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Charles Parrott

Biographic Data

ID5195330
NAMECharles Parrott
GIVEN NAMESCharles
FAMILY NAMEParrott
SIGNATUREPARROTT C
AFFILIATIONSKennesaw State University
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS1
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2024
H-INDEX1
  • The Unruly Muse

    Charles Parrott•ARTICLE•Text and Performance Quarterly•2024

    This review of Lynn C. Miller and John Modaff’s podcast The Unruly Muse focuses on the potential for podcasting to revitalize oral interpretation of literature in the digital age. Along the way, the author muses about the affective experience and emotions evoked while listening to the podcast

  • Three lessons about performance studies derived from the devised adaption Don Quixote Ugly

    Charles Parrott•ARTICLE•Text and Performance Quarterly•2022•References: 3

    This essay draws on the author’s experience researching, reimagining, and subsequently staging Cervantes’ novel Don Quixote to draw parallels between the figure of Don Quixote and the academic discipline of performance studies as it is practiced in the communication tradition

  • A Happily Married Man

    Charles Parrott•ARTICLE•Text and Performance Quarterly•2020

    A Happily Married Man is an autobiographical solo performance and story cycle that collects discrete, but interrelated, stories that chart a trajectory of personal growth past an extended adolescence into so-called adulthood. Each story is deliberately aesthetic, rooted in embodied knowledge, and illustrative of shared human emotions such as love, fear, uncertainty, and joy

  • Becoming A Happily Married Man

    Charles Parrott•ARTICLE•Text and Performance Quarterly•2020•Cited by: 1•References: 4

    In this essay, I outline the circumstances and method that enabled me to produce the following autobiographical solo performance script, A Happily Married Man. I offer insight into: the anxieties that first blocked and then galvanized the stories, the compositional process that brought them to life, the masculinity they address, and the nomadic genres they travel through. Examining the script through these four points of entry is meant to validat…

  • On the pedagogical and practical values of community-engaged storytelling

    Charles Parrott•ARTICLE•Text and Performance Quarterly•2019•References: 1

    This essay offers a reflection on Julie Ann Scott’s essay “(Re)Directing a University Storytelling Troupe for At-risk Elementary Students for Course Credit: A Story of Embodied Empathy, Literacy and Personal Transformation,” I focus, first, on the pedagogical value of community-engaged performance and second, the practical value of projects that make performance interpretable to an all too often skeptical public. Ultimately, I argue that this pro…

  • Calling conventions on the carpet

    Charles Parrott•ARTICLE•Text and Performance Quarterly•2016•References: 1

    In this essay I examine representations and subversions of power in Travis Brisini’s “The Conference Room Carpet” and Charlotte Perkins Gilman’s short story “The Yellow Wallpaper.” I argue Brisini’s “The Conference Room Carpet” is a successful performative attempt to write his way out of the oppressive conventions of academic success

  • On Telling Tales and The Art of Storytelling

    Charles Parrott Charles Parrott, Charles Parrott•ARTICLE•Storytelling Self Society•2014

    On Telling Tales and The Art of Storytelling Telling Tales, by Emily S. Chasse. New York: Neal-Shuman, 2009. 269 pp. ISBN: 15555706452. Paper $77.00.The Art of Storytelling: Telling Truths through Telling Stories, by Amy E. Spaulding. Lanham, MD: Scarecrow Press. 2011. 216 pp. ISBN: 0810877767. Cloth $49.95.It is worth reviewing Emily S. Chasse's Telling Tales and Amy E. Spaulding's Art of Storytelling together for a few reasons. First, Spaulding…

  • The Rational Factory

    Charles Parrott•ARTICLE•Isis•1999

  • Becoming A Happily Married Man

    Charles Parrott•ARTICLE•Text and Performance Quarterly•2020•Cited by: 1•References: 4

    In this essay, I outline the circumstances and method that enabled me to produce the following autobiographical solo performance script, A Happily Married Man. I offer insight into: the anxieties that first blocked and then galvanized the stories, the compositional process that brought them to life, the masculinity they address, and the nomadic genres they travel through. Examining the script through these four points of entry is meant to validat…

  • The Rational Factory

    Charles Parrott•ARTICLE•Isis•1999

  • On Telling Tales and The Art of Storytelling

    Charles Parrott Charles Parrott, Charles Parrott•ARTICLE•Storytelling Self Society•2014

    On Telling Tales and The Art of Storytelling Telling Tales, by Emily S. Chasse. New York: Neal-Shuman, 2009. 269 pp. ISBN: 15555706452. Paper $77.00.The Art of Storytelling: Telling Truths through Telling Stories, by Amy E. Spaulding. Lanham, MD: Scarecrow Press. 2011. 216 pp. ISBN: 0810877767. Cloth $49.95.It is worth reviewing Emily S. Chasse's Telling Tales and Amy E. Spaulding's Art of Storytelling together for a few reasons. First, Spaulding…

  • Calling conventions on the carpet

    Charles Parrott•ARTICLE•Text and Performance Quarterly•2016•References: 1

    In this essay I examine representations and subversions of power in Travis Brisini’s “The Conference Room Carpet” and Charlotte Perkins Gilman’s short story “The Yellow Wallpaper.” I argue Brisini’s “The Conference Room Carpet” is a successful performative attempt to write his way out of the oppressive conventions of academic success

  • On the pedagogical and practical values of community-engaged storytelling

    Charles Parrott•ARTICLE•Text and Performance Quarterly•2019•References: 1

    This essay offers a reflection on Julie Ann Scott’s essay “(Re)Directing a University Storytelling Troupe for At-risk Elementary Students for Course Credit: A Story of Embodied Empathy, Literacy and Personal Transformation,” I focus, first, on the pedagogical value of community-engaged performance and second, the practical value of projects that make performance interpretable to an all too often skeptical public. Ultimately, I argue that this pro…

  • A Happily Married Man

    Charles Parrott•ARTICLE•Text and Performance Quarterly•2020

    A Happily Married Man is an autobiographical solo performance and story cycle that collects discrete, but interrelated, stories that chart a trajectory of personal growth past an extended adolescence into so-called adulthood. Each story is deliberately aesthetic, rooted in embodied knowledge, and illustrative of shared human emotions such as love, fear, uncertainty, and joy

  • Becoming A Happily Married Man

    Charles Parrott•ARTICLE•Text and Performance Quarterly•2020•Cited by: 1•References: 4

    In this essay, I outline the circumstances and method that enabled me to produce the following autobiographical solo performance script, A Happily Married Man. I offer insight into: the anxieties that first blocked and then galvanized the stories, the compositional process that brought them to life, the masculinity they address, and the nomadic genres they travel through. Examining the script through these four points of entry is meant to validat…

  • Three lessons about performance studies derived from the devised adaption Don Quixote Ugly

    Charles Parrott•ARTICLE•Text and Performance Quarterly•2022•References: 3

    This essay draws on the author’s experience researching, reimagining, and subsequently staging Cervantes’ novel Don Quixote to draw parallels between the figure of Don Quixote and the academic discipline of performance studies as it is practiced in the communication tradition

  • The Unruly Muse

    Charles Parrott•ARTICLE•Text and Performance Quarterly•2024

    This review of Lynn C. Miller and John Modaff’s podcast The Unruly Muse focuses on the potential for podcasting to revitalize oral interpretation of literature in the digital age. Along the way, the author muses about the affective experience and emotions evoked while listening to the podcast

Art (8 works) · Psychology (5 works) · Sociology (5 works) · Visual arts (5 works) · Aesthetics (4 works) · Computer Science (4 works) · Literature (4 works) · Engineering (3 works) · History (3 works) · Art history (2 works)

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