Liam E Semler
Biographic Data
| ID | 5193461 |
|---|---|
| NAME | Liam E Semler |
| GIVEN NAMES | Liam E |
| FAMILY NAME | Semler |
| SIGNATURE | SEMLER L E |
| AFFILIATIONS | The University of Sydney |
| ORCID | 0000-0003-4090-5317 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 2 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Prosperous teaching and the thing of darkness
This essay uses Shakespeare’s The Tempest as a way of conceptualising modern institutional education. The over-systematisation of formal education which characterises professional teaching and learning in the twenty-first century is designated “SysEd.” The flaws in SysEd are discussed and a less structured space of educational experience, named “ardenspace,” is described in theoretical and practical terms. The idea of an institutional counterpubl…
Teaching Shakespeare Beyond the Centre
Showcasing a wide array of recent, innovative and original research into Shakespeare and learning in Australasia and beyond, this volume argues the value of the 'local' and provides transferable and a
Storytelling
This collection uses the concept of 'story' to connect literary materials and methods of analysis to wider issues of social and political importance. Drawing on a range of texts, themes include post-c
Margaret Cavendish's Early Engagement with Descartes and Hobbes
The early works of Margaret Cavendish – namely Poems, and Fancies (1653), Philosophicall Fancies (1653), The Worlds Olio (1655), The Philosophical and Physical Opinions (1655) and Natures Pictures
Ovidian Myth and Sexual Deviance in Early Modern English Literature
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Philippa Kelly. The King and I
Shakespeare’s Entrails
David Hillman Shakespeare’s Entrails: Belief, Scepticism and the Interior of the Body. Palgrave Shakespeare Studies New York : Palgrave/St. Martin’s Press, 2007 ISBN: 978-1-4039-4267-8 - Volume 61 Issue 1
The Renaissance Gets Emotional
Breaking the Ice to Invention
Far from being a naively provincial document in history of art treatises, Henry Peacham's The Art of Drawing (1606) deserves credit for introducing English readers to continental art theory and pedagogy. His groundbreaking handbook borrows an incremental teaching method from Serlio, an art-theoretical superstructure from Lomazzo, and an imitative drawing program from Fialetti, and conflates these into a practical guide aimed at English readers. H…
Richard Lovelace and the Mannerist Grotesque
(1996). RICHARD LOVELACE AND THE MANNERIST GROTESQUE. Journal of the Australasian Universities Language and Literature Association: Vol. 85, No. 1, pp. 69-82
Margaret Cavendish's Early Engagement with Descartes and Hobbes
The early works of Margaret Cavendish – namely Poems, and Fancies (1653), Philosophicall Fancies (1653), The Worlds Olio (1655), The Philosophical and Physical Opinions (1655) and Natures Pictures
Richard Lovelace and the Mannerist Grotesque
(1996). RICHARD LOVELACE AND THE MANNERIST GROTESQUE. Journal of the Australasian Universities Language and Literature Association: Vol. 85, No. 1, pp. 69-82
Breaking the Ice to Invention
Far from being a naively provincial document in history of art treatises, Henry Peacham's The Art of Drawing (1606) deserves credit for introducing English readers to continental art theory and pedagogy. His groundbreaking handbook borrows an incremental teaching method from Serlio, an art-theoretical superstructure from Lomazzo, and an imitative drawing program from Fialetti, and conflates these into a practical guide aimed at English readers. H…
The Renaissance Gets Emotional
Shakespeare’s Entrails
David Hillman Shakespeare’s Entrails: Belief, Scepticism and the Interior of the Body. Palgrave Shakespeare Studies New York : Palgrave/St. Martin’s Press, 2007 ISBN: 978-1-4039-4267-8 - Volume 61 Issue 1
Philippa Kelly. The King and I
Margaret Cavendish's Early Engagement with Descartes and Hobbes
The early works of Margaret Cavendish – namely Poems, and Fancies (1653), Philosophicall Fancies (1653), The Worlds Olio (1655), The Philosophical and Physical Opinions (1655) and Natures Pictures
Ovidian Myth and Sexual Deviance in Early Modern English Literature
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Teaching Shakespeare Beyond the Centre
Showcasing a wide array of recent, innovative and original research into Shakespeare and learning in Australasia and beyond, this volume argues the value of the 'local' and provides transferable and a
Storytelling
This collection uses the concept of 'story' to connect literary materials and methods of analysis to wider issues of social and political importance. Drawing on a range of texts, themes include post-c
Prosperous teaching and the thing of darkness
This essay uses Shakespeare’s The Tempest as a way of conceptualising modern institutional education. The over-systematisation of formal education which characterises professional teaching and learning in the twenty-first century is designated “SysEd.” The flaws in SysEd are discussed and a less structured space of educational experience, named “ardenspace,” is described in theoretical and practical terms. The idea of an institutional counterpubl…
Art (8 works) · Philosophy (6 works) · Philosophy (4 works) · Computer Science (3 works) · History (3 works) · History (3 works) · Literature (3 works) · Sociology (3 works) · Art history (2 works) · Epistemology (2 works)