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A E Wardman

Biographic Data

ID5202686
NAMEA E Wardman
GIVEN NAMESA E
FAMILY NAMEWardman
SIGNATUREWARDMAN A E
AFFILIATIONSUniversity of Reading
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS16
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1955
LATEST PUBLICATION YEAR2005
H-INDEX2
  • Registered Indians and Tobacco Taxation: A Culturally-appropriate Strategy

    Open Access•A E Wardman, A E Dennis Wardman et al.•ARTICLE•Canadian Journal of Public Health•2005•Cited by: 1•References: 2

  • Plutarch's Lives

    Truesdell S Brown, A E Wardman et al.•ARTICLE•The Classical World•1975

  • Plutarch's Methods in the Lives

    Open Access•A E Wardman•ARTICLE•The Classical Quarterly•1971•Cited by: 2•References: 4

    The locus classicus for Plutarch's own views on his methods is in the Alexander He has begun by asking for the indulgence of his readers if they do not find all the exploits of Alexander and Caesar recounted by the biographer or if they discover him not reporting some famous incident in detail ( ); and he goes on to compare his own search for evidence which will indicate the kind of soul, with the activity of the painter, who, in order to create …

  • Description of Personal Appearancein Plutarch and Suetonius: The use of Statues as Evidence

    Open Access•A E Wardman•ARTICLE•The Classical Quarterly•1967•Cited by: 2•References: 4

    In classical writing the description of personal appearance was attempted in various ways. At one extreme the mere ‘passport-identification’ was concernedto enumerate distinguishing characteristics in order to ensure, for example, that a runaway slave or a recalcitrant taxpayer could be identified

  • The Rape of The Sabines

    Open Access•A E Wardman•ARTICLE•The Classical Quarterly•1965•Cited by: 3

    According to the Ars Amatoria the notorious rape took place on the occasion of a primitive dramatic entertainment staged in a theatre, in which the seats and furnishings were also primitive. There is no time for a description of the arts of the performers— a tibicen and a ludius —before the Romans, impatient for action, receive their signal from Romulus. Nor is there any mention of a god in whose honour the entertainment had been provided

  • The Philosophy of Aristotle. A New Selection with an Introduction and Commentary

    Lloyd B Urdahl, Renford Bambrough et al.•ARTICLE•The Classical World•1964

  • Herodotus on the Cause of the Greco-Persian Wars: (Herodotus, I, 5)

    A E Wardman•ARTICLE•The American Journal of Philology•1961•Cited by: 1

  • Plutarch and Alexander

    Open Access•A E Wardman•ARTICLE•The Classical Quarterly•1955•Cited by: 7

    Modern scholars have been concerned with the hostility shown to Alexander by the Hellenistic schools of philosophy. Two literary portraits have been distinguished, the Peripatetic and the Stoic, the former deriving from Theophrastus' book on Callisthenes, or starting with this work the Peripatetics worked out a theory of and applied it to Alexander, in order to belittle his achievements. It was a case of giving sophisticated expression to the kin…

  • Plutarch and Alexander

    Open Access•A E Wardman•ARTICLE•The Classical Quarterly•1955•Cited by: 7

    Modern scholars have been concerned with the hostility shown to Alexander by the Hellenistic schools of philosophy. Two literary portraits have been distinguished, the Peripatetic and the Stoic, the former deriving from Theophrastus' book on Callisthenes, or starting with this work the Peripatetics worked out a theory of and applied it to Alexander, in order to belittle his achievements. It was a case of giving sophisticated expression to the kin…

  • The Rape of The Sabines

    Open Access•A E Wardman•ARTICLE•The Classical Quarterly•1965•Cited by: 3

    According to the Ars Amatoria the notorious rape took place on the occasion of a primitive dramatic entertainment staged in a theatre, in which the seats and furnishings were also primitive. There is no time for a description of the arts of the performers— a tibicen and a ludius —before the Romans, impatient for action, receive their signal from Romulus. Nor is there any mention of a god in whose honour the entertainment had been provided

  • Plutarch's Methods in the Lives

    Open Access•A E Wardman•ARTICLE•The Classical Quarterly•1971•Cited by: 2•References: 4

    The locus classicus for Plutarch's own views on his methods is in the Alexander He has begun by asking for the indulgence of his readers if they do not find all the exploits of Alexander and Caesar recounted by the biographer or if they discover him not reporting some famous incident in detail ( ); and he goes on to compare his own search for evidence which will indicate the kind of soul, with the activity of the painter, who, in order to create …

  • Description of Personal Appearancein Plutarch and Suetonius: The use of Statues as Evidence

    Open Access•A E Wardman•ARTICLE•The Classical Quarterly•1967•Cited by: 2•References: 4

    In classical writing the description of personal appearance was attempted in various ways. At one extreme the mere ‘passport-identification’ was concernedto enumerate distinguishing characteristics in order to ensure, for example, that a runaway slave or a recalcitrant taxpayer could be identified

  • Registered Indians and Tobacco Taxation: A Culturally-appropriate Strategy

    Open Access•A E Wardman, A E Dennis Wardman et al.•ARTICLE•Canadian Journal of Public Health•2005•Cited by: 1•References: 2

  • Herodotus on the Cause of the Greco-Persian Wars: (Herodotus, I, 5)

    A E Wardman•ARTICLE•The American Journal of Philology•1961•Cited by: 1

  • Plutarch and Alexander

    Open Access•A E Wardman•ARTICLE•The Classical Quarterly•1955•Cited by: 7

    Modern scholars have been concerned with the hostility shown to Alexander by the Hellenistic schools of philosophy. Two literary portraits have been distinguished, the Peripatetic and the Stoic, the former deriving from Theophrastus' book on Callisthenes, or starting with this work the Peripatetics worked out a theory of and applied it to Alexander, in order to belittle his achievements. It was a case of giving sophisticated expression to the kin…

  • Herodotus on the Cause of the Greco-Persian Wars: (Herodotus, I, 5)

    A E Wardman•ARTICLE•The American Journal of Philology•1961•Cited by: 1

  • The Philosophy of Aristotle. A New Selection with an Introduction and Commentary

    Lloyd B Urdahl, Renford Bambrough et al.•ARTICLE•The Classical World•1964

  • The Rape of The Sabines

    Open Access•A E Wardman•ARTICLE•The Classical Quarterly•1965•Cited by: 3

    According to the Ars Amatoria the notorious rape took place on the occasion of a primitive dramatic entertainment staged in a theatre, in which the seats and furnishings were also primitive. There is no time for a description of the arts of the performers— a tibicen and a ludius —before the Romans, impatient for action, receive their signal from Romulus. Nor is there any mention of a god in whose honour the entertainment had been provided

  • Description of Personal Appearancein Plutarch and Suetonius: The use of Statues as Evidence

    Open Access•A E Wardman•ARTICLE•The Classical Quarterly•1967•Cited by: 2•References: 4

    In classical writing the description of personal appearance was attempted in various ways. At one extreme the mere ‘passport-identification’ was concernedto enumerate distinguishing characteristics in order to ensure, for example, that a runaway slave or a recalcitrant taxpayer could be identified

  • Plutarch's Methods in the Lives

    Open Access•A E Wardman•ARTICLE•The Classical Quarterly•1971•Cited by: 2•References: 4

    The locus classicus for Plutarch's own views on his methods is in the Alexander He has begun by asking for the indulgence of his readers if they do not find all the exploits of Alexander and Caesar recounted by the biographer or if they discover him not reporting some famous incident in detail ( ); and he goes on to compare his own search for evidence which will indicate the kind of soul, with the activity of the painter, who, in order to create …

  • Plutarch's Lives

    Truesdell S Brown, A E Wardman et al.•ARTICLE•The Classical World•1975

  • Registered Indians and Tobacco Taxation: A Culturally-appropriate Strategy

    Open Access•A E Wardman, A E Dennis Wardman et al.•ARTICLE•Canadian Journal of Public Health•2005•Cited by: 1•References: 2

Art (5 works) · History (5 works) · History (4 works) · Literature (4 works) · Order (exchange (4 works) · Philosophy (4 works) · Classical Antiquity Studies (3 works) · Computer Science (3 works) · Epistemology (3 works) · Philosophy (3 works)

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