T Casabianca
Biographic Data
| ID | 5217858 |
|---|---|
| NAME | T Casabianca |
| GIVEN NAMES | T |
| FAMILY NAME | Casabianca |
| SIGNATURE | CASABIANCA T |
| AFFILIATIONS | Ajaccio 20000 France |
| ORCID | 0000-0002-3583-1547 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Commentary on the Article “Image Formation on the Holy Shroud—A Digital 3D Approach” by Cicero Moraes
The partial digital reconstruction of the Shroud of Turin by Moraes does not substantiate the low‐relief hypothesis, medieval or otherwise. The study relies on ambiguous aims, methodological flaws, and fallacious reasoning. By omitting essential features of the artifact, it fails to advance understanding of the image formation process
Systematic Evaluation of Recent Research on the Shroud of Turin
This study critically reviews four decades of academic research on the Shroud of Turin, a highly debated archaeological artifact. Employing advanced epistemological methods such as argument mapping and Bayesian analysis, the study systematically evaluates the two leading hypotheses: the medieval creation of the Shroud and its authenticity as the burial cloth of Jesus of Nazareth. This examination suggests a warrant for the proponents’ belief in t…
Commentary on the article ‘Unveiling deception
Quiroga Rodríguez argues in favour of a medieval creation of the Shroud of Turin. His reasoning is based on historical interpretations and alleged anatomical anomalies. We address several critical issues undermining the reliability of his conclusions
Radiocarbon Dating of the Turin Shroud
In 1988, three laboratories performed a radiocarbon analysis of the Turin Shroud. The results, which were centralized by the British Museum and published in Nature in 1989, provided ‘conclusive evidence’ of the medieval origin of the artefact. However, the raw data were never released by the institutions. In 2017, in response to a legal request, all raw data kept by the British Museum were made accessible. A statistical analysis of the Nature art…
Radiocarbon Dating of the Turin Shroud
In 1988, three laboratories performed a radiocarbon analysis of the Turin Shroud. The results, which were centralized by the British Museum and published in Nature in 1989, provided ‘conclusive evidence’ of the medieval origin of the artefact. However, the raw data were never released by the institutions. In 2017, in response to a legal request, all raw data kept by the British Museum were made accessible. A statistical analysis of the Nature art…
Radiocarbon Dating of the Turin Shroud
In 1988, three laboratories performed a radiocarbon analysis of the Turin Shroud. The results, which were centralized by the British Museum and published in Nature in 1989, provided ‘conclusive evidence’ of the medieval origin of the artefact. However, the raw data were never released by the institutions. In 2017, in response to a legal request, all raw data kept by the British Museum were made accessible. A statistical analysis of the Nature art…
Systematic Evaluation of Recent Research on the Shroud of Turin
This study critically reviews four decades of academic research on the Shroud of Turin, a highly debated archaeological artifact. Employing advanced epistemological methods such as argument mapping and Bayesian analysis, the study systematically evaluates the two leading hypotheses: the medieval creation of the Shroud and its authenticity as the burial cloth of Jesus of Nazareth. This examination suggests a warrant for the proponents’ belief in t…
Commentary on the article ‘Unveiling deception
Quiroga Rodríguez argues in favour of a medieval creation of the Shroud of Turin. His reasoning is based on historical interpretations and alleged anatomical anomalies. We address several critical issues undermining the reliability of his conclusions
Commentary on the Article “Image Formation on the Holy Shroud—A Digital 3D Approach” by Cicero Moraes
The partial digital reconstruction of the Shroud of Turin by Moraes does not substantiate the low‐relief hypothesis, medieval or otherwise. The study relies on ambiguous aims, methodological flaws, and fallacious reasoning. By omitting essential features of the artifact, it fails to advance understanding of the image formation process
Cold Fusion and Nuclear Reactions (4 works) · Shroud (4 works) · Archaeology (3 works) · History (3 works) · Historical, Religious, and Philosophical Studies (2 works) · Aesthetics (1 work) · Ancient Egypt and Archaeology (1 work) · Art (1 work) · Art history (1 work) · Astrobiology (1 work)