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James Thomas Lloyd

Biographic Data

ID5218724
NAMEJames Thomas Lloyd
GIVEN NAMESJames Thomas
FAMILY NAMELloyd
SIGNATURELLOYD J T
AFFILIATIONSUniversity of Reading
ORCID0000-0003-0538-1220
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS2
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Spartan dependence on Laurion lead

    Open Access•James Thomas Lloyd•ARTICLE•Archaeometry•2023•Cited by: 1•References: 31

    This article presents contextual evidence for the interpretation of lead isotope analysis (LIA) of artefacts from the Archaic Greek Mediterranean. In particular, I make a response to Wood’s suggestion in Archaeometry (2022, first view, ‘Other ways to examine the finances behind the birth of Classical Greece’) that the end of the production of lead votive figurines in Sparta might have been caused by Athenian restrictions to Laurion lead exports, …

  • Composition, Comparison, and Concept

    James Thomas Lloyd, James Lloyd•ARTICLE•Greek and Roman Musical Studies•2020

    While recent discussions of music archaeology have emphasised the importance of context for the study of the art and archaeology of ancient music, there has not been much theoretical engagement with the objects themselves. This paper takes recent arguments concerning two objects identified as strobiloi to propose an object-based framework for the study of ancient art and archaeology in relation to ancient music. Contexts are not infallible. Being…

  • Music and Materiality

    James Thomas Lloyd, James Lloyd•ARTICLE•Greek and Roman Musical Studies•2020

    On the 20th to 22nd July 2018 the 11th MOISA International Conference was held at the University of Reading, organised by Ian Rutherford, Donatella Restani and James Lloyd. Nineteen papers were presented, all engaging with the theme of ‘Music and Materiality’. This report explores the areas where future research on music and materiality might prove fruitful, as evidenced by the rich and varied set of topics and methodologies presented during the …

  • The Priests of the King's Reliquary in Anglo-Saxon England

    Open Access•James Thomas Lloyd, James Lloyd•ARTICLE•The Journal of Ecclesiastical…•2016•Cited by: 1•References: 1

    That the priests of the Anglo-Saxon royal household functioned as a primitive chancery is a popular and reasonable hypothesis, corroborated both by contemporary continental practice and by the overlap between chancery and chapel evident from the twelfth century to the fourteenth. Evidence for an Anglo-Saxon chancellorship as such, however, remains frustratingly elusive. This paper argues for the existence of a special tier of priests entrusted wi…

  • The Legend of Bloody Baker

    James Thomas Lloyd, James Lloyd•ARTICLE•Folklore•2014

    The legend of Sir Richard ‘Bloody’ Baker, concerning events alleged to have occurred in the parish of Cranbrook, Kent in the sixteenth century, was first recorded in 1850. This legend bears such strong similarities to the English folktale of Mister Fox that it has been suggested it was deliberately fabricated by a Victorian faux antiquary. There are, however, many other oral traditions current in Cranbrook about Bloody Baker which do seem to be a…

  • Peribanez and the Comendador of Ocana

    J M Ruano De La Haza, Lope De Vega et al.•ARTICLE•Hispanic Review•1993

  • Spartan dependence on Laurion lead

    Open Access•James Thomas Lloyd•ARTICLE•Archaeometry•2023•Cited by: 1•References: 31

    This article presents contextual evidence for the interpretation of lead isotope analysis (LIA) of artefacts from the Archaic Greek Mediterranean. In particular, I make a response to Wood’s suggestion in Archaeometry (2022, first view, ‘Other ways to examine the finances behind the birth of Classical Greece’) that the end of the production of lead votive figurines in Sparta might have been caused by Athenian restrictions to Laurion lead exports, …

  • The Priests of the King's Reliquary in Anglo-Saxon England

    Open Access•James Thomas Lloyd, James Lloyd•ARTICLE•The Journal of Ecclesiastical…•2016•Cited by: 1•References: 1

    That the priests of the Anglo-Saxon royal household functioned as a primitive chancery is a popular and reasonable hypothesis, corroborated both by contemporary continental practice and by the overlap between chancery and chapel evident from the twelfth century to the fourteenth. Evidence for an Anglo-Saxon chancellorship as such, however, remains frustratingly elusive. This paper argues for the existence of a special tier of priests entrusted wi…

  • Peribanez and the Comendador of Ocana

    J M Ruano De La Haza, Lope De Vega et al.•ARTICLE•Hispanic Review•1993

  • The Legend of Bloody Baker

    James Thomas Lloyd, James Lloyd•ARTICLE•Folklore•2014

    The legend of Sir Richard ‘Bloody’ Baker, concerning events alleged to have occurred in the parish of Cranbrook, Kent in the sixteenth century, was first recorded in 1850. This legend bears such strong similarities to the English folktale of Mister Fox that it has been suggested it was deliberately fabricated by a Victorian faux antiquary. There are, however, many other oral traditions current in Cranbrook about Bloody Baker which do seem to be a…

  • The Priests of the King's Reliquary in Anglo-Saxon England

    Open Access•James Thomas Lloyd, James Lloyd•ARTICLE•The Journal of Ecclesiastical…•2016•Cited by: 1•References: 1

    That the priests of the Anglo-Saxon royal household functioned as a primitive chancery is a popular and reasonable hypothesis, corroborated both by contemporary continental practice and by the overlap between chancery and chapel evident from the twelfth century to the fourteenth. Evidence for an Anglo-Saxon chancellorship as such, however, remains frustratingly elusive. This paper argues for the existence of a special tier of priests entrusted wi…

  • Composition, Comparison, and Concept

    James Thomas Lloyd, James Lloyd•ARTICLE•Greek and Roman Musical Studies•2020

    While recent discussions of music archaeology have emphasised the importance of context for the study of the art and archaeology of ancient music, there has not been much theoretical engagement with the objects themselves. This paper takes recent arguments concerning two objects identified as strobiloi to propose an object-based framework for the study of ancient art and archaeology in relation to ancient music. Contexts are not infallible. Being…

  • Music and Materiality

    James Thomas Lloyd, James Lloyd•ARTICLE•Greek and Roman Musical Studies•2020

    On the 20th to 22nd July 2018 the 11th MOISA International Conference was held at the University of Reading, organised by Ian Rutherford, Donatella Restani and James Lloyd. Nineteen papers were presented, all engaging with the theme of ‘Music and Materiality’. This report explores the areas where future research on music and materiality might prove fruitful, as evidenced by the rich and varied set of topics and methodologies presented during the …

  • Spartan dependence on Laurion lead

    Open Access•James Thomas Lloyd•ARTICLE•Archaeometry•2023•Cited by: 1•References: 31

    This article presents contextual evidence for the interpretation of lead isotope analysis (LIA) of artefacts from the Archaic Greek Mediterranean. In particular, I make a response to Wood’s suggestion in Archaeometry (2022, first view, ‘Other ways to examine the finances behind the birth of Classical Greece’) that the end of the production of lead votive figurines in Sparta might have been caused by Athenian restrictions to Laurion lead exports, …

History (5 works) · Art (4 works) · History (3 works) · Literature (3 works) · Aesthetics (2 works) · Ancient history (2 works) · Archaeology (2 works) · Archaeology and ancient environmental studies (2 works) · Art history (2 works) · Computer Science (2 works)

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