Amy Susan De'Ath
Biographic Data
| ID | 5194328 |
|---|---|
| NAME | Amy Susan De'Ath |
| GIVEN NAMES | Amy Susan |
| FAMILY NAME | De'Ath |
| SIGNATURE | DE ATH A S |
| AFFILIATIONS | English and Foreign Languages University |
| ORCID | 0000-0002-4567-4397 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Recasting Dialectics
This essay offers a lyric reading of Hannah Black’s novella, Tuesday or September or the End, to argue that strategies of lyric figuration serve to mark the difference between the real movement of history and its representations. Noting the speculative dimensions of Marx’s own analysis, the author compares Fredric Jameson’s and Carolyn Lesjak’s spatial accounts of incommensurable temporalities to Fred Moten’s lyric concept of the “notin-between” …
Decolonize or Destroy
This essay points to techniques and strategies in contemporary feminist poetry that primarily seek not to resist or critique frameworks of white supremacy or capitalist imperialism, but to begin from coordinates that, experientially and historically, do not align with the striations of historical time mirrored and institutionalized by these frameworks. The author argues that Marie Annharte Baker’s and Dawn Lundy Martin’s poems not only orient the…
No prominent works on this page.
Decolonize or Destroy
This essay points to techniques and strategies in contemporary feminist poetry that primarily seek not to resist or critique frameworks of white supremacy or capitalist imperialism, but to begin from coordinates that, experientially and historically, do not align with the striations of historical time mirrored and institutionalized by these frameworks. The author argues that Marie Annharte Baker’s and Dawn Lundy Martin’s poems not only orient the…
Recasting Dialectics
This essay offers a lyric reading of Hannah Black’s novella, Tuesday or September or the End, to argue that strategies of lyric figuration serve to mark the difference between the real movement of history and its representations. Noting the speculative dimensions of Marx’s own analysis, the author compares Fredric Jameson’s and Carolyn Lesjak’s spatial accounts of incommensurable temporalities to Fred Moten’s lyric concept of the “notin-between” …
Aesthetics (1 work) · American Literature and Culture (1 work) · Art (1 work) · Close reading (1 work) · Coherence (philosophical gambling strategy (1 work) · Contemporary Cultural and Social Studies (1 work) · Context (archaeology (1 work) · Criticism (1 work) · Dialectic (1 work) · Epistemology (1 work)