Sarah Victoria Turner
Biographic Data
| ID | 5194858 |
|---|---|
| NAME | Sarah Victoria Turner |
| GIVEN NAMES | Sarah Victoria |
| FAMILY NAME | Turner |
| SIGNATURE | TURNER S V |
| AFFILIATIONS | McGill University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
The diversity of organic farmer motivations and livelihoods in the Global South – A case study in Kerala, India
My Grandmother Never Told Me That Before!’: Collaborative oral histories with ethnic minority youth and elders in northern Vietnam
Hmong ethnic minority populations in Vietnam’s northern borderlands have a long history of oral tradition and story-telling. Yet with an historical absence of literacy and no self-created written archives, the first-hand knowledge and experiences of Hmong elders is seldom communicated beyond their kin. At the request of a Hmong community member we developed a collaborative, intergenerational oral history project that would allow stories of Hmong …
Alive and significant’: ‘Aspects of Indian Art’, Stella Kramrisch and Dora Gordine in South Kensington c 1940
The Edwardians and After
Women and Things 1750-1950: Gendered Material Strategies edited by Maureen Daly Goggin and Beth Fowkes Tobin
The ‘Essential Quality of Things’: E.B. Havell, Ananda Coomaraswamy, Indian Art and Sculpture in Britain, c . 1910–14
The ambivalent attitude in late nineteenth- and early twentieth-century Britain towards the display of Indian art meant that first-hand access to Indian sculpture and painting remained difficult, even in London, the so-called ‘heart of empire’. The well-illustrated publications of the India Society (founded by William Rothenstein in 1910) were, therefore, an important vehicle for disseminating knowledge and information about Indian art among arti…
The ‘Essential Quality of Things’: E.B. Havell, Ananda Coomaraswamy, Indian Art and Sculpture in Britain, c . 1910–14
The ambivalent attitude in late nineteenth- and early twentieth-century Britain towards the display of Indian art meant that first-hand access to Indian sculpture and painting remained difficult, even in London, the so-called ‘heart of empire’. The well-illustrated publications of the India Society (founded by William Rothenstein in 1910) were, therefore, an important vehicle for disseminating knowledge and information about Indian art among arti…
Women and Things 1750-1950: Gendered Material Strategies edited by Maureen Daly Goggin and Beth Fowkes Tobin
Alive and significant’: ‘Aspects of Indian Art’, Stella Kramrisch and Dora Gordine in South Kensington c 1940
The Edwardians and After
My Grandmother Never Told Me That Before!’: Collaborative oral histories with ethnic minority youth and elders in northern Vietnam
Hmong ethnic minority populations in Vietnam’s northern borderlands have a long history of oral tradition and story-telling. Yet with an historical absence of literacy and no self-created written archives, the first-hand knowledge and experiences of Hmong elders is seldom communicated beyond their kin. At the request of a Hmong community member we developed a collaborative, intergenerational oral history project that would allow stories of Hmong …
The diversity of organic farmer motivations and livelihoods in the Global South – A case study in Kerala, India
Art (4 works) · Art history (4 works) · Sociology (4 works) · History (3 works) · Political science (3 works) · Citation (2 works) · Computer Science (2 works) · Library science (2 works) · Performance art (2 works) · Politics (2 works)