Karel C Innemée
Biographic Data
| ID | 5215246 |
|---|---|
| NAME | Karel C Innemée |
| GIVEN NAMES | Karel C |
| FAMILY NAME | Innemée |
| SIGNATURE | INNEMÉE K C |
| AFFILIATIONS | University of Warsaw |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Costumes of prestige and authority in Christian Nubia
The ‘Costumes of Authority’ project (2022–2024) investigated how clothing expressed secular and religious authority in Christian Nubia (ninth–fourteenth centuries). Experimental reconstruction of five representative costumes (two kings, two royal mothers, one bishop) based on iconographic and textile evidence highlights the physical impact and visual effect of these garments
Worlds of Byzantium
Worlds of Byzantium offers a new understanding of what it means to study the history and visual culture of the Byzantine empire during late antiquity and the Middle Ages. Arguing that linguistic and cultural frontiers do not always coincide with political ones, it suggests that Byzantine studies should look not only within but also beyond the borders of the Byzantine empire and include the history of Christian populations in the Muslim-ruled Midd…
The newly discovered paintings in the dome over the sanctuary in Deir al-Surian
Faces of Evil in Nubian Wall-Painting – An Overview
In Christian wall-paintings in Nubia a recurring theme is the struggle between Good and Evil. In this article an overview is given of the various ways in which Evil is depicted or personified, ranging from animals to humans and the hybrid ways in which Satan and his helpers are represented. These different ways have been inspired by sources from a canonical biblical, apocryphal and mythological character
A Man in a Vessel, Once More
In one of the paintings in the Central Church of Abdallah-n-Irqi an enigmatic element can be seen: a small figure of a man in a jar. No satisfactory explanation for this detail has been found so far. Although a parallel representation seemed to have been discovered in Banganarti, it remains a unique and problematic representation. On the basis of a renewed investigation of the iconography of martyrs in the fourth century, the author proposes a ne…
Early Christian and Byzantine art
No prominent works on this page.
Early Christian and Byzantine art
Faces of Evil in Nubian Wall-Painting – An Overview
In Christian wall-paintings in Nubia a recurring theme is the struggle between Good and Evil. In this article an overview is given of the various ways in which Evil is depicted or personified, ranging from animals to humans and the hybrid ways in which Satan and his helpers are represented. These different ways have been inspired by sources from a canonical biblical, apocryphal and mythological character
A Man in a Vessel, Once More
In one of the paintings in the Central Church of Abdallah-n-Irqi an enigmatic element can be seen: a small figure of a man in a jar. No satisfactory explanation for this detail has been found so far. Although a parallel representation seemed to have been discovered in Banganarti, it remains a unique and problematic representation. On the basis of a renewed investigation of the iconography of martyrs in the fourth century, the author proposes a ne…
The newly discovered paintings in the dome over the sanctuary in Deir al-Surian
Worlds of Byzantium
Worlds of Byzantium offers a new understanding of what it means to study the history and visual culture of the Byzantine empire during late antiquity and the Middle Ages. Arguing that linguistic and cultural frontiers do not always coincide with political ones, it suggests that Byzantine studies should look not only within but also beyond the borders of the Byzantine empire and include the history of Christian populations in the Muslim-ruled Midd…
Costumes of prestige and authority in Christian Nubia
The ‘Costumes of Authority’ project (2022–2024) investigated how clothing expressed secular and religious authority in Christian Nubia (ninth–fourteenth centuries). Experimental reconstruction of five representative costumes (two kings, two royal mothers, one bishop) based on iconographic and textile evidence highlights the physical impact and visual effect of these garments
Ancient Egypt and Archaeology (4 works) · Art (4 works) · Ancient Mediterranean Archaeology and History (3 works) · Archaeology and Historical Studies (3 works) · Art history (3 works) · History (3 works) · Painting (3 works) · Clothing (2 works) · Ancient and Medieval Archaeology Studies (1 work) · Ancient history (1 work)