2 works) · Uncanny (2 works) · Cinema and Media Studies (1 work) · Computer Science (1 work)

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