William Echard
Biographic Data
| ID | 520585 |
|---|---|
| NAME | William Echard |
| GIVEN NAMES | William |
| FAMILY NAME | Echard |
| SIGNATURE | ECHARD W |
| AFFILIATIONS | York University |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1966 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 1 |
Robertson, Robbie
Lightfoot, Gordon
Título não encontrado
Allan Moore's review of my book, Neil Young and the Poetics of Energy, recently appeared in Popular Music (25/3, 2006). I need to answer two aspects of the review, not so much to dispute Moore's position as to make sure that Popular Music readers are informed of what's in the book. Maybe the omissions in Moore's review resulted from my own lack of clarity. Be that as it may, the review fails to describe features of the book which may well interes…
Sensible virtual selves: Bodies, instruments and the becoming-concrete of Music
This article employs the concept of ‘virtuality,’ as developed by Gilles Deleuze, to offer a new analysis of the relationship between musicians and their instruments. Other topics touched upon include the ontology of the musical work and the nature of musical subjectivity in general
Roots Music: An American Journey, 2001. Compilation produced by Louisa Hufstader. Rounder Records, CDs (4) 11661-0501-2. Notes by Louisa Hufstader and Scott Billington
Roots Music: An American Journey, 2001. Compilation produced by Louisa Hufstader. Rounder Records, CDs (4) 11661-0501-2. Notes by Louisa Hufstader and Scott Billington. Un article de la revue Ethnologies (Regards sur l'avenir) diffusée par la plateforme Érudit
An analysis of Neil Young's 'Powderfinger' based on Mark Johnson's image schemata
The analysis presented in this paper is one result of my interest in embodiment, and its potential role in the semiotic analysis of popular music. In cultural studies and symbolic anthropology, theorists often read the body as a carrier of codes, a surface for the inscription and negotiation of meaning. In popular music studies, this viewpoint often appears in fairly simple ways, and it also sometimes appears in a more subtle fashion. Richard Mid…
Singer-Songwriters on Philo and Flying Fish
Omond, George W. Y. 1897. Fletcher of Saltoun. Edinburgh: Oliphant, Anderson, and Ferrier. Reuss, Richard. 1971. American Folklore and LeftWing Politics. Unpublished Ph.D. dissertation, Indiana University. Seeger, Charles, and Carl Sands. 1935. Songs by Avvilles Mark Step Ahead in Workers' Music. Daily Worker,January 15. Wang, Betty. 1965. Folksongs as Regulators of Politics. In The Study of Folklore, ed. Alan Dundes, pp. 308-313. Englewood Cliff…
The Greenwood Press's Historical Dictionaries of French History
Italian Foreign Policy, 1918-1945: A Guide to Research and Research Materials , compiled and edited by Alan Cassels, French Foreign Policy, 1918-1945: A Guide to Research and Research Materials , comp…
"Italian Foreign Policy, 1918-1945: A Guide to Research and Research Materials, compiled and edited by Alan Cassels, French Foreign Policy, 1918-1945: A Guide to Research and Research Materials, compiled and edited by Robert J. Young." Canadian Journal of History, 19(2), pp. 292–293
Louis Napoleon and the French Decision to Intervene at Rome in 1849: A New Appraisal
Napoleon III and the German Crisis, 1865-1866 . E. Ann Pottinger
Conference Diplomacy in the German Policy of Napoleon III, 1868-1869
An analysis of Neil Young's 'Powderfinger' based on Mark Johnson's image schemata
The analysis presented in this paper is one result of my interest in embodiment, and its potential role in the semiotic analysis of popular music. In cultural studies and symbolic anthropology, theorists often read the body as a carrier of codes, a surface for the inscription and negotiation of meaning. In popular music studies, this viewpoint often appears in fairly simple ways, and it also sometimes appears in a more subtle fashion. Richard Mid…
Conference Diplomacy in the German Policy of Napoleon III, 1868-1869
Napoleon III and the German Crisis, 1865-1866 . E. Ann Pottinger
Louis Napoleon and the French Decision to Intervene at Rome in 1849: A New Appraisal
Italian Foreign Policy, 1918-1945: A Guide to Research and Research Materials , compiled and edited by Alan Cassels, French Foreign Policy, 1918-1945: A Guide to Research and Research Materials , comp…
"Italian Foreign Policy, 1918-1945: A Guide to Research and Research Materials, compiled and edited by Alan Cassels, French Foreign Policy, 1918-1945: A Guide to Research and Research Materials, compiled and edited by Robert J. Young." Canadian Journal of History, 19(2), pp. 292–293
The Greenwood Press's Historical Dictionaries of French History
Singer-Songwriters on Philo and Flying Fish
Omond, George W. Y. 1897. Fletcher of Saltoun. Edinburgh: Oliphant, Anderson, and Ferrier. Reuss, Richard. 1971. American Folklore and LeftWing Politics. Unpublished Ph.D. dissertation, Indiana University. Seeger, Charles, and Carl Sands. 1935. Songs by Avvilles Mark Step Ahead in Workers' Music. Daily Worker,January 15. Wang, Betty. 1965. Folksongs as Regulators of Politics. In The Study of Folklore, ed. Alan Dundes, pp. 308-313. Englewood Cliff…
An analysis of Neil Young's 'Powderfinger' based on Mark Johnson's image schemata
The analysis presented in this paper is one result of my interest in embodiment, and its potential role in the semiotic analysis of popular music. In cultural studies and symbolic anthropology, theorists often read the body as a carrier of codes, a surface for the inscription and negotiation of meaning. In popular music studies, this viewpoint often appears in fairly simple ways, and it also sometimes appears in a more subtle fashion. Richard Mid…
Roots Music: An American Journey, 2001. Compilation produced by Louisa Hufstader. Rounder Records, CDs (4) 11661-0501-2. Notes by Louisa Hufstader and Scott Billington
Roots Music: An American Journey, 2001. Compilation produced by Louisa Hufstader. Rounder Records, CDs (4) 11661-0501-2. Notes by Louisa Hufstader and Scott Billington. Un article de la revue Ethnologies (Regards sur l'avenir) diffusée par la plateforme Érudit
Sensible virtual selves: Bodies, instruments and the becoming-concrete of Music
This article employs the concept of ‘virtuality,’ as developed by Gilles Deleuze, to offer a new analysis of the relationship between musicians and their instruments. Other topics touched upon include the ontology of the musical work and the nature of musical subjectivity in general
Título não encontrado
Allan Moore's review of my book, Neil Young and the Poetics of Energy, recently appeared in Popular Music (25/3, 2006). I need to answer two aspects of the review, not so much to dispute Moore's position as to make sure that Popular Music readers are informed of what's in the book. Maybe the omissions in Moore's review resulted from my own lack of clarity. Be that as it may, the review fails to describe features of the book which may well interes…
Lightfoot, Gordon
Robertson, Robbie
Political science (6 works) · Art (5 works) · History (5 works) · Music History and Culture (5 works) · Archaeology (3 works) · Economic history (3 works) · European Political History Analysis (3 works) · Law (3 works) · Aesthetics (2 works) · Art history (2 works)