J Castaing
Biographic Data
| ID | 5215747 |
|---|---|
| NAME | J Castaing |
| GIVEN NAMES | J |
| FAMILY NAME | Castaing |
| SIGNATURE | CASTAING J |
| AFFILIATIONS | Centre National de la Recherche Scientifique |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 38 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 4 |
French Decorative Ceramics Mass‐Produced During and After the 17th Century: Chemical Analyses of the Glazes
Chemical analyses of a group of Pb silicate–glazed decorative objets d'art showing scenes of the French royal family (Louis XIII and Henri IV), and biblical and classical figures, have been analysed and compared with other similar heritage ceramics and with the rustiques figulines of Bernard Palissy (1510–90) and his followers and imitators. In particular, non‐destructive ion‐beam chemical analyses (PIXE and PIGE) have been performed on 11 cerami…
Lead-Glazed Rustiques Figulines (Rustic Ceramics) of Bernard Palissy (1510-90) and his Followers: Lead-glazed rustiques figulines of Bernard Palissy and followers
The glaze chemistry of a group of rustiques figulines attributed to the renowned French potter Bernard Palissy (1510–90), or to his followers and imitators, has been determined non-destructively using PIXE and PIGE analyses. The glazes are all lead silicates, the colourants being transition metal oxides—CuO, CoO, MnO and Fe2O3—with a small addition of SnO2 to some of the glazes being common. Some distinction can be made between the various fabric…
The Structure and Chemical Composition of Wall Paintings From Islamic and Christian Times in the Seville Alcazar
Wall paintings from the Islamic epoch (10th to 12th centuries) and the Christian monarchy (14th to 16th centuries) have been recovered in discarded materials and on walls after reconstruction works in the Seville Alcazar. These paintings have spent centuries underground or under a plaster coat. Portable X‐ray fluorescence (XRF) and combined XRF/X‐ray diffraction (XRD) were employed in situ, as well as scanning electron microscopy (SEM–EDX), grazi…
Analysis of a royal 15th century illuminated parchment using a portable XRF–XRD system and micro-invasive techniques
Analyse in situ des dessins préhistoriques de la grotte de Rouffignac par fluorescence X et diffraction X portable
La Grotte de Rouffignac (Dordogne, France) est un site d'art paléolithique qui renferme de nombreux dessins réalisés au trait noir (mammouths, bisons, rhinocéros laineux, chevaux, bouquetins...). Bien qu'aucune datation directe n'ait été réalisée à ce jour, les œuvres graphiques de cette caverne sont en général rattachées au Magdalénien
The Evolution of Lustre Ceramics From Manises (Valencia, Spain) Between the 14th and 18th Centuries: Lustre ceramics from Manises (Valencia, Spain)
A set of 33 fragments of lustre-decorated ceramics uncovered during an archaeological excavation in Manises (Valencia, Spain) have been studied. These ceramics were produced in Manises from the 14th to the 18th century. This well-dated set of ceramic shards represents the diversity of Manises lustre production and is a complete time sequence of reference for the technological analysis. Texture analysis of the glazes has been carried out by SEM–ED…
Lustre‐decorated Ceramics From a 15th to 16th Century Production in Seville
A set of 17 fragments of ceramics have been uncovered on the occasion of excavations of a workshop in Triana near Seville. These ceramics are typical of objects that are not commonly encountered in present collections in spite of intensive production during the 15th–16th centuries. Chemical and mineralogical analyses have been performed using various techniques (X‐ray fluorescence and diffraction, SEM, ion beam analyses). The majority of the cera…
Elemental Analyses of a Group of Glazed Terracotta Angels From the Italian Renaissance, as a Tool for the Reconstruction of a Complex Conservation History
A group of Italian glazed terracotta sculptures, attributed to the della Robbia workshop of Florence, is partly displayed in the Louvre Museum. Analyses of the apparently homogeneous sculptures by techniques such as PIXE, SEM, ICP/AES and ICP/MS have identified differences in the materials used. The data provide a subdivision of the sculptures, which is compatible with what is known from historical documents and artistic considerations, and sugge…
Analysis of a royal 15th century illuminated parchment using a portable XRF–XRD system and micro-invasive techniques
Analyse in situ des dessins préhistoriques de la grotte de Rouffignac par fluorescence X et diffraction X portable
La Grotte de Rouffignac (Dordogne, France) est un site d'art paléolithique qui renferme de nombreux dessins réalisés au trait noir (mammouths, bisons, rhinocéros laineux, chevaux, bouquetins...). Bien qu'aucune datation directe n'ait été réalisée à ce jour, les œuvres graphiques de cette caverne sont en général rattachées au Magdalénien
Lead-Glazed Rustiques Figulines (Rustic Ceramics) of Bernard Palissy (1510-90) and his Followers: Lead-glazed rustiques figulines of Bernard Palissy and followers
The glaze chemistry of a group of rustiques figulines attributed to the renowned French potter Bernard Palissy (1510–90), or to his followers and imitators, has been determined non-destructively using PIXE and PIGE analyses. The glazes are all lead silicates, the colourants being transition metal oxides—CuO, CoO, MnO and Fe2O3—with a small addition of SnO2 to some of the glazes being common. Some distinction can be made between the various fabric…
Elemental Analyses of a Group of Glazed Terracotta Angels From the Italian Renaissance, as a Tool for the Reconstruction of a Complex Conservation History
A group of Italian glazed terracotta sculptures, attributed to the della Robbia workshop of Florence, is partly displayed in the Louvre Museum. Analyses of the apparently homogeneous sculptures by techniques such as PIXE, SEM, ICP/AES and ICP/MS have identified differences in the materials used. The data provide a subdivision of the sculptures, which is compatible with what is known from historical documents and artistic considerations, and sugge…
French Decorative Ceramics Mass‐Produced During and After the 17th Century: Chemical Analyses of the Glazes
Chemical analyses of a group of Pb silicate–glazed decorative objets d'art showing scenes of the French royal family (Louis XIII and Henri IV), and biblical and classical figures, have been analysed and compared with other similar heritage ceramics and with the rustiques figulines of Bernard Palissy (1510–90) and his followers and imitators. In particular, non‐destructive ion‐beam chemical analyses (PIXE and PIGE) have been performed on 11 cerami…
The Structure and Chemical Composition of Wall Paintings From Islamic and Christian Times in the Seville Alcazar
Wall paintings from the Islamic epoch (10th to 12th centuries) and the Christian monarchy (14th to 16th centuries) have been recovered in discarded materials and on walls after reconstruction works in the Seville Alcazar. These paintings have spent centuries underground or under a plaster coat. Portable X‐ray fluorescence (XRF) and combined XRF/X‐ray diffraction (XRD) were employed in situ, as well as scanning electron microscopy (SEM–EDX), grazi…
Lustre‐decorated Ceramics From a 15th to 16th Century Production in Seville
A set of 17 fragments of ceramics have been uncovered on the occasion of excavations of a workshop in Triana near Seville. These ceramics are typical of objects that are not commonly encountered in present collections in spite of intensive production during the 15th–16th centuries. Chemical and mineralogical analyses have been performed using various techniques (X‐ray fluorescence and diffraction, SEM, ion beam analyses). The majority of the cera…
Elemental Analyses of a Group of Glazed Terracotta Angels From the Italian Renaissance, as a Tool for the Reconstruction of a Complex Conservation History
A group of Italian glazed terracotta sculptures, attributed to the della Robbia workshop of Florence, is partly displayed in the Louvre Museum. Analyses of the apparently homogeneous sculptures by techniques such as PIXE, SEM, ICP/AES and ICP/MS have identified differences in the materials used. The data provide a subdivision of the sculptures, which is compatible with what is known from historical documents and artistic considerations, and sugge…
Lustre‐decorated Ceramics From a 15th to 16th Century Production in Seville
A set of 17 fragments of ceramics have been uncovered on the occasion of excavations of a workshop in Triana near Seville. These ceramics are typical of objects that are not commonly encountered in present collections in spite of intensive production during the 15th–16th centuries. Chemical and mineralogical analyses have been performed using various techniques (X‐ray fluorescence and diffraction, SEM, ion beam analyses). The majority of the cera…
The Evolution of Lustre Ceramics From Manises (Valencia, Spain) Between the 14th and 18th Centuries: Lustre ceramics from Manises (Valencia, Spain)
A set of 33 fragments of lustre-decorated ceramics uncovered during an archaeological excavation in Manises (Valencia, Spain) have been studied. These ceramics were produced in Manises from the 14th to the 18th century. This well-dated set of ceramic shards represents the diversity of Manises lustre production and is a complete time sequence of reference for the technological analysis. Texture analysis of the glazes has been carried out by SEM–ED…
Analyse in situ des dessins préhistoriques de la grotte de Rouffignac par fluorescence X et diffraction X portable
La Grotte de Rouffignac (Dordogne, France) est un site d'art paléolithique qui renferme de nombreux dessins réalisés au trait noir (mammouths, bisons, rhinocéros laineux, chevaux, bouquetins...). Bien qu'aucune datation directe n'ait été réalisée à ce jour, les œuvres graphiques de cette caverne sont en général rattachées au Magdalénien
Analysis of a royal 15th century illuminated parchment using a portable XRF–XRD system and micro-invasive techniques
The Structure and Chemical Composition of Wall Paintings From Islamic and Christian Times in the Seville Alcazar
Wall paintings from the Islamic epoch (10th to 12th centuries) and the Christian monarchy (14th to 16th centuries) have been recovered in discarded materials and on walls after reconstruction works in the Seville Alcazar. These paintings have spent centuries underground or under a plaster coat. Portable X‐ray fluorescence (XRF) and combined XRF/X‐ray diffraction (XRD) were employed in situ, as well as scanning electron microscopy (SEM–EDX), grazi…
Lead-Glazed Rustiques Figulines (Rustic Ceramics) of Bernard Palissy (1510-90) and his Followers: Lead-glazed rustiques figulines of Bernard Palissy and followers
The glaze chemistry of a group of rustiques figulines attributed to the renowned French potter Bernard Palissy (1510–90), or to his followers and imitators, has been determined non-destructively using PIXE and PIGE analyses. The glazes are all lead silicates, the colourants being transition metal oxides—CuO, CoO, MnO and Fe2O3—with a small addition of SnO2 to some of the glazes being common. Some distinction can be made between the various fabric…
French Decorative Ceramics Mass‐Produced During and After the 17th Century: Chemical Analyses of the Glazes
Chemical analyses of a group of Pb silicate–glazed decorative objets d'art showing scenes of the French royal family (Louis XIII and Henri IV), and biblical and classical figures, have been analysed and compared with other similar heritage ceramics and with the rustiques figulines of Bernard Palissy (1510–90) and his followers and imitators. In particular, non‐destructive ion‐beam chemical analyses (PIXE and PIGE) have been performed on 11 cerami…
Cultural Heritage Materials Analysis (7 works) · Materials Science (6 works) · Archaeology (5 works) · Art (5 works) · Metallurgy (5 works) · Mineralogy (5 works) · Building materials and conservation (4 works) · Ceramic (4 works) · Conservation Techniques and Studies (4 works) · Art history (3 works)